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Classical - Released December 16, 2008 | Naxos

Booklet Distinctions 5 de Diapason - 4 étoiles du Monde de la Musique
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Classical - Released October 30, 2007 | Naxos

Booklet Distinctions 5 de Diapason
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Classical - Released October 28, 2008 | Naxos

Distinctions 5 de Diapason
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Classical - Released June 14, 2019 | Naxos

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"Magna Sequentia I" is a unique sequencing of dance movements drawn from Bach’s keyboard works featuring pieces from the French Suites and Partitas. Whereas Bach’s suites typically comprise six to eight movements, Sonia Rubinsky has selected 19, compiled with a tonal logic that still keeps the structure of a suite. She has chosen several examples of each of the dance forms used by Bach so one can appreciate the dazzling variety of both style and mood. Enhanced by her historically informed performance, "Magna Sequentia I" offers fresh insights into Bach performance on a modern grand piano. © Naxos
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Classical - Released May 8, 2020 | Naxos

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At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora ("Dawn") he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous. © Naxos
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Classical - Released October 11, 2019 | Naxos

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Following on from the two large sets of dance suites, "Magna Sequentia I" and "Magna Sequentia II", "Magna Sequentia III" is a contemplative collection featuring a varied group of pieces that spans Bach’s compositional career, from very early works such as the Prelude from the Suite in F minor to works from the end of his life, such as the Ricercar a Tre from The Musical Offering. © Naxos
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Classical - Released October 11, 2019 | Naxos

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Sonia Rubinsky’s "Magna Sequentia I" was constructed around a Partita from Bach’s Clavier-Übung I but this second volume focuses on the French Overture from Clavier-Übung II. Each of the 17 movements has been selected to illustrate the different styles and expressive moods of Bach’s dance writing. This unique sequence showcases three specific national styles: the ornate and sophisticated French school, virtuosic Italian writing, and the stricter fugal writing of the German style. Contemporary insights abound in Rubinsky’s historically informed playing. © Naxos
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Classical - Released January 22, 1999 | Naxos

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Classical - Released September 1, 2004 | Naxos

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Classical - Released July 9, 2003 | Naxos

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Classical - Released May 11, 2018 | Arabesque Recordings

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Classical - Released June 20, 2006 | Naxos

Booklet
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Classical - Released November 23, 2001 | Naxos