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Electronic/Dance - Released February 2, 2018 | Concord Loma Vista

Distinctions 4F de Télérama
An androgynous voice reminiscent of Anohni’s of Antony and the Johnsons. A very 80s hushed groove comparable to Everything But The Girl and Sade and an outline worthy of The XX. Rhye’s first album, Woman, released in 2013, came as a real surprise. The improbable LA-based duo, made up of Canadian Mike Milosh and Danish Robin Hannibal, unfolded their R&B with insane sensuality (sexuality?). Five years later, Blood also comes through as a troubling and erotic urban soundtrack. A weightless soul based on the principle of less is more. Unfortunately Hannibal left the project in 2017, leaving Milosh alone aboard this beautiful vessel. As a result, Rhye’s music became more organic, less sophisticated and, in a way, more real. Moreover the falsetto voice of the man in charge is a powerful magnet for the ears. A voice even more beautifully showcased than in Woman, making Blood the apex of refined groove. © MD/Qobuz

Alternative & Indie - Released January 1, 2013 | Polydor Records

Distinctions Pitchfork: Best New Music
In 2010, Mike Milosh flew to Denmark to work on a Quadron remix with that duo's Robin Hannibal. The collaboration grew into another duo, named Rhye, which released two singles on Innovative Leisure in 2012. Milosh and Hannibal weren't forthcoming about being behind the achingly romantic soul-pop elegance of "Open" and "The Fall." Once word got out, it seemed forehead-smacking obvious to anyone familiar with Milosh's solo albums and Hannibal's many involvements, Quadron included. Rhye's Woman, released on a major and front-loaded with the first two A-sides, is an ideal fusion of the two instrumentalists and producers, whose sound is enhanced -- never overstuffed -- with horns, woodwinds, and strings, including harp. Tempos rarely break a breezy pace. When they do, they arrive at just the right time, during the album's latter half. The lilting "3 Days" echoes the Blue Nile's "Tinseltown in the Rain," while "Hunger" is breathy boogie, like a sequel to Owusu & Hannibal's "Lonnie's Secret" with surprisingly well-placed horn skronks. In the main, the purpose is bedroom listening, though the tone is so bright that daytime play seems most suitable. The lyrics are packed with metaphors, yet they are expressed in a heartrending and inviting manner. They don't get more explicit than "I'm a fool for that shake in your thighs" -- the album's opening line. Milosh's voice, high and sigh-like, is frequently likened to that of the significantly deeper and richer Sade but is closer to that of Michael Franks. Beside Hannibal, he's made his most expressive and pleasurable material to date. Anyone new to Hannibal's work should start with Quadron's self-titled album and then check the group Boom Clap Bachelors, the album Living with Owusu & Hannibal, Szjerdene's "Lead the Way," and Leon Ware's "Orchids for the Sun." Milosh has three albums on Plug Research, home to Quadron, all of which are worth some time. ~ Andy Kellman

Electronic/Dance - Released May 10, 2019 | Loma Vista Recordings


Electronic/Dance - Released November 16, 2018 | Loma Vista Recordings


Electronic/Dance - Released July 7, 2017 | Concord Loma Vista


Electronic/Dance - Released May 4, 2018 | Concord Loma Vista


Electronic/Dance - Released September 21, 2018 | Loma Vista Recordings


Electronic/Dance - Released September 1, 2017 | Concord Loma Vista


Alternative & Indie - Released January 1, 2012 | Innovative Leisure - Polydor


Electronic/Dance - Released June 15, 2018 | Concord Loma Vista


Electronic/Dance - Released March 6, 2018 | Concord Loma Vista


Electronic/Dance - Released March 30, 2018 | Concord Loma Vista


R&B - Released August 3, 2018 | Mahogany Sessions