Your basket is empty

Categories :

Albums

From
CD$1.49

P&P Freestyle

Yungen

Hip-Hop/Rap - Released January 26, 2022 | RCA Records Label

From
CD$1.49

Da det var oss

Morgan Sulele

Pop - Released January 21, 2022 | RCA Records Label

From
CD$1.49

Veleno

VV

Alternative & Indie - Released January 19, 2022 | RCA Records Label

From
CD$1.49

Daily Duppy (Goat Talk)

Yungen

Hip-Hop/Rap - Released January 15, 2022 | RCA Records Label

From
CD$1.49

Over

Camden Cox

Pop - Released January 14, 2022 | RCA Records Label

From
CD$12.99

MLV

Maria-Louiza Vasilopoulou

Pop - Released January 7, 2022 | RCA Records Label

From
CD$1.49

Hopeless Romantic

Sam Fischer

Pop - Released January 7, 2022 | RCA Records Label

From
HI-RES$12.99
CD$9.99

The Hanukkah Sessions 2021

Kurstin x Grohl

Rock - Released December 31, 2021 | RCA Records Label

Hi-Res
From
HI-RES$12.99
CD$9.99

The Hanukkah Sessions 2020

Kurstin x Grohl

Rock - Released December 30, 2021 | RCA Records Label

Hi-Res
From
HI-RES$1.99
CD$1.49

Elämä on nyt

Titta

Pop - Released December 29, 2021 | RCA Records Label

Hi-Res
From
HI-RES$17.49
CD$12.99

Tutti cuori viaggianti

Ron

Italy - Released December 20, 2021 | RCA Records Label

Hi-Res
From
CD$1.49

Win Anyway

Walk The Moon

Alternative & Indie - Released December 20, 2021 | RCA Records Label

From
HI-RES$17.49
CD$12.99

É l'Italia che va

Ron

Italy - Released December 20, 2021 | RCA Records Label

Hi-Res

Il mondo avrà una grande anima

Ron

Italy - Released December 20, 2021 | RCA Records Label

Download not available
From
HI-RES$17.49
CD$12.99

Ron

Ron

Italy - Released December 20, 2021 | RCA Records Label

Hi-Res
From
CD$1.49

DiE4u

Bring Me The Horizon

Rock - Released December 17, 2021 | RCA Records Label

From
CD$1.49

Bobby Brown

Hkeem

Pop - Released December 15, 2021 | RCA Records Label

From
HI-RES$22.49
CD$18.49

KEYS

Alicia Keys

R&B - Released December 10, 2021 | RCA Records Label

Hi-Res
Going by title and release proximity -- never before had Alicia Keys released studio albums in consecutive years -- Keys seems set up to be pitched as a sequel to Alicia. Conversely, it's another ball of wax. Make that conjoined balls of wax. Disc one is essentially a standard Alicia Keys LP, while the second disc is an album of remixes plus two more new songs. It starts like a mixtape with Keys' anticipatory piano trailed by the stern voice of Pusha T and an equally menacing beat recycling the one from Beanie Sigel's "The Truth" (with that charged Graham Nash organ). Keys testifies her faith and gives thanks, and through the rest of the first set sings to a lover in varying states of their relationship, often with words of devotion and pleas to make it through the not-so-good times. The songs are more likely to evoke a feeling than have a clear meaning; to wit, "Somebody never told me there's a last time for everything/Even a landslide is an opening/Turning metal into gold" requires some interpretive skill to comprehend what Keys is putting across. The originals peak with "Best of Me," a crisp and sighing slow jam with a writing assist from Raphael Saadiq and a hint of Sade's "Cherish the Day." Two of Keys' most moving vocal performances are contained in "Is It Insane," an anguished torch song done acoustic jazz-trio style, and "Love When You Call My Name," a levitating ballad out of time. Keys produced most of the first disc on her own, and for the second disc teams almost exclusively with Mike WiLL Made-It and associates for the alternate versions. The makeovers range from subtle to fairly extreme. "Nat King Cole" is turned into hip-hop soul with an obvious debt to early Portishead (and an insignificant verse from Lil Wayne). The "Skydive" remodel, which likewise evokes the mid-'90s, is much craftier, retaining some of the bass from Taana Gardner's "Heartbeat" but smoothing it out to be in a class with Mary J. Blige's "Mary Jane (All Night Long)" or Groove Theory's "Tell Me." The latter half's new songs are two of the album's higher-profile collaborations: a tentative-sounding missed opportunity with Khalid and Lucky Daye, and an intoxicated duet with Swae Lee where Tyrone Davis' coasting 1979 hit "In the Mood" does most of the work. © Andy Kellman /TiVo
From
HI-RES$22.49
CD$18.49

KEYS

Alicia Keys

R&B - Released December 10, 2021 | RCA Records Label

Hi-Res
Going by title and release proximity -- never before had Alicia Keys released studio albums in consecutive years -- Keys seems set up to be pitched as a sequel to Alicia. Conversely, it's another ball of wax. Make that conjoined balls of wax. Disc one is essentially a standard Alicia Keys LP, while the second disc is an album of remixes plus two more new songs. It starts like a mixtape with Keys' anticipatory piano trailed by the stern voice of Pusha T and an equally menacing beat recycling the one from Beanie Sigel's "The Truth" (with that charged Graham Nash organ). Keys testifies her faith and gives thanks, and through the rest of the first set sings to a lover in varying states of their relationship, often with words of devotion and pleas to make it through the not-so-good times. The songs are more likely to evoke a feeling than have a clear meaning; to wit, "Somebody never told me there's a last time for everything/Even a landslide is an opening/Turning metal into gold" requires some interpretive skill to comprehend what Keys is putting across. The originals peak with "Best of Me," a crisp and sighing slow jam with a writing assist from Raphael Saadiq and a hint of Sade's "Cherish the Day." Two of Keys' most moving vocal performances are contained in "Is It Insane," an anguished torch song done acoustic jazz-trio style, and "Love When You Call My Name," a levitating ballad out of time. Keys produced most of the first disc on her own, and for the second disc teams almost exclusively with Mike WiLL Made-It and associates for the alternate versions. The makeovers range from subtle to fairly extreme. "Nat King Cole" is turned into hip-hop soul with an obvious debt to early Portishead (and an insignificant verse from Lil Wayne). The "Skydive" remodel, which likewise evokes the mid-'90s, is much craftier, retaining some of the bass from Taana Gardner's "Heartbeat" but smoothing it out to be in a class with Mary J. Blige's "Mary Jane (All Night Long)" or Groove Theory's "Tell Me." The latter half's new songs are two of the album's higher-profile collaborations: a tentative-sounding missed opportunity with Khalid and Lucky Daye, and an intoxicated duet with Swae Lee where Tyrone Davis' coasting 1979 hit "In the Mood" does most of the work. © Andy Kellman /TiVo
From
CD$5.99

...Just Cause

Nnena

Hip-Hop/Rap - Released December 10, 2021 | RCA Records Label

Label

RCA Records Label in the magazine
  • 2020's Disco Revival: Miley Cyrus!
    2020's Disco Revival: Miley Cyrus! At the 2020 MTV Video Music Awards, Miley Cyrus performed Midnight Sky}(one of the singles from this seventh studio album) while swinging on a giant disco ball. But in contrast to Charlie Chaplin’s...
  • Alanis Morissette - Such Pretty Forks in The Road
    Alanis Morissette - Such Pretty Forks in The Road Canadian Alanis Morissette’s ninth studio album is carried by Smiling, a song written for the Broadway adaptation of her third album Jagged Little Pill, released in 1995. The track appears in the first act when Mary Jane Healy (the mother of a modest family in Connecticut) highlights the contradi...