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Electronic/Dance - To be released February 21, 2020 | 4AD

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Alternatif et Indé - Released September 20, 2019 | 4AD

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R&B - Released August 30, 2019 | 4AD

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The new pretender to the throne of experimental and indie R&B Jeremy Nutzman, a.k.a. Velvet Negroni, is the perfect representative of his time. With an ambient synth piano, downtempo percussion and a captivating voice, the African-American from Minneapolis, who was adopted by a family of white evangelical Christians, split his formative years between classical piano lessons and late night jam sessions. This duality has clearly influenced Neon Brown, a record that looks as much to contemporary urban soul as it does to indie rock. Following a tour with his friend Bon Iver and a single released on the New York label b4 in 2018, Velvet Negroni saw his work sampled by Kanye West and Kid Cudi on their joint album Kids See Ghosts. On i,i, Bon Iver invited him to sing on the track iMi and sampled from his track Waves. This time, for his debut album, Nutzman surrounds himself with producers Psymun (Young Thug, Juice WRLD, The Weeknd) and Elliott Kozel a.k.a. Tickle Torture and reveals songs that sweep away stereotypes. The harmonies of his gentle R&B blend into each other over intense rhythms. Soft dub follows electro soul. And his androgynous voice makes the tracks all the more mysterious. Merging the influence of Prince in the 80’s, The Weeknd’s futuristic R&B and Bon Iver-style electro folk, Velvet Negroni enchants us with the eclecticism of this brilliant album. © Max Dembo/Qobuz
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Alternatif et Indé - Released May 17, 2019 | 4AD

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This eighth album from The National is refreshingly different, somewhat modifying the well-oiled mechanics of this American band. First and foremost, this is achieved through the presence of several female singers who support the leader Matt Berninger on most of the tracks. The most memorable are the performances of Gail Ann Dorsey (David Bowie’s bassist) on Had Your Soul With You, as well as the particularly poignant performances of Lisa Hannigan and Mina Tindle on So Far So East and Oblivions respectively, the latter being especially moving. Why this sudden feminine presence for an exclusively male band? It’s likely because the album was conceived after filmmaker Mike Mills asked The National to put his short film I Am Easy to Find into song form - a film which happens to be centred around a woman. It’s this relationship to images that has somewhat upended the Brooklyn band’s pop formula. There are a few references to some classics of cinema, chiefly Roman Holiday by William Wyler (1953). But apart from the new cinematic release, fans of The National will still find the legendary melancholy of the group in both the lyrics and the music. The presence of heart-wrenching strings on all the tracks (with the exception of the staccato violins on Where Is Her Head) as well as a recurring introspective piano (notably in the beautiful Light Years) will particularly be remembered. Bryan Devendorf’s singular rhythms plays on contrasts, occasionally making striking jerks (Rylan, The Pull of You) as well as adding a sensual flair (Hairpin Turns, I Am Easy to Find). © Nicolas Magenham/Qobuz  
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Alternatif et Indé - Released April 19, 2019 | 4AD

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Alternatif et Indé - Released March 1, 2019 | 4AD

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Alternatif et Indé - Released October 31, 2018 | 4AD

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