Your basket is empty

Categories :

Albums

HI-RES$14.99
CD$12.99

Pop - Released July 10, 2015 | Low Country Sound - Elektra

Hi-Res
CD$10.49

Rock - Released July 10, 2015 | Low Country Sound - Elektra

HI-RES$14.99
CD$12.99

Country - Released March 18, 2016 | Low Country Sound - Elektra

Hi-Res
CD$10.49

Country - Released March 18, 2016 | Low Country Sound - Elektra

HI-RES$14.99
CD$12.99

Country - Released January 12, 2018 | Low Country Sound - Elektra

Hi-Res
This seems like a crucial moment for Anderson East. With Encore, the artist born in Alabama leaves the keys of the production to the excellent Dave Cobb and entrusts the writing of some titles to experts such as Chris Stapleton (King For A Day and If You Keep Leaving Me) and Ed Sheeran (All on My Mind). His Southern roots solidly surface in his blend of country and soul music (If You Keep Leaving Me will make you think of Otis Redding) or blues (Somebody Pick Up My Pieces). At the heart of this fusion of classic American music, Anderson East even slips covers of Ted Hawkins (Sorry You're Sick) and Willie Nelson (Somebody Pick Up My Pieces). With a perfect balance between vintage country soul sonorities and a still very contemporary approach, Encore is an endearing mainstream disc. It’s a work that most of all proves that his music is there to last. And what a voice he has too! © CM/Qobuz
CD$12.99

Pop - Released January 12, 2018 | Low Country Sound - Elektra

This seems like a crucial moment for Anderson East. With Encore, the artist born in Alabama leaves the keys of the production to the excellent Dave Cobb and entrusts the writing of some titles to experts such as Chris Stapleton (King For A Day and If You Keep Leaving Me) and Ed Sheeran (All on My Mind). His Southern roots solidly surface in his blend of country and soul music (If You Keep Leaving Me will make you think of Otis Redding) or blues (Somebody Pick Up My Pieces). At the heart of this fusion of classic American music, Anderson East even slips covers of Ted Hawkins (Sorry You're Sick) and Willie Nelson (Somebody Pick Up My Pieces). With a perfect balance between vintage country soul sonorities and a still very contemporary approach, Encore is an endearing mainstream disc. It’s a work that most of all proves that his music is there to last. And what a voice he has too! © CM/Qobuz
HI-RES$11.99
CD$10.49

Country - Released February 16, 2018 | Low Country Sound - Elektra

Hi-Res Distinctions Grammy Awards - Preis der deutschen Schallplattenkritik
Brandi Carlile does not lay idle. Between her new life as a homosexual mother which she openly displays or her activism with the association War Child, she has found time to return to the studio for the sixth time. As a mother, the hallucination of an America at the edge of cracking infused the story of what she considers the most intense of her career. By The Way, I Forgive You, entwined by the evangelical theme of forgiveness, co-produced by Shooter Jennings (the son of the late Waylon) and Dave Cobb (Jason Isbell, Chris Stapleton and Lori McKenna) succeeds the country folk of The Firewatcher's Daughter (2015). Ten tracks totalling 43 minutes, touching on topics such as Carlile's family, politics, identity and the faithful twin Hanseroth (Fightings Machinists). The strings were arranged by the late Paul Buckmaster (Elton John, David Bowie, Rolling Stone or Leonard Cohen) and its all packed into an emotional style of country made for a broad audience. © Charlotte Saintoin/Qobuz
CD$10.49

Country - Released February 16, 2018 | Low Country Sound - Elektra

Brandi Carlile does not lay idle. Between her new life as a homosexual mother which she openly displays or her activism with the association War Child, she has found time to return to the studio for the sixth time. As a mother, the hallucination of an America at the edge of cracking infused the story of what she considers the most intense of her career. By The Way, I Forgive You, entwined by the evangelical theme of forgiveness, co-produced by Shooter Jennings (the son of the late Waylon) and Dave Cobb (Jason Isbell, Chris Stapleton and Lori McKenna) succeeds the country folk of The Firewatcher's Daughter (2015). Ten tracks totalling 43 minutes, touching on topics such as Carlile's family, politics, identity and the faithful twin Hanseroth (Fightings Machinists). The strings were arranged by the late Paul Buckmaster (Elton John, David Bowie, Rolling Stone or Leonard Cohen) and its all packed into an emotional style of country made for a broad audience. © Charlotte Saintoin/Qobuz
HI-RES$14.99
CD$12.99

Country - Released May 11, 2018 | Low Country Sound - Elektra

Hi-Res
CD$12.99

Country - Released May 11, 2018 | Low Country Sound - Elektra

CD$12.99

Country - Released August 10, 2018 | Low Country Sound - Elektra

What future is there for you, if not music, when your parents are Waylon Jennings and Jessie Colter? For Shooter Jennings, it is a heavy legacy he carries with him – one that’s almost impossible to compete with. Like Hank Jr, this son of had to find his own musical identity. With his authentic character and a passion for guns, outlaws and good old Tennessee, Shooter Jennings represents contemporary Southern country rock. His first album in 2004 Put The O Back In Country , confirmed his love for George Jones. With his redneck look, his slightly nasal voice, his offbeat and imperfect albums, it's hard not to feel a certain tenderness for Waylon's son. For this eponymous album, this country-rock-electronica maniac pays homage to... Giorgio Moroder! Yes that’s right, the pope of disco himself. Supported by Dave Cobb, this is the most country album of Jennings’ career to date. An atmosphere that is only further confirmed on the tracks Rhinestone Eyes and Do You Love Texas?. © Clara Bismuth/Qobuz
HI-RES$17.99
CD$15.49

Pop - Released May 3, 2019 | Low Country Sound - Elektra

Hi-Res
HI-RES$14.99
CD$12.99

Country - Released September 6, 2019 | Low Country Sound - Elektra

Hi-Res
The country supergroup of Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby—the Highwomen—mercifully isn't about girl power. Theirs is a show of strength by four grown-ass women and their mighty voices. They harmonize like nobody's business (the '80s-tinged "Redesigning Women," rodeo-sweetheart track "Heaven Is a Honky Tonk") but it's just as fun when they trade verses, as on the wickedly swinging "My Name Can't Be Mama" and lonesome-West title track, co-written with Jimmy Webb (who composed "Highwayman," made famous by Johnny Cash, Waylon Jennings, Willie Nelson and Kris Kristofferson, who adopted the moniker in 1985 for their quartet). Morris takes center stage for "Loose Change," highlighting her clever-metaphor lyrics: "I'm gonna be somebody's lucky penny someday / instead of rolling around your pocket like loose change." Carlile exudes star power for the excellent "Wheels of Laredo" and "If She Ever Leaves Me"—a claim-staking weepie told from a lesbian POV. While not as famous, Shires ("Don't Call Me," a real spitfire) and Hemby (the Anne Murray-esque "My Only Child") prove much more than supporting players. And when all four voices come together with no solo turns for the angelic "Crowded Table," it's truly a high. © Qobuz