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Electronic - Released January 1, 1997 | Hut

Distinctions The Qobuz Ideal Discography
Mike Paradinas' first success story from the frontlines of ambient/electro/drum'n'bass experimentation comes via his second attempt, Lunatic Harness. Following the brief but for the most part uninteresting toy-box chop-up of 1996's Urmur Bile Trax, the album escapes the mire of noncommittal cheekiness (an affectation that also damaged some of his Jake Slazenger work) by returning to early releases such as Tango N' Vectif and Bluff Limbo for inspiration, fusing pretty, affecting melodies and dynamic ambient atmospheres with beats that manage a tight balance between structured groove and complete chaos. © Sean Cooper /TiVo

Electronic - Released January 1, 1999 | Hut

After the drum'n'bass updates on his previous full-length, Royal Astronomy in large part returns Mike Paradinas to the green pastures of his youth -- electro-slanted melodic techno and post-rave ambience with an eye on classics of his early career like Tango 'N Vectif. From the cinematic opener "Scaling" and the simple melodies of the single "The Fear" (with vocals by a Japanese-born, British-based author named Kazumi), Paradinas keeps it simple throughout. Indeed, the pendulum bass and synth-strings on "Gruber's Mandolin" could have been taken stock-and-barrel from either of his first two Rephlex albums. Still, there are breakbeats all over this record -- and on two of the best tracks, the gorgeous production titled "Carpet Muncher" and "Autumn Acid," a song slightly reminiscent of Aphex Twin's "Windowlicker." There's also plenty of hip-hop attitude on other tracks, from the Gang Starr sample on "The Motorbike Track" to the turntable spinbacks on "The Hwicci Song." For the most part, it's obvious that Paradinas' sampler has moved on and gained for it. © John Bush /TiVo