Grammy-winning electronic producer Zedd is known for dynamic, electro-house tracks and a glitchy, pulsing production style. He first broke through in 2010 with a remix of Skrillex's "Scary Monsters and Nice Sprites" before parlaying that buzz into mainstream success with his 2012 album debut, Clarity. Buoyed by the single "Stay the Night" with Hayley Williams, Clarity reached the U.S. Top Ten and earned him a Grammy for Best Dance Recording. His sophomore album, True Colors, spawned the hit "I Want You to Know" with Selena Gomez and landed at number four (plus number one on the dance charts). Along with his own work, he has remained an in-demand producer, collaborating on tracks with a bevy of pop luminaries including Lady Gaga, Justin Bieber, and Ariana Grande. In 2018, he paired with Grammy-winning country singer Maren Morris and L.A. electronic duo Grey for the Top 40 hit "The Middle." Born Anton Zaslavski in 1989 in Saratov, Russia, Zedd grew up in Kaiserslautern, Germany, where he started out on piano at four years old. Classically trained, he eventually moved on to drums and by the early 2000s was playing in the German deathcore outfit Dioramic. Along the way, he discovered electronic music and in 2009 began experimenting with producing his own tracks. It was around this time that he adopted the stage name Zedd (inspired by the non-American pronunciation of the letter z), and quickly built his reputation by posting tracks to Beatport and remixing songs by well-known artists, including tracks like Skrillex's "Scary Monsters and Nice Sprites," Lady Gaga's "Born This Way," Armand Van Helden's "Witch Doktor," and others. Zedd also began releasing his own singles and EPs, and in late 2012, delivered his first full-length, the club-worthy Clarity. Included on the album was the song "Spectrum" which shot to the top of the U.S. dance chart. One of the follow-ups, "Stay the Night" featuring Hayley Williams, also garnered attention, reaching number two on the British pop charts and cracking the Top 20 of the Billboard Hot 100. The title track, featuring British pop singer Foxes, won a Grammy for Best Dance Recording in 2014. That same year, Zedd scored another hit with Ariana Grande's track "Break Free." In 2015, he released his sophomore LP, True Colors, which presented more stylistic diversity, dipping into rock and hip-hop influences. The collection featured Selena Gomez, Troye Sivan, and Logic among its guests, and topped the Billboard dance/electronic chart. An international tour in support of the album followed. In 2017, Zedd issued the single "Stay," featuring Canadian singer Alessia Cara on vocals. The following year, he collaborated with country sensation Maren Morris and electro duo Grey for the single "The Middle," which topped Billboard's Hot Dance/Electronic Songs charts and landed three Grammy nominations. 2019 saw Zedd team up with Katy Perry for the single "365" and later with Kehlani for "Good Thing." The song "Funny" featuring Jasmine Thompson arrived in July 2020.
© Matt Collar /TiVo
© Matt Collar /TiVo
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Dance - Released May 18, 2015 | Interscope
In between his 2012 debut album Clarity and this sophomore release, dance music producer Anton Zaslavski, aka Zedd, went from a mere EDM superstar to tabloid fodder thanks to a brief relationship with Selena Gomez. Sounding not at all shaken by it, his 2015 album True Colors is further proof that he's the most level-headed DJ ever to headline a festival. This crafted and cool LP repeats most of what was good with his debut, plus it is confident enough to have exes over, as Gomez appears on the highlight and single "I Want You to Know" belting out romantic words co-written by Ryan Tedder ("I want you to know, that I'm all yours/You and me run the same course"). "Done with Love" featuring Jacob Luttrell is the obvious post-relationship number included here, with the bass-drops being heavier than the heartache, but the wistful and subtle "Papercuts" with Troye Sivan is an even better choice, as Zedd surrounds this ode to disappointment with swirling melodies and shuffling house beats. Tracks come and go like on a pop album, with only a handful of numbers passing the five-minute mark, and yet, the production is in line with the EDM aesthetic, as the stuttering, the stopping, and the twisting comes from club culture and not mainstream radio. Odd that "Beautiful Now" goes from horny ("I see what you're wearing/There's nothing beneath it") to Maroon 5-esque (the cloying "ba, ba, ba-ba, bah!" chorus), but otherwise the slick and skillful True Colors is built for fans of Zedd's music rather than his social media followers. © David Jeffries /TiVo
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