Richard Hickox was one of the most active and well-known conductors in Britain, with a strong international reputation, especially for performing music of his native country. He began conducting at the age of 16 and, after studies at the Royal College of Music and Queen's College, where he was an organ scholar, he founded the City of London Sinfonia in 1971, of which he remained musical director until his death. In 1972 he became organist and master of music at St. Margaret's Church, Westminster, remaining in that position until 1982. In 1977 he was appointed conductor of the London Symphony Orchestra Chorus, and in 1982 became the music director of the Northern Sinfonia in Newcastle-upon-Tyne. He is credited with re-establishing that orchestra as an ensemble of stature, confirmed by a highly successful tour of the United States and a complete Beethoven symphony recording cycle for the ASV label. He was associate conductor of the San Diego Symphony Orchestra from 1982 to 1985, and took the same title at the London Symphony Orchestra in 1985. He shared leadership duties with Simon Standage for Collegium Musicum 90, a period-instrument group the two founded. All this activity made Hickox a very familiar face on the British music scene. With his various choral and orchestral ensembles he frequently appeared at the major British music festivals and at the BBC Proms Concerts. He participated in several notable special projects, including a BBC video production of Purcell's Dido and Aeneas and an appearance in the Istanbul Festival leading a production of Mozart's The Abduction from the Seraglio inside the actual sultans' seraglio in the Topkapi Museum. He also provided music for a Ken Russell film for the BBC on the wives of great composers. In the 1990s he increased his involvement with opera, leading new productions of Handel's Julius Caesar in Berlin, Walton's Troilus and Cressida in a live BBC broadcast of an Opera North production, and Vaughan Williams' Pilgrim's Progress at the Royal Opera House, Covent Garden. He conducted a televised production of Britten's Turn of the Screw on the BBC in 2004. He guest conducted around the world, including frequent appearances with the Los Angeles Opera and the New Japan Philharmonic in Tokyo. He made over 300 recordings and won numerous awards, including a Gramophon Award in 1992 for his account of Britten's War Requiem, and three Gramophone Awards, a Diapason d'Or, the Deutsche Schalplattenpreis, and a Grammy for his recording of Britten's Peter Grimes in 1995 on the Chandos label, probably the most honored classical recording of the last quarter of the twentieth century. His recordings appeared on the ASV, Argo, EMI, and Virgin labels, and in the early '90s he had been an exclusive Chandos artist. More recording awards were received in 2001 and 2006 for the music of Vaughan Williams and Stanford, respectively. In 2005, he was appointed director of the Opera Australia. Hickox died of a heart attack following a recording session in Wales in November 2008.
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Symphonic Music - Released March 1, 2001 | Chandos
Hi-Res Booklet Distinctions Gramophone Record of the Year - The Qobuz Ideal Discography - Hi-Res Audio
Symphonic Music - Released January 27, 2009 | Chandos
Hi-Res Booklet Distinctions 4 étoiles Classica
If you're only ever going to get one disc of the music of Gustav Holst, one of them should be a recording of The Planets. Brilliantly scored, wonderfully evocative, and wholly memorable, The Planets is justly Holst's most popular work and there have been dozens of great recordings of the work from the first Boult to the last. But if you're looking to try a second disc of the music of Gustav Holst, try this one from 1994 by Richard Hickox conducting the London Symphony Orchestra on Chandos. The Lyrita recordings were swell in their day, but for a modern recording of convincing performances of Holst's best orchestral works that aren't The Planets, this disc has got the goods. The London Symphony Orchestra plays as well as it ever has, which is to say, superbly. Hickox conducts with sympathy and strength and he holds the L.S.O. in the palm of his hand. Together, Hickox and the L.S.O. play Holst's A Fugal Overture with panache and élan, his A Somerset Rhapsody with pastoral intensity, and his Scherzo with wit and vivacity. Best of all, they play Egdon Heath -- Holst's most severe, most devastating, and certainly his greatest work -- with the massive gravity and concentrated cruelty that it deserves. The Hammersmith Prelude and Scherzo and the disc-closing, posthumously completed Capriccio are bright and delightful, if anti-climactic, after the fatalistic depths of the Egdon Heath. Chandos' sound is bottomless in the best sense of the word.
Sacred Vocal Music - Released May 1, 2001 | Chandos
Hi-Res Booklet Distinctions Hi-Res Audio
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Richard Hickox in the magazine