Scrawl
Long before the riot grrrl movement opened the floodgates for the widespread emergence of female artists in the male-dominated world of indie rock, the Columbus, OH-based trio Scrawl carved out their own tough-minded yet feminine niche within the underground community. Formed by singer/guitarist Marcy Mays, bassist Sue Harshe, and drummer Carolyn O'Leary, the group --originally dubbed "Skull" -- debuted in the summer of 1985 by playing a 20-minute opening set for the Meat Puppets; with the financial assistance of friends, they entered the studio to record their debut effort a year later, releasing Plus, Also, Too on the small No Other label in 1987. In the wake of the album's strong reviews, Scrawl toured extensively before signing to the Rough Trade label in 1988. He's Drunk, an assured indie pop effort recorded at Prince's Paisley Park Studio, soon followed, and in 1990, the trio returned with Smallmouth, a more intimate album produced by Gary Smith. Problems with Rough Trade forced Scrawl to depart the label in the autumn of 1990; a few months later, the company declared bankruptcy, and with its demise, the group's back catalog immediately went out of print. The sting of the Rough Trade debacle clearly informed 1991's superb Bloodsucker, recorded with Steve Albini; a biting, bitter record, it too fell prey to industry whims and poor distribution, quickly joining the group's other records in limbo. After O'Leary broke ranks, Scrawl mounted the "Foxcore, My Ass" tour as an acoustic duo, recruiting new drummer Dana Marshall prior to signing with the Simple Machines label for 1993's Velvet Hammer. After jumping to Elektra, Scrawl issued their major-label debut Travel On, Rider in 1996. Nature Film followed two years later.© Jason Ankeny /TiVo Read more
Long before the riot grrrl movement opened the floodgates for the widespread emergence of female artists in the male-dominated world of indie rock, the Columbus, OH-based trio Scrawl carved out their own tough-minded yet feminine niche within the underground community. Formed by singer/guitarist Marcy Mays, bassist Sue Harshe, and drummer Carolyn O'Leary, the group --originally dubbed "Skull" -- debuted in the summer of 1985 by playing a 20-minute opening set for the Meat Puppets; with the financial assistance of friends, they entered the studio to record their debut effort a year later, releasing Plus, Also, Too on the small No Other label in 1987.
In the wake of the album's strong reviews, Scrawl toured extensively before signing to the Rough Trade label in 1988. He's Drunk, an assured indie pop effort recorded at Prince's Paisley Park Studio, soon followed, and in 1990, the trio returned with Smallmouth, a more intimate album produced by Gary Smith. Problems with Rough Trade forced Scrawl to depart the label in the autumn of 1990; a few months later, the company declared bankruptcy, and with its demise, the group's back catalog immediately went out of print.
The sting of the Rough Trade debacle clearly informed 1991's superb Bloodsucker, recorded with Steve Albini; a biting, bitter record, it too fell prey to industry whims and poor distribution, quickly joining the group's other records in limbo. After O'Leary broke ranks, Scrawl mounted the "Foxcore, My Ass" tour as an acoustic duo, recruiting new drummer Dana Marshall prior to signing with the Simple Machines label for 1993's Velvet Hammer. After jumping to Elektra, Scrawl issued their major-label debut Travel On, Rider in 1996. Nature Film followed two years later.
© Jason Ankeny /TiVo
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Nature Film
Scrawl
Pop - Released by Rhino - Elektra on Feb 5, 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Velvet Hammer
Scrawl
Alternative & Indie - Released by Spunky Monkey Music on Jul 4, 1993
Velvet Hammer is one of the saddest, most heartbreaking records you will ever hear. It's soaked in tears and alcohol, punctuated with bruises and fros ...
16-Bit CD Quality 44.1 kHz - Stereo -
Travel On, Rider
Scrawl
Pop - Released by Rhino - Elektra on Feb 5, 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Plus, Also, Too
Scrawl
Alternative & Indie - Released by Spunky Monkey Music on Jun 10, 1987
Recorded at Prince's Paisley Park studios, Scrawl's sophomore effort He's Drunk is nevertheless a raw, bare-bones effort delivered with remarkable ass ...
16-Bit CD Quality 44.1 kHz - Stereo -
He's Drunk
Scrawl
Alternative & Indie - Released by Spunky Monkey Music on Sep 1, 1988
Though Scrawl still sounds ragged and tentative in the studio, He's Drunk is much better than their debut, with across-the-board improvement. The band ...
16-Bit CD Quality 44.1 kHz - Stereo -
Smallmouth
Scrawl
Alternative & Indie - Released by Spunky Monkey Music on Apr 8, 1990
Though Smallmouth is Scrawl's third LP, it's still the sound of a band not 100% comfortable in the studio. Confidence isn't lacking in Marcy Mays' son ...
16-Bit CD Quality 44.1 kHz - Stereo -
Bloodsucker (with bonus tracks)
Scrawl
Alternative & Indie - Released by Spunky Monkey Music on Oct 7, 1991
According to the liner notes, the cover drawing which lends Bloodsucker its title is "an artist's rendering; any resemblance to music industry executi ...
16-Bit CD Quality 44.1 kHz - Stereo