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Pop - Released January 1, 2009 | Universal Music Group International

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Although they released three full albums, a number of EPs and a seemingly endless stream of compilations, Soft Cell will always and forever be known as "the duo who did 'Tainted Love'." This obscure R&B single, given a techno-trash workover by singer Marc Almond and keyboardist Dave Ball, was an enormous hit on both sides of the Atlantic and has been revived endlessly ever since its 1982 release. This 1994 EP, released to cash in on the song's newfound popularity due to its use in a television commercial, features one of the best of the many versions of the song, a lengthy medley which pairs Ed Cobb's tune with a languid version of Holland-Dozier-Holland's "Where Did Our Love Go." The EP also adds two later Soft Cell singles, "Loving You, Hating Me" and "Where the Heart Is," plus a negligible remix of the title track.
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Pop - Released January 1, 2008 | Island Records (The Island Def Jam Music Group / Universal Music)

Distinctions The Qobuz Ideal Discography
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Electronic/Dance - Released July 26, 2019 | UMC (Universal Music Catalogue)

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Pop - Released September 7, 2018 | UMC (Universal Music Catalogue)

This single-CD compilation collects all the singles by '80s new romantic/synth pop duo Soft Cell. Fronted by the flamboyant Marc Almond, the group were chart fixtures for many years with their arresting combo of melodic, then-futuristic synthetic pop and dark, melancholy, almost Baroque lyrics. Alongside their biggest hits like "Tainted Love" and "Say Hello, Wave Goodbye," the album also contains the newly composed double-A-side single "Northern Lights"/"Guilty ('Cos I Say You Are)." [A comprehensive five-CD version, Keychains & Snowstorms: The Soft Cell Story, is also available in the UK, containing B-sides, rarities, remixes, and live recordings.] ~ John D. Buchanan
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Pop - Released September 7, 2018 | UMC (Universal Music Catalogue)

This comprehensive five-CD collection gathers singles, B-sides, rarities, remixes, and live recordings by the British new romantic/synth pop duo Soft Cell. Fronted by the flamboyant Marc Almond, the group were chart fixtures for many years with their arresting combo of melodic, then-futuristic synthetic pop and dark, melancholy, almost baroque lyrics. [A single-CD version, Keychains & Snowstorms: The Singles, is also available, featuring the newly composed double-A-side single "Northern Lights"/"Guilty ('Cos I Say You Are)."] ~ John D. Buchanan
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Pop - Released January 1, 2000 | UMC (Universal Music Catalogue)

Although a vinyl box set appeared during the early 1980s, and several of the mixes therein were subsequently appended to CD reissues of Soft Cell's regular albums, 1999's three-CD The Twelve Inch Singles represented the first ever corralling of the duo's entire extended remix output, and with it, undying evidence for Soft Cell's claim to immortality. Great 45s and terrific albums told only part of the story, after all. Across their earliest 12" singles, the sequence that led from "Memorabilia" to "Torch," Soft Cell utterly rejuvenated a format that had been growing increasingly stale and uninspired, not only offering purchasers more music for their money, but ensuring that it was music they'd actually want, as opposed to an extra few minutes of beat nailed onto the outro. And so "Tainted Love" segued into a breathless lament through "Where Did Our Love Go?"; "Say Hello, Wave Goodbye," commenced with a three minute-plus clarinet solo, and "Torch" descended into a spoken word passage in which guest vocalist Cindi Ecstacy reduces Almond's attempts at fawning fan worship to ashes. Later in life, with the duo now bucking against the European Top 40 fame that had so unexpectedly embraced them, Soft Cell's 12"s stretched even further. Routinely doubling the length of the familiar 45s, the hysterical angst of the B-side "It's a Mug's Game," the haunting dismissiveness of "Numbers," and the percussive self-destruction of "Soul Inside" transformed songs that weren't that friendly to begin with into veritable fire storms of assaultive dynamics. By the time one reaches the final salvo of releases -- a pair of James Bond covers, a forgotten BBC radio session, and the electric "Down in the Subway" -- Soft Cell were all but unrecognizable as the sweet young things who sang "Tainted Love" just three years before. Their final single closed with a brittle cover of the Heartbreakers' "Born to Lose," and so, it seemed, it had turned out. Soft Cell broke up not because they wanted to, but because it was the only way they could ever achieve what they really needed. Completing and concluding the saga, the The Twelve Inch Singles package closes with four 1991 remixes. The initial 1999 release, however, also packed a "Club 69 Future Mix" of "Tainted Love," a track whose inclusion apparently so dismayed Marc Almond that he requested the release be withdrawn before issue (around 4,000 copies escaped to the stores). It finally returned to stores in 2001 with a revised version omitting the offending mix and, quite honestly, it isn't really missed. ~ Dave Thompson
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Pop - Released January 1, 2002 | Island Records (The Island Def Jam Music Group / Universal Music)

In the U.S., Soft Cell, the British duo of singer Marc Almond and instrumentalist David Ball, was a classic one-hit wonder, that hit being the remake of Gloria Jones' "Tainted Love," which dominated dance clubs and eventually peaked in the pop Top Ten with its synth-pop sound and Almond's plaintive vocal in 1981-1982. In the U.K., the group not only had a longer career, but also influenced a raft of similar performers. Non-Stop Erotic Cabaret, originally released in Britain in the fall of 1981, contained both the band's first hit and its follow-up, "Bedsitter," its title referring to what in America would be called a studio apartment. (A third U.K. Top Five hit, "Say Hello Wave Goodbye," emerged from the LP.) At full album length, lyricist Almond's primary preoccupation, only suggested in "Tainted Love," was spelled out; this was a theme album about aberrant sexuality, a tour of a red-light district. The point was well made on "Sex Dwarf," with its oft-repeated chorus "Isn't it nice/Sugar and spice/Luring disco dollies to a life of vice?" Songs like "Seedy Films," "Entertain Me," and "Secret Life" expanded upon the subject. The insistent beats taken at steady dance tempos and the chilling electronic sounds conjured by Ball emphasized Almond's fascination with deviance; it almost seemed as though the album had been designed to be played in topless bars. British listeners saw through Almond's pretense or were amused by him, or both; more puritanical Americans tended to disapprove, which probably limited the group's long-term success stateside. But the music was undeniably influential. The 2002 CD reissue added two lengthy 12" single mixes of "Tainted Love," one of them a medley with the old Supremes hit "Where Did Our Love Go," the other a dub version. ~ William Ruhlmann
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Rock - Released January 1, 2008 | Island Records (The Island Def Jam Music Group / Universal Music)

4 stars out of 5 -- "The Manhattan Clique Remix of 'Bedsitter' is excellent...a long, tense build based on that cool double-speed bassline at the end of the original."
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Electronic/Dance - Released September 28, 2018 | UMC (Universal Music Catalogue)

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Electronic/Dance - Released September 28, 2018 | UMC (Universal Music Catalogue)

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Pop - Released January 1, 2002 | Virgin EMI

"Out in clubland, having fun, now I'm hiding from the sun." No lyrics could have ever wrapped up the duel nature of Soft Cell's music better, these lines (from "Bedsitter") tells of their fun new wave club hits and their intimate electronic dirges, and the effect they both have on listeners. The true magic of the band is when they could combine the two, like on their signature song "Tainted Love." But there are plenty of excellent songs by the duo that were never praised as highly, and most of them make it to this collection of their best material. "Say Hello, Wave Goodbye" is a touching ballad that floats its lush and heavenly melodies on a bed of throbbing synthesizers and minimalist percussion. "Sex Dwarf" is a sleazy anthem that features plodding keyboards, aggressive drums, and one of the ugliest vocal performances committed to record. It isn't that Marc Almond has a death metal throat, but instead it's the way he creeps and crawls over the track like a perverted lounge singer. The sweet gloss of "Where the Heart Is" reveals a bright and energetic group using their quirky approach to shape a thoughtful pop nugget, while "Numbers" predates the Pet Shop Boys' sarcastic-yet-touching synth pop with like-minded lyrics and equally lush keyboards. There isn't a wasted moment on the album, and the documentation of a brilliant pop group deconstructing their own genre to fit their needs is quite refreshing when so much music from this time period comes off as so dated. A good song overcomes any wacky '80s keyboard work ("Soul Inside") or high-concept production techniques ("Memorabilia"), and that's the lesson to learn from this excellent collection of hidden gems. ~ Bradley Torreano
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Pop - Released January 1, 1998 | Virgin EMI

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Pop - Released January 1, 1999 | Island Mercury

In the spring of 1982, The Human League's "Don't You Want Me" was a hit, but that summer, Soft Cell's "Tainted Love" was a phenomenon. Staying on the Billboard charts for 52 weeks straight, the single made it clear that the new wave of British synthesizer bands were commercially viable in America. AM radio stations even willingly played the nine-minute extended version of the song, which paired the obscure Ed Cobb (of "Dirty Water" fame) R&B tune with a complete reworking of a certified soul landmark, Holland-Dozier-Holland's "Where Did Our Love Go." That second song is included--though "Tainted Love" isn't--on the EP NON-STOP ECSTATIC DANCING, which collects extended mixes of several other Soft Cell singles, including the remarkable "What?" and the contents-under-pressure "Insecure...Me?" alongside a remix of the album track "Sex Dwarf." This is one of the first and best of the early-'80s remix EPs, or "mini-albums."
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Pop - Released May 31, 1982 | Some Bizzare

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Electronic/Dance - Released May 31, 2017 | Some Bizzare

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Pop - Released May 20, 1990 | Some Bizzare

This would seem, at least by the title, that this would be a perfect Soft Cell collection, since it has the group's singles. Thing is, most of these are remixes and reworkings from 1991, not the original recordings, which means it's hardly of interest to the audience who just wants the original versions of Soft Cell's greatest moments. It's passable, to a certain extent, since it has the songs, but it's better to hold out for a collection that contains the real deal. ~ Stephen Thomas Erlewine
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Electronic/Dance - Released March 15, 2019 | Cleopatra Records

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Electronic/Dance - Released January 5, 1983 | Some Bizzare

While it has some mediocre moments, this tense, quirky release also has some magnificent outings, including the epic "Martin" (based on the obscure George Romero psycho/vampire movie), a cut that was originally included on a bonus 12", and the relentless title cut. Not as cheap or sleazy in its sound as Non-Stop Erotic Cabaret, the album was still prone to melodramatic writing and performance. By all means, miss the "Hendrix Medley," another bonus cut. ~ Steven McDonald
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Pop - Released October 1, 2009 | Cleopatra Records

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Electronic/Dance - Released January 1, 2010 | Cleopatra Records