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Bebop - Released November 11, 2016 | HighNote Records

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Bebop - Released April 20, 2010 | HighNote Records

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Bebop - Released October 12, 2004 | HighNote Records

"[T]he arrangements are melody-driven, neat and to the point."
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Bebop - Released March 6, 2012 | HighNote Records

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Bebop - Released April 23, 2013 | HighNote Records

Wallace Roney's sixth studio album for High Note, 2013's Understanding, is an expansive, often swinging work that finds the trumpeter digging even deeper into the straight-ahead if no less adventurous sound of his recent releases. These are bluesy, harmonically layered modal songs that bring to mind such touchstones as '70s Woody Shaw and late-'60s Miles Davis. Joining Roney here are saxophonists Arnold Lee and Ben Solomon, pianist Victor Gould, bassist Daryl Johns, and drummer Kush Abadey. ~ Matt Collar
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Jazz - Released August 30, 2019 | HighNote Records

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In the mid-1980s, Wallace Roney’s youthful virtuosic trumpet playing fascinated post-bop fans. So much so that he was recognised by a certain Miles Davis and even joined him on stage in Montreux in 1991. Three years after the master died, Davis’ faithful companions from his historic quintet - Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams - even suggested that Roney should play the trumpet on the album A Tribute to Miles (1994). Despite having such a hard act to follow, the Philadelphia native nevertheless managed to assert himself as a significant force on the jazz scene... One year after his 60th birthday and with more than twenty albums to his credit as a bandleader, Wallace Roney is still contributing to this impeccable blend of hard bop and post-bop. And with Blue Dawn - Blue Nights, this time he is the master. A master who surrounds himself with younger stars such as the pianist Oscar Williams II (31 years old), bassist Paul Cuffari (20 years old), saxophonist Emilio Modeste (19 years old) and his nephew, the drummer Kojo Odu Roney (only 15 years old!). The group is supported on some tracks by guitarist Quintin Zoto as well as Lenny White, the legendary drummer who played for Chick Corea’s band, Return to Forever, and for Miles Davis from the Bitches Brew period. And to further highlight his young accomplices, Wallace Roney has chosen not to sign any of the eight themes on his refined album. © Max Dembo/Qobuz
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Bebop - Released July 27, 2007 | HighNote Records

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Bebop - Released September 23, 2005 | HighNote Records

Upon first listen to trumpeter Wallace Roney's Mystikal one might be inclined to marginalize it as yet another attempt to re-create '70s-era Miles Davis. This would be a mistake. While Roney has always owed a large debt to the iconic jazz innovator -- he even played with Davis on a concert released as Miles & Quincy Live at Montreux -- Mystikal is a modern album made up of vintage parts. Which is to say that while Roney has deep affection for the sounds of '60s jazz and '70s funk and fusion, he is a resolutely forward-thinking musician who borrows from a variety of sources and time periods even when the overall sound is funky. Featuring his longtime working band including pianist Geri Allen, brother saxophonist Antoine Roney, keyboardist Adam Holzman, bassist Matt Garrison, drummer Eric Allen, percussionist Bobby Thomas, Jr., and turntablist Val Jeanty, Roney has largely crafted a sister album to 2004's similarly minded Prototype. Like that album, Mystikal is in many ways a standard jazz album with some original compositions, a cover of a standard, and a lesser known piece by a well-known artist. This time around that artist is Wayne Shorter, whose "Atlantis" kicks off the album. An expansive and creepily funky piece off Shorter's underrated 1985 album of the same name, Roney turns the song into a moody mix of Miles in the Sky-esque post-bop, '80s hip-hop, and new age atmospherics. Similarly engaging is his melancholy cover of the Temptations classic "Just My Imagination," which draws out the deeper, more sanguine harmonics of the song even while it perfectly embodies the innocent romance of the original. Interestingly, Roney makes room for some straight-ahead but no less adventurous stuff here covering trumpeter Kenny Dorham's jaunty "Poetic" as well as ending with pianist Bud Powell's gorgeous ballad "I'll Keep Loving You." Roney's own compositions do not disappoint either with the hard funk of "Stargaze" and the elegiac "Baby's Breath" displaying the trumpeter's deft creative vision. ~ Matt Collar

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