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Blues - Released February 3, 2014 | Mascot Label Group - Provogue

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Blues - Released January 27, 2014 | Mascot Label Group - Provogue

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Rock - Released October 25, 2013 | Mascot Label Group - Provogue

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Blues - Released February 15, 2013 | Mascot Label Group - Provogue

Robben Ford's last studio effort, 2007's Truth, received a Grammy nomination for best contemporary blues album. Where that recording focused on his workmanlike songwriting skills and his prodigious guitar technique, Bringing It All Back Home highlights other aspects of his musical persona. This is Ford putting on offer his considerable skills as a bandleader and song interpreter. There's not a lot of superpicker athleticism on display here, and there doesn't need to be. Backed a smoking band that includes organist Larry Goldings, drummer Harvey Mason, bassist David Pilch, and trombonist Stephen Baxter, Ford makes it look easy. On this series of mainly cover tunes, his modern blues is infused with his love of New Orleans' R&B throughout. This is especially true on the slippery, punchy, readings of Allen Toussaint's "Everything I Do Gonna Be Funky" and "Fair Child" -- two of the first three tunes here -- that are simultaneously polished and greasy. One of the three guitar burners here is "Trick Bag," by NOLA guitar hero Earl King. It showcases the locked-in interplay between Pilch and Baxter as they ride atop Mason's funky butt breakbeats. Even Bob Dylan's "Most Likely You Go Your Way and I’ll Go Mine" gets a second-line backbeat treatment. Another guitar highlight, albeit a gorgeously relaxed one, is an instrumental update of the traditional "On That Morning," wherein Ford expertly channels his inner Wes Montgomery. On "Slick Capers Blues," by little known pre-war bluesman Charlie "Little Buddy" Doyle, he and Goldings trade knotty lines in updating the tune for the new century. A great surprise here is how fine a singer Ford has become. His voice is as much an instrument on this set as his guitar is. Whether it's on the aforementioned cuts, his version of wife Ann Kerry Ford's and Michael McDonald's jazzy "Traveler’s Waltz," or his Mose Allison-by-way-of-Ben Sidran reading of "Fool's Paradise," his vocals are expressive and relaxed; he displays sophisticated, savvy, seemingly effortless phrasing. The grain of his voice on the lone original, "Oh, Virginia," establishes a seamless connection between Southern soul, New Orleans rhythm & blues, and country music -- and may be the finest song he's written. There is a precedent for Bringing It All Back Home: Lowell George's classic, Thanks, I’ll Eat It Here. That album was misunderstood upon release because it downplayed the artist's slide guitar and songwriting chops to focus on his consummate skill as a singer. Ford has done something similar, yet offers his fans enough of his instrumental talent to balance the equation. © Thom Jurek /TiVo
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Rock - Released January 18, 2013 | Mascot Label Group - Provogue

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Rock - Released October 5, 2012 | Mascot Label Group - Provogue

Booklet
Beth Hart received a considerable boost from her collaboration with guitarist Joe Bonamassa, but her 2013 album, Bang Bang Boom Boom, finds the blues-rock belter returning to her comfort zone, working with producer Kevin Shirley and running through a selection of songs that are originals; songs that emphasize Hart's range and power. In some ways, this is the purest record Hart has yet recorded; there is a real sense of what she can sing and how she lays back, waiting for the moment when her wailing would create the strongest disruption. That means Bang Bang Boom Boom feels familiar without being complacent: there is no surprise in style but rather in attack, how Hart waits for the precise moment to unleash her fury. Sometimes, it seems that Hart would be well-served by stretching herself just a bit, but Bang Bang Boom Boom isn't an album that's meant to surprise. It's supposed to hit its mark with precision and minimal flair, and that's exactly what it does. [The American edition contains a bonus track: the stellar live version of "I'd Rather Go Blind," that Hart performed with Jeff Beck at the 2012 Kennedy Center Honors in tribute to Buddy Guy.] © Stephen Thomas Erlewine /TiVo
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Rock - Released September 14, 2012 | Mascot Label Group - Provogue

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Blues - Released August 24, 2012 | Mascot Label Group - Provogue

Booklet Distinctions Sélection FIP