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Rock - Released January 1, 2010 | Polydor Records

Distinctions The Qobuz Ideal Discography - Sélection Les Inrocks
Dark and glistening. Like a cave on the French Riviera. That’s where Jagger and Richards' band – living as tax exiles - recorded the immense Exile on Main Street, a musical feast with dishes served as country (Sweet Black Angel, Sweet Virginia), gospel (Shine a Light), blues (Shake Your Hips) and visceral rock'n'roll (the opening of Rocks Off and the cult track Happy with Keith Richards on vocals). The Rolling Stones may have been at the height of fame, but this masterpiece came from the heart and soul, with a dark and dirty sound and a sincere and raw style. American roots music (country, blues, folk) had rarely sounded so original. Jagger sings like an inspired old sage. Richards unleashes sharp, sublime guitar riffs. After all these years, we still can’t find the slightest flaw in this double album which many consider to be The Rolling Stones’ best... © Marc Zisman/Qobuz
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Rock - Released January 1, 2009 | Polydor Records

Distinctions The Qobuz Ideal Discography
Behind the album cover dreamt up by Andy Warhol with its iconic close-up crotch was a new opiate – a psychedelic whirlwind of rock’n’roll, blues, country and rhythm'n'blues. Following the influential albums Beggars Banquet and Let It Bleed, on April 23rd 1971 Mick Jagger and Keith Richards revealed their hugely impressive compositions, with carnivorous guitar riffs (Brown Sugar) haunted by hard drugs (Sister Morphine). On Sticky Fingers, we find a demonic sensuality (Wild Horses), violently percussive themes (Sway) and dirty, sticky blues (You Gotta to Move). Featuring top-class musicians (Ry Cooder, Jim Dickinson, Bobby Keys, Nicky Hopkins, Paul Buckmaster...), this masterpiece is also the first 100% Rolling Stones album without Brian Jones, with stunning debuts from Mick Taylor (Can't You Hear Me Knocking). It is without a doubt among the top ten greatest records in the history of rock'n'roll. Plus, this sumptuous Deluxe Edition includes an extra disc full of unreleased takes and live tracks recorded on March 14, 1971 at the Roundhouse in London. © Marc Zisman/Qobuz
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Rock - Released December 5, 1969 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Rock - Released September 4, 1970 | Abkco Music & Records, Inc.

Hi-Res Distinctions The Qobuz Ideal Discography
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Rock - Released January 1, 2010 | Polydor Records

Distinctions Sélection Les Inrocks
Dark and glistening. Like a cave on the French Riviera. That’s where Jagger and Richards' band – living as tax exiles - recorded the immense Exile on Main Street, a musical feast with dishes served as country (Sweet Black Angel, Sweet Virginia), gospel (Shine a Light), blues (Shake Your Hips) and visceral rock'n'roll (the opening of Rocks Off and the cult track Happy with Keith Richards on vocals). The Rolling Stones may have been at the height of fame, but this masterpiece came from the heart and soul, with a dark and dirty sound and a sincere and raw style. American roots music (country, blues, folk) had rarely sounded so original. Jagger sings like an inspired old sage. Richards unleashes sharp, sublime guitar riffs. After all these years, we still can’t find the slightest flaw in this double album which many consider to be The Rolling Stones’ best... © Marc Zisman/Qobuz
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Rock - Released December 6, 1968 | ABKCO Music and Records, Inc.

Distinctions The Qobuz Ideal Discography
Recorded between 1968 and 1972, The Rolling Stone’s Beggars Banquet is a real rock’n’roll feast. One of the biggest feasts in history no doubt! Right from the first few shamanic bars of Sympathy For The Devil, it’s evident that Mick Jagger and Keith Richards were trying to summon demons with their wickedly raw music. Blues, violence, rhythm'n'blues, sex, country, African music, revolt, soul, drugs and lust – there’s nothing missing from this electric frenzy. With its satanic prose, the album is carried by haunted guitars and minimalist rhythms. Here, the blue note either sweats buckets (Parachute Woman) or appears completely stripped down (Prodigal Son and Factory Girl). Rock had never been so poisonous and fascinating (Street Fighting Man). Richards releases bursts of demented guitar riffs while Jagger sings with unprecedented power and sincerity. The Stones would continue to build on this momentum with three other masterpieces: Let It Bleed, Sticky Fingers and Exile On Main Street. © Marc Zisman/Qobuz
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Rock - Released April 15, 1966 | ABKCO Music and Records, Inc.

Distinctions The Qobuz Ideal Discography
The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. Some of the material is fairly ho-hum, to be honest, as Mick Jagger and Keith Richards were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting." © Richie Unterberger /TiVo
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Rock - Released September 4, 1970 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Rock - Released April 23, 1971 | Polydor Records

Distinctions The Qobuz Ideal Discography
Behind the album cover dreamt up by Andy Warhol with its iconic close-up crotch was a new opiate – a psychedelic whirlwind of rock’n’roll, blues, country and rhythm'n'blues. Following the influential albums Beggars Banquet and Let It Bleed, on April 23rd 1971 Mick Jagger and Keith Richards revealed their hugely impressive compositions, with carnivorous guitar riffs (Brown Sugar) haunted by hard drugs (Sister Morphine). On Sticky Fingers, we find a demonic sensuality (Wild Horses), violently percussive themes (Sway) and dirty, sticky blues (You Gotta to Move). Featuring top-class musicians (Ry Cooder, Jim Dickinson, Bobby Keys, Nicky Hopkins, Paul Buckmaster...), this masterpiece is also the first 100% Rolling Stones album without Brian Jones, with stunning debuts from Mick Taylor (Can't You Hear Me Knocking). It is without a doubt among the top ten greatest records in the history of rock'n'roll. Plus, this sumptuous Deluxe Edition includes an extra disc full of unreleased takes and live tracks recorded on March 14, 1971 at the Roundhouse in London. © Marc Zisman/Qobuz
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Rock - Released December 6, 1968 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
Recorded between 1968 and 1972, The Rolling Stone’s Beggars Banquet is a real rock’n’roll feast. One of the biggest feasts in history no doubt! Right from the first few shamanic bars of Sympathy For The Devil, it’s evident that Mick Jagger and Keith Richards were trying to summon demons with their wickedly raw music. Blues, violence, rhythm'n'blues, sex, country, African music, revolt, soul, drugs and lust – there’s nothing missing from this electric frenzy. With its satanic prose, the album is carried by haunted guitars and minimalist rhythms. Here, the blue note either sweats buckets (Parachute Woman) or appears completely stripped down (Prodigal Son and Factory Girl). Rock had never been so poisonous and fascinating (Street Fighting Man). Richards releases bursts of demented guitar riffs while Jagger sings with unprecedented power and sincerity. The Stones would continue to build on this momentum with three other masterpieces: Let It Bleed, Sticky Fingers and Exile On Main Street. © Marc Zisman/Qobuz
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Rock - Released November 10, 2014 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Rock - Released November 10, 2014 | Abkco Music & Records, Inc.

Hi-Res Distinctions The Qobuz Ideal Discography
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Rock - Released December 6, 1968 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
Recorded between 1968 and 1972, The Rolling Stone’s Beggars Banquet is a real rock’n’roll feast. One of the biggest feasts in history no doubt! Right from the first few shamanic bars of Sympathy For The Devil, it’s evident that Mick Jagger and Keith Richards were trying to summon demons with their wickedly raw music. Blues, violence, rhythm'n'blues, sex, country, African music, revolt, soul, drugs and lust – there’s nothing missing from this electric frenzy. With its satanic prose, the album is carried by haunted guitars and minimalist rhythms. Here, the blue note either sweats buckets (Parachute Woman) or appears completely stripped down (Prodigal Son and Factory Girl). Rock had never been so poisonous and fascinating (Street Fighting Man). Richards releases bursts of demented guitar riffs while Jagger sings with unprecedented power and sincerity. The Stones would continue to build on this momentum with three other masterpieces: Let It Bleed, Sticky Fingers and Exile On Main Street. © Marc Zisman/Qobuz
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Rock - Released December 5, 1969 | Abkco Music & Records, Inc.

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Rock - Released September 4, 1970 | ABKCO (US)

Distinctions The Qobuz Ideal Discography
Recorded during their American tour in late 1969 and centered around live versions of material from the Beggars Banquet-Let It Bleed era, Get Yer Ya-Ya's Out! is often acclaimed as one of the top live rock albums of all time, although its appeal has dimmed a little today. The live versions are reasonably different from the studio ones, but ultimately not as good, a notable exception being the long workout of "Midnight Rambler," with extended harmonica solos and the unforgettable section where the pace slows to a bump-and-grind crawl. Some Stones aficionados, in fact, prefer a bootleg from the same tour (Liver Than You'll Ever Be, to which this album was unleashed in response), or their amazing the-show-must-go-on performance in the jaws of hell at Altamont (preserved in the Gimme Shelter film). Fans who are unconcerned with picky comparisons such as these will still find Ya-Ya's an outstanding album, and it's certainly the Stones' best official live recording. © Richie Unterberger /TiVo
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Rock - Released November 1, 2019 | Abkco Music & Records, Inc.

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Whether it's the atmospheric reverb on "Midnight Rambler," Byron Berline's fiddle (recorded outside on the street) on "Country Honk," or the meaty bass part that opens "Live with Me," Let It Bleed has always been an album full of intriguing sound. Add to that Merry Clayton's unforgettable vocal overdubs on "Gimme Shelter" (as well as its opening ghostly voices, washboard guiro scrapes and reverb-drenched guitar) and Let It Bleed, newly remastered by Bob Ludwig for its 50th anniversary reissue, is an album especially suited to the world of high resolution audio. From 1968 through 1972, no popular music act (except The Beatles) made better albums than The Rolling Stones. Their blockbuster run began in late 1968 with Beggars Banquet and continued through Let It Bleed (1969), Sticky Fingers (1971) and Exile on Main Street (1972). If Beggars Banquet was the sound of the band stripping down their sound and working out their frustrations over their legal tangles and impending departure of Brian Jones (replaced in June 1969 by Mick Taylor), Let It Bleed was the band emerging unbowed, with a new confidence and a dramatic leap in songwriting quality from Jagger/Richards, bookended by the ominous "Gimme Shelter" and the common sense rock gospel of "You Can't Always Get What You Want." Let It Bleed also acknowledges the band's deep roots in the blues with with an acoustic cover of Robert Johnson's "Love in Vain," Richards' prolific slide guitar parts and "Midnight Rambler," the band's "blues opera." Despite its popularity (#1 in UK and #3 in US), there's even a sleeper track—the underrated "Monkey Man," whose lyrics sum up the swinging '60s with impenetrable lines like, "I'm a cold Italian pizza / I could use a lemon squeezer / What you do?” Originally produced by Jimmy Miller and engineered by Glyn Johns, the new remastering is a sonic refresh with a larger soundstage that adds new detail to Jagger's vocal performance of "Love in Vain" and Richards' guitar work in "Midnight Rambler". Like all the recent ABKCO reissues from this period, this may well be the best Let It Bleed will ever sound. © Robert Baird / Qobuz
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Rock - Released November 16, 2018 | ABKCO Music & Records

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Recorded between 1968 and 1972, The Rolling Stone’s Beggars Banquet is a real rock’n’roll feast. One of the biggest feasts in history no doubt! Right from the first few shamanic bars of Sympathy For The Devil, it’s evident that Mick Jagger and Keith Richards were trying to summon demons with their wickedly raw music. Blues, violence, rhythm'n'blues, sex, country, African music, revolt, soul, drugs and lust – there’s nothing missing from this electric frenzy. With its satanic prose, the album is carried by haunted guitars and minimalist rhythms. Here, the blue note either sweats buckets (Parachute Woman) or appears completely stripped down (Prodigal Son and Factory Girl). Rock had never been so poisonous and fascinating (Street Fighting Man). Richards releases bursts of demented guitar riffs while Jagger sings with unprecedented power and sincerity. The Stones would continue to build on this momentum with three other masterpieces: Let It Bleed, Sticky Fingers and Exile On Main Street. © Marc Zisman/Qobuz
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Rock - Released January 1, 1966 | Abkco Music & Records, Inc.

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Rock - Released November 8, 2019 | Eagle Rock Entertainment

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Rock - Released April 23, 2020 | Polydor Records

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The Rolling Stones in the magazine