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Rock - Released August 18, 2017 | BMG Rights Management (US) LLC

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Alternative & Indie - Released September 2, 2019 | BMG Rights Management (US) LLC

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Rock - Released July 12, 2019 | BMG Rights Management (US) LLC

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Rock - Released March 29, 2019 | BMG Rights Management (US) LLC

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It wasn’t until 1988 that Keith Richards, at the age of 45, finally launched his solo career. Mick Jagger had recently preceded him with the albums She’s the Boss in 1985 and Primitive Cool in 1987, both of which were met with some commercial success, but are now somewhat forgotten from the history of rock’n’roll. With a smaller public reception, Talk is Cheap is evidently more rock oriented than Jagger’s albums. The master of riffs brings his influential know-how to a collection of relaxed tracks. He is supported by Steve Jordan’s solid drum rhythms and Charley Drayton’s bass. Somewhere between classic Stones rock, vintage honky-tonk, and hints of New-Orleans delta blues, Richards displays himself as more a crafter of melodies than a conventional songwriter. This solo debut resembles, above anything, an enormous, joyous jam session between friends. Such friends include: Ivan Neville (piano), Bobby Keys (sax), Waddy Wachtel (guitar), Bootsy Collins (bass), Chuck Leavell (keys), Maceo Parker (saxo), Mick Taylor (guitar), Bernie Worrell (keys) and Willie Mitchell. All in all, without his eternal other half, Keith Richards copes fairly well. Hence his return one year later with the album Steel Wheels … © Max Dembo/Qobuz
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Alternative & Indie - Released March 15, 2019 | BMG Rights Management (US) LLC

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What an odd duo: On the left, the ex-singer of the garage band Yeah Yeah Yeahs. On the right, the second half of Gnarls Barkley, who managed to take some time off from the thousands of projects she is already involved with. Their collaboration gives birth to a series of vintage and sophisticated pop songs, enigmatic at first but ultimately fascinating. Laidback and melancholic, both sensual and opulent, Karen O’s voice has a dreamlike quality reminiscent of major singers from the 1960’s. Facing her, Brian Burton, aka Danger Mouse, pulls out smooth beats and evanescent productions of both pop and cinematic quality. Both are well-read music lovers. They like to quote their inspirations, but their quotations are always sincere. They offer a wink to Motown (Woman), a look towards the solemnity of Pulp (à la This Is Hardcore), and a swim in ethereal soundscapes in the style of Pink Floyd while always remaining truthful to their identity. With frequent uses of reverbs, baritone guitars, analogical keys, indulgent and meticulous violins, and many refined melodies, Karen O and Danger Mouse have created the most elegant record of the moment. © Marc Zisman/Qobuz
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Rock - Released October 27, 2017 | BMG Rights Management (US) LLC

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Rock - Released November 10, 2017 | BMG Rights Management (US) LLC

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