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Alternative & Indie - Released October 21, 2021 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released June 5, 2020 | Glassnote Entertainment Group LLC

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Electronic - Released September 6, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released August 15, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released June 21, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released June 19, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released May 22, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released April 24, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released March 18, 2019 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released March 23, 2018 | Glassnote Entertainment Group LLC

New music? Not quite, it's the debut EP of Two Door Cinema Club, Four Words To Stand On, released for streaming 10 years since its original conception. The Northern Irishmen have pulled this EP out of the wordworks with three original demos of some of their biggest hits, including the smash hit Undercover Martyn from their debut album Tourist History. As well as these demos, the band have gifted us with two unheard tracks, with New Houses and Standing on Ghosts, a real treat for its die hard fans. Written and produced back when they were sixteen years old and in secondary school in County Down, the EP comes along with a mini documentary of one of the groups first concerts in Belfast back in 2008. There’s a real nostalgic feel to this compilation as the trio display their raw talents and uncanny ability to have some of the catchiest guitar riffs and choruses around. Jump around, sway from side to side and enjoy! © Aidan Nickerson/ Qobuz
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Alternative & Indie - Released March 23, 2018 | Glassnote Entertainment Group LLC

New music? Not quite, it's the debut EP of Two Door Cinema Club, Four Words To Stand On, released for streaming 10 years since its original conception. The Northern Irishmen have pulled this EP out of the wordworks with three original demos of some of their biggest hits, including the smash hit Undercover Martyn from their debut album Tourist History. As well as these demos, the band have gifted us with two unheard tracks, with New Houses and Standing on Ghosts, a real treat for its die hard fans. Written and produced back when they were sixteen years old and in secondary school in County Down, the EP comes along with a mini documentary of one of the groups first concerts in Belfast back in 2008. There’s a real nostalgic feel to this compilation as the trio display their raw talents and uncanny ability to have some of the catchiest guitar riffs and choruses around. Jump around, sway from side to side and enjoy! © Aidan Nickerson/ Qobuz
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Electronic - Released February 17, 2017 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released October 28, 2016 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released October 14, 2016 | Glassnote Entertainment Group LLC

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Ireland's Two Door Cinema Club transform into a glitzy disco and synth pop-infused powerhouse on their third studio album, 2016's Gameshow. Having garnered favorable attention for their infectious, dance-rock-heavy 2010 debut, Tourist History, the trio of singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird immediately began expanding their sound on their follow-up, 2012's Beacon. However, where that album found them maturing with a softer musical palette and weightier emotionalism, Gameshow is a dynamic shift away from the buoyantly kinetic guitar-based approach of their first two albums. Which isn't to say they've completely abandoned their post-punk roots; tracks like the ferocious "Gameshow" and the dynamic "Surgery" are a perfect balance of Scary Monsters-era David Bowie and Seven and the Ragged Tiger-era Duran Duran. That said, the lion's share of Gameshow is filled with pulsing, neon-toned dance numbers that sound equal parts Giorgio Moroder and '70s Bee Gees. While name-dropping influences feels a bit too easy for the high quality of songwriting on display on Gameshow, the enthusiastic nature by which Two Door Cinema Club have clearly gravitated toward these old-school dance club sounds is worth mentioning. In that sense, the metamorphosis from garagey post-punk to hip, R&B-inflected disco also brings to mind the similar trajectory of contemporary acts like France's Phoenix and Canada's Arcade Fire. Thankfully, the album never sounds like a retro pastiche, and instead the band has found a sweet spot between vintage cool and modern sophistication. These are vibrant productions courtesy of Beacon helmer Jacknife Lee, who frames Trimble's yearning tenor croon with juicy laser-beam synths, Halliday's kinetic Nile Rodgers-esque guitars, and Baird's hip-swaying bass riffs. Cuts like "Bad Decisions" and "Fever" are catchy, falsetto-heavy groovers that bring to mind a mix of the Bee Gees' Saturday Night Fever soundtrack and Off the Wall-era Michael Jackson. Similarly, the romantic and sad-eyed "Invincible" sounds amazingly like a Justin Timberlake ballad if produced by ELO's Jeff Lynne. With Gameshow, Two Door Cinema Club ultimately balance a growing pop maturity with a stylish strut worthy of Saturday Night Fever's Tony Manero. © Matt Collar /TiVo
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Alternative & Indie - Released October 14, 2016 | Glassnote Entertainment Group LLC

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Ireland's Two Door Cinema Club transform into a glitzy disco and synth pop-infused powerhouse on their third studio album, 2016's Gameshow. Having garnered favorable attention for their infectious, dance-rock-heavy 2010 debut, Tourist History, the trio of singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird immediately began expanding their sound on their follow-up, 2012's Beacon. However, where that album found them maturing with a softer musical palette and weightier emotionalism, Gameshow is a dynamic shift away from the buoyantly kinetic guitar-based approach of their first two albums. Which isn't to say they've completely abandoned their post-punk roots; tracks like the ferocious "Gameshow" and the dynamic "Surgery" are a perfect balance of Scary Monsters-era David Bowie and Seven and the Ragged Tiger-era Duran Duran. That said, the lion's share of Gameshow is filled with pulsing, neon-toned dance numbers that sound equal parts Giorgio Moroder and '70s Bee Gees. While name-dropping influences feels a bit too easy for the high quality of songwriting on display on Gameshow, the enthusiastic nature by which Two Door Cinema Club have clearly gravitated toward these old-school dance club sounds is worth mentioning. In that sense, the metamorphosis from garagey post-punk to hip, R&B-inflected disco also brings to mind the similar trajectory of contemporary acts like France's Phoenix and Canada's Arcade Fire. Thankfully, the album never sounds like a retro pastiche, and instead the band has found a sweet spot between vintage cool and modern sophistication. These are vibrant productions courtesy of Beacon helmer Jacknife Lee, who frames Trimble's yearning tenor croon with juicy laser-beam synths, Halliday's kinetic Nile Rodgers-esque guitars, and Baird's hip-swaying bass riffs. Cuts like "Bad Decisions" and "Fever" are catchy, falsetto-heavy groovers that bring to mind a mix of the Bee Gees' Saturday Night Fever soundtrack and Off the Wall-era Michael Jackson. Similarly, the romantic and sad-eyed "Invincible" sounds amazingly like a Justin Timberlake ballad if produced by ELO's Jeff Lynne. With Gameshow, Two Door Cinema Club ultimately balance a growing pop maturity with a stylish strut worthy of Saturday Night Fever's Tony Manero. © Matt Collar /TiVo
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Alternative & Indie - Released October 14, 2016 | Glassnote Entertainment Group LLC

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Ireland's Two Door Cinema Club transform into a glitzy disco and synth pop-infused powerhouse on their third studio album, 2016's Gameshow. Having garnered favorable attention for their infectious, dance-rock-heavy 2010 debut, Tourist History, the trio of singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird immediately began expanding their sound on their follow-up, 2012's Beacon. However, where that album found them maturing with a softer musical palette and weightier emotionalism, Gameshow is a dynamic shift away from the buoyantly kinetic guitar-based approach of their first two albums. Which isn't to say they've completely abandoned their post-punk roots; tracks like the ferocious "Gameshow" and the dynamic "Surgery" are a perfect balance of Scary Monsters-era David Bowie and Seven and the Ragged Tiger-era Duran Duran. That said, the lion's share of Gameshow is filled with pulsing, neon-toned dance numbers that sound equal parts Giorgio Moroder and '70s Bee Gees. While name-dropping influences feels a bit too easy for the high quality of songwriting on display on Gameshow, the enthusiastic nature by which Two Door Cinema Club have clearly gravitated toward these old-school dance club sounds is worth mentioning. In that sense, the metamorphosis from garagey post-punk to hip, R&B-inflected disco also brings to mind the similar trajectory of contemporary acts like France's Phoenix and Canada's Arcade Fire. Thankfully, the album never sounds like a retro pastiche, and instead the band has found a sweet spot between vintage cool and modern sophistication. These are vibrant productions courtesy of Beacon helmer Jacknife Lee, who frames Trimble's yearning tenor croon with juicy laser-beam synths, Halliday's kinetic Nile Rodgers-esque guitars, and Baird's hip-swaying bass riffs. Cuts like "Bad Decisions" and "Fever" are catchy, falsetto-heavy groovers that bring to mind a mix of the Bee Gees' Saturday Night Fever soundtrack and Off the Wall-era Michael Jackson. Similarly, the romantic and sad-eyed "Invincible" sounds amazingly like a Justin Timberlake ballad if produced by ELO's Jeff Lynne. With Gameshow, Two Door Cinema Club ultimately balance a growing pop maturity with a stylish strut worthy of Saturday Night Fever's Tony Manero. © Matt Collar /TiVo
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Alternative & Indie - Released September 30, 2016 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released July 29, 2016 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released June 15, 2016 | Glassnote Entertainment Group LLC

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Alternative & Indie - Released March 1, 2014 | Glassnote Entertainment Group LLC

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