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Jazz - Released November 27, 2015 | Art Of Groove

Distinctions 5 Sterne Fono Forum Klassik
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Jazz - Released February 7, 2020 | Jazzline

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Jazz - Released July 2, 2013 | M.i.G. - music

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Jazz - Released October 20, 1997 | Art Of Groove

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Jazz - Released January 1, 2001 | Verve Records

Trilok Gurtu has recorded his share of instrumental jazz and worked with jazz heavyweights like Joe Zawinul and Pat Metheny, but you won't find any jazz whatsoever on The Beat of Love. For myopic, narrow-minded jazz snobs who believe that jazz is the only form of music that has a right to exist, the CD's lack of jazz is a problem. But for broad-minded world music enthusiasts, The Beat of Love is a fine addition to Gurtu's catalog. Produced by West Africa native Wally Badarou, this album is meant to fuse modern Indian pop with the rhythms of black Africa (as opposed to Arabic North Africa). And the two prove to be quite compatible; on The Beat of Love, African elements sound perfectly logical alongside Indian rhythms and instruments. The voices of well-known African singers like Salif Keita and Angelique Kidjo sound right at home with Indian instruments such as the sitar and tabla drums. But The Beat of Love isn't just about Indian and African elements -- Gurtu combines those things with American funk and electronica. Of course, the modern pop sounds of India and black Africa are heavily influenced by Western pop and funk, and Gurtu is well aware of that. So if The Beat of Love is a musical tour of India and black Africa, there are also stops in the United States and Europe. And, in fact, the CD was produced in four different countries -- not only India and South Africa, but also the U.S. and England. With a lot of help from Badarou, Gurtu sees to it that The Beat of Love is an unpredictable but consistently appealing celebration of multiculturalism. ~ Alex Henderson
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Jazz - Released September 4, 1995 | Art Of Groove

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Jazz - Released May 30, 2014 | Art Of Groove

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World - Released June 21, 2005 | Silva Screen Records

Trilok Gurtu's percussion work has powered a number of great albums that effectively fuse world music with jazz, allowing for both tight performance and free improvisation. This collection is therefore a gem, selecting ten cuts from six albums. Both an excellent overview and a wonderful place to begin acquainting yourself with Gurtu's music, and thus an essential addition to any jazz or world music collection. ~ Steven McDonald
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Jazz - Released January 1, 2000 | Verve Records

There are theories about the way the continents were once joined together in prehistoric times, but Indian percussionist Trilok Gurtu is attempting a new connection between land masses in a musical sense with his eighth album African Fantasy, which probably should have been called "Indo-A frican Fantasy" to make things clear to potential buyers. As an Indian musician, Gurtu is steeped in the music of his homeland, with its tablas and sitars, but as a percussionist he must be fascinated by the various rhythms coming out of Africa. Here, he has indulged that interest writing music that fuses both traditions, which he plays with his usual band, but he brings in several African vocalists: Sabine Kabongo (of the European-based group Zap Mama), Esmeralda Sciascia, Angelique Kidjo, and Oumou Sangare. The results are interesting, if tentative. Maybe if Gurtu had collaborated with African musicians, especially drummers, he might have gotten more of the continent into his music. As it is, there is a surface texture, especially in the vocals, of the continent's many musics, but the core of the sound remains Indian. That still makes for striking juxtapositions, and there is some wonderful playing. But the concept of an Indian/African fusion remains a fantasy, at least in this execution of it. ~ William Ruhlmann
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Jazz - Released November 14, 2014 | Art Of Groove

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Jazz - Released January 24, 2020 | Jazzline

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Chamber Music - Released January 1, 2008 | Kairos

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Jazz Fusion & Jazz Rock - Released March 25, 2003 | Times Square

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World - Released January 22, 2002 | Times Square