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Classical - Released October 2, 2015 | Naxos

Hi-Res Booklet Distinctions 5 de Diapason
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Classical - Released March 2, 2018 | BIS

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Classical - Released October 25, 2013 | Warner Classics International

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Keyboard Concertos - Released October 4, 2011 | Naxos

Distinctions Gramophone Editor's Choice

Classical - Released May 10, 2019 | PM Classics Ltd.

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The final volume in the RLPO/Andrew Manze Vaughan Williams Symphony cycle contains ‘Sinfonia Antartica’ No.7 and his final enigmatic symphony, the 9th. The 7th drew its inspiration from music RVW had composed for the film ‘Scott of the Antartic’, though very little of that score actually made it to the symphony. This often mis-understood work is a true symphony that draws on themes from the film. The composer headed each movement with a literary quotation, and these are narrated on this recording by the distinguished actor Timothy West, following in the footsteps of Sir John Gielgud and Sir Ralph Richardson. The 9th symphony dates from his final years and shows no trace of any creative decline. It is a challenging forbidding work and if music could be hewn from granite, then this symphony is a supreme example. © Onyx Classics
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Classical - Released November 18, 2014 | Naxos Special Projects - France

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Classical - Released September 14, 2018 | Naxos

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Classical - Released October 13, 2017 | Naxos

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Classical - Released May 29, 2012 | Hear Music

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Classical - Released November 23, 2018 | Rubicon Classics

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Opera - Released April 20, 2018 | Rubicon Classics

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Of course, I quatro rusteghi by Wolf-Ferrari was first performed in Germany, in 1906, but this little masterpiece – actually a great masterpiece – given here in its original Venetian dialect (hence "quatro" rather than "quattro" as proper Italian would have it), was recorded at a "mise en espace" performance of the Royal Liverpool Philharmonic. This is the most inspired work by this Italian-German composer, who is constantly pulled between loyalties to two different nations which forced him to move to Switzerland during the Great War so as not to have to choose sides; we can clearly hear the influence of Verdi's Falstaff, and a little less of the influence of Puccini, although not Gianni Schicchi – which was still years away from being written at the time! For all that Wolf-Ferrari played a key role in the lyrical world of his times, he was refused a place in posterity, possibly because he was too Italian for the Germans and too Germanic for the Transalpines. That said, I quatro rusteghi remains his most-played work to this day, and rightly so: it contains a fearfully spiritual orchestration – including an extraordinary part for solo bassoon, amongst other things – a magisterial vocal ensemble piece and a truculence that takes hold of the listener from beginning to end. We'd love to hear it on French stages too... The album brings together a superb range of young lyrical talents who are surely ones to watch very closely. © SM/Qobuz
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Classical - Released September 4, 2013 | Albion

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Classical - Released October 15, 2001 | Warner Classics

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Classical - Released June 2, 2017 | Decca (UMO) (Classics)

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Classical - Released March 17, 2017 | Toccata Classics

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Classical - Released September 14, 2018 | Naxos

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Classical - Released November 13, 2015 | Ecstatic Records

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