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Pop/Rock - Released June 3, 2011 | Masterworks

Hi-Res Distinctions Découverte JAZZ NEWS
Revelator is the debut studio album from the 11-piece Tedeschi-Trucks Band, who already have a reputation as a wildly exciting live jam group. That said, the record that Susan Tedeschi and husband Derek Trucks have recorded proves something beyond their well-founded reputation as a live unit: that they can write, perform, and produce great songs that capture the authentic, emotional fire and original arrangements that so many modern blues and roots recordings lack. The duo forged their two individual solo bands (Trucks remains with the Allman Brothers Band) and added some other players. Oteil and Kofi Burbridge and Mike Mattison, as well as drummers Tyler Greenwell and J.J. Johnson are on board, as well as backing vocalists and a horn section. Produced by Trucks and Jim Scott, these 12 songs seamlessly meld blues, rock, Southern soul, gospel, and funk traditions into a heady, seductive, spine-slipping stew. The record also showcases Tedeschi as one of the finest vocal stylists in roots music, and Trucks, has become the only true heir of Duane Allman's bell-like slide guitar tone, his taste and restraint. More than this, Revelator offers proof that this pair and their bandmates are serious songwriters as well as players--anyone remember the original Little Feat? It's like that, but with a woman up front. While the single, "Midnight in Harlem," highlights the softer,side of the band with Tedeschi's soulful croon and Trucks' swooning slide, it's the harder numbers that fill out the story. The sexy opener "Come See About Me," the bluesy, gospelized "Don't Let Me Slide" (one of two cuts written by Trucks and Tedeschi with Jayhawk Gary Louris), the second-line funk-blues of "Bound for Glory" with its punchy horns; all of these offer evidence of the real depth that this band abundantly possesses. There's the skittering, slow-tempo guitar and B-3 soul-blues of "Simple Things," and the New Orleans-style horns introducing "Until You Remember," which can distract the listener for a moment from experiencing these songs for what they are-- until Tedeschi opens her mouth and lets the lyrics come up from her belly and drip from her lips and Trucks matches her emotion in his solo-- love songs; the likes of which we haven't heard since Delaney & Bonnie. The Eastern modal tinge in Trucks' playing and tablas dustinguishes "These Walls," tempered by the quiet conviction in the grain of Tedeschi's vocal would have made for a better single. The nasty, funky, Hendrixian droning blues of "Learn How to Love" is textured by Kofi's funky clavinet and Wurlitzer. Speaking of funk, Tedeschi takes her own smoking guitar break in "Love Has Something Else to Say," a slamming, break-ridden funk tune that quakes. It combines hard Southern Stax-styled rhythm, soul, blues, and nasty-ass rock. Revelator is a roots record that sets a modern standard even as it draws its inspiration from the past. It's got everything a listener could want: grit, groove, raw, spiritual emotion, and expert-level musical truth. ~ Thom Jurek
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Rock - Released January 29, 2016 | Concord Music Group

Hi-Res Booklet
After 2013's Made Up Mind, Tedeschi Trucks Band hit the road hard, racking up 200 dates in 2014. After Derek Trucks played the Allman Brothers Band's final shows, and TTB's parting with Sony, the 12-piece band and friends (including Doyle Bramhall II) entered their Swamp Raga Studios behind Trucks' and Susan Tedeschi's home, and began recording jam-style rehearsals; everyone was encouraged to contribute ideas, songs, etc. They'd break to work the road then return to record some more. The end result is Let Me Get By, produced by Trucks, recorded by Bobby Tis, and released by Fantasy. Jazz bassist Tim Lefebvre joined permanently (he was also part of David Bowie's band on Blackstar), and Alecia Chakour was enlisted to balance Mike Mattison and Mark Rivers on backing vocals. The lineup is rounded out by keyboardist Kofi Burbridge, drummers Tyler Greenwell and J.J. Johnson, and a three-piece horn section. Trucks proves a fearless producer here. This collaboratively written ten-song set showcases the band's skill at playing and composing through Southern soul, roots rock, blues, greasy funk, jazz, Indian classical, film music, and African and Brazilian polyrhythms. An obvious studio offering, it's warm and resonant, yet crackling with energy and ideas. The feel is loose and grooving, the performances hot. Over TTB's last two albums, Tedeschi has become comfortable as the lead singer of a large band. She's almost iconic here, taking chances with phrasing, finding hidden spaces in lines and syllables, and emoting from the belly. She never oversells a song but always sings the hell out of it. (Check "Anyhow" if you want shivers.) She plays a mean guitar, too: her solo in the gritty, punchy, party funk number "Don't Know What It Means" is a highlight. But everybody gets to shine here -- Mattison with lead vocals on the Brechtian-esque carny rock of "Right on Time," and the modal soul of "Crying Over You/Swamp Raga for Hozapfel, Lefebvre, Flute and Harmonium" -- adding character and depth to TTB's signature. Lefebvre's syncopation and invention create new possibilities for harmonic and rhythmic dialogue. His bass pushes the funky dual drum breaks and biting electric piano and organ on the title cut, allowing roaring horns, soaring chorus vocals, and Trucks' spiraling slide to collide with and flow through one another. The unusual meld of Memphis soul, Bollywood-style strings, Eastern electric slide, and strummed acoustic guitars creatively come together to support Tedeschi's wrenching, affirmative vocal in the passionate "Hear Me. The rave-up dancefloor R&B in "I Want More" is guaranteed to put any party into overdrive. The meld of gospel, soul, doo wop, and blues rock on closer "In Every Heart" offers a Trucks' solo that digs deep in the emotional grain to contrast with the sweet vibe. Never has TTB sounded so organic, relaxed, and free. Let Me Get By is the album this group has been striving for since their formation. You need this. ~ Thom Jurek

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Tedeschi Trucks Band in the magazine