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Blues - Released November 6, 2020 | Mercury Studios

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Blues - Released October 23, 2020 | Mercury Studios

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Blues - Released September 25, 2020 | Mercury Studios

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Blues - Released September 25, 2020 | Mercury Studios

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Rock - Released May 29, 2020 | Mercury Studios

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Rock - Released May 29, 2020 | Mercury Studios

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Blues - Released April 8, 2020 | Mercury Studios

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Rock - Released March 27, 2020 | Mercury Studios

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Rock - Released February 27, 2020 | Mercury Studios

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Pop - Released November 15, 2019 | Mercury Studios

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Rock - Released October 18, 2019 | Mercury Studios

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In celebration of their 40 th anniversary, The Cure didn’t just hire out a little pub in their hometown of Crawley, Sussex – they hired out the whole of Hyde Park instead! What an epic location for an epic group. The recording of this concert on July 7, 2018 in London in front of a crowd of 65,000 people is a reminder that the style, sound, creativity, song- writing and atmosphere that Robert Smith and his gang bring to the table is like no other. With his mascara, lipstick and static hair-do, the lead singer of The Cure has never sung so well despite being only a few months off his 60 th birthday here. The concert journeys through four decades of hits (which are sometimes cold wave but are mostly pop) and you can really appreciate the breadth of their work, along with all those melodies that you recognise subconsciously and Robert Smith’s ability to just get on with it. Joined onstage by his long-time partner in crime Simon Gallup (bass), as well as Reeves Gabrels (guitar), Roger O’Donnell (keyboards) and Jason Cooper (drums), he sings some beautiful versions of Pictures of You, In Between Days, Just Like Heaven, A Forest, Disintegration, Lullaby, The Caterpillar, Friday I’m in Love, Close to Me, Boys Don’t Cry, 10:15 Saturday Night and Killing an Arab. © Max Dembo/Qobuz
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Rock - Released October 18, 2019 | Mercury Studios

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Rock - Released October 18, 2019 | Mercury Studios

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Rock - Released October 18, 2019 | Mercury Studios

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Rock - Released October 18, 2019 | Mercury Studios

The second volume of High Water arrived a little less than a year after the first, but by all appearances it could've been released alongside its predecessor. In every way, High Water II is cut from the same cloth as High Water I. At its core, it sounds like a loud, bold incarnation of the Black Crowes, one guided by guitarist Rich Robinson, heavy on riffs, rockers, and blues with the occasional acoustic number to provide levity. Vocalist John Hogg can still evoke Chris Robinson; when the band gooses the rhythms they can veer toward Lenny Kravitz territory; but they still seem to ramble even when they bring proceedings to a close around the four-minute mark. In other words, it's a journeyman's record, written and recorded by lifers who aren't as concerned with incorporating new textures as they are with sticking to the tried and true. This meat-and-potatoes sensibility trickles down to the songwriting, which often doesn't contain much more than the bones of a sturdy song. It all adds up to a solid record, one that will surely appeal to Crowes fans who have no patience for Deadhead flourishes, but one that could use a little bit of flair on the edges. © Stephen Thomas Erlewine /TiVo
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Rock - Released October 11, 2019 | Mercury Studios

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Rock - Released October 4, 2019 | Mercury Studios

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39

Rock - Released September 27, 2019 | Mercury Studios

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Pop - Released September 25, 2019 | Mercury Studios

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Cry

Pop - Released September 25, 2019 | Mercury Studios

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