Pittsburgh Symphony Orchestra
The Pittsburgh Symphony Orchestra has gained a wider reputation than the medium size of its home city might suggest, benefiting from the leadership of some of the 20th century's top conductors at various points in their careers. In the 2010s, the orchestra has issued a major series of recordings of mainstream symphonic repertory. The Pittsburgh Symphony was founded in 1896 by the Pittsburgh Art Society, which two years later hired Irish-born operetta composer Victor Herbert as conductor. The move ran counter to the tendency toward German conductors at the time, but the orchestra gained wide popularity. In 1904, the orchestra went to the opposite pole, installing Germany's Emil Paur as conductor and getting a heavy diet of Brahms and other symphonists for its money. Paur clashed with local musicians, financial support dried up after the Panic of 1907, and the orchestra disbanded in 1910. It was reestablished in 1927, intentionally violating a Pennsylvania law against music on the Sabbath and gaining valuable publicity. The orchestra took advantage of the new medium of radio, launching broadcasts in 1936 that were heard across much of the eastern U.S. The following year, Otto Klemperer became one of a series of international-caliber conductors to lead the group, building it into a top-quality ensemble. He was succeeded by Fritz Reiner (1938-1948), Vladimir Bakaleinikov (1948-1952), William Steinberg (1952-1976), André Previn (1976-1984), Lorin Maazel (1984-1996, who had lived in Pittsburgh and studied with Bakaleinikov), Mariss Jansons (1996-2004), a unique troika of Marek Janowski, Andrew Davis, and Yan Pascal Tortelier (2004-2008), and, since 2008, Manfred Honeck. The orchestra has also maintained a pops series that was conducted by famed ragtime pianist Marvin Hamlisch from 1995 until his death in 2014; in 2019, the pops concerts welcomed Kenny "Babyface" Edmonds as a guest. In its earlier years, the orchestra performed at Pittsburgh's Carnegie Music Hall, Syria Mosque (a performance space suggested by a shrine, not an actual mosque), and Penn Theatre; in 1971, it gained its own Heinz Hall, which has itself been expanded several times. Especially under Steinberg and Previn, the orchestra amassed a large recording catalog. Honeck has revived the orchestra's recording activity, issuing a series of recordings of symphonic repertoire works in the 2010s on the Exton and Reference Recordings labels. In 2018, the orchestra issued a reading of Beethoven's Symphony No. 3 in E flat major, Op. 55, paired with the Horn Concerto No. 1, Op. 11, of Richard Strauss; Honeck's Beethoven interpretations have been influenced by the historical-performance movement. The Pittsburgh Symphony, under Honeck, was nominated for a Grammy award for its 2019 album Bruckner: Symphony No. 9.© James Manheim /TiVo Read more
The Pittsburgh Symphony Orchestra has gained a wider reputation than the medium size of its home city might suggest, benefiting from the leadership of some of the 20th century's top conductors at various points in their careers. In the 2010s, the orchestra has issued a major series of recordings of mainstream symphonic repertory.
The Pittsburgh Symphony was founded in 1896 by the Pittsburgh Art Society, which two years later hired Irish-born operetta composer Victor Herbert as conductor. The move ran counter to the tendency toward German conductors at the time, but the orchestra gained wide popularity. In 1904, the orchestra went to the opposite pole, installing Germany's Emil Paur as conductor and getting a heavy diet of Brahms and other symphonists for its money. Paur clashed with local musicians, financial support dried up after the Panic of 1907, and the orchestra disbanded in 1910. It was reestablished in 1927, intentionally violating a Pennsylvania law against music on the Sabbath and gaining valuable publicity. The orchestra took advantage of the new medium of radio, launching broadcasts in 1936 that were heard across much of the eastern U.S. The following year, Otto Klemperer became one of a series of international-caliber conductors to lead the group, building it into a top-quality ensemble. He was succeeded by Fritz Reiner (1938-1948), Vladimir Bakaleinikov (1948-1952), William Steinberg (1952-1976), André Previn (1976-1984), Lorin Maazel (1984-1996, who had lived in Pittsburgh and studied with Bakaleinikov), Mariss Jansons (1996-2004), a unique troika of Marek Janowski, Andrew Davis, and Yan Pascal Tortelier (2004-2008), and, since 2008, Manfred Honeck. The orchestra has also maintained a pops series that was conducted by famed ragtime pianist Marvin Hamlisch from 1995 until his death in 2014; in 2019, the pops concerts welcomed Kenny "Babyface" Edmonds as a guest. In its earlier years, the orchestra performed at Pittsburgh's Carnegie Music Hall, Syria Mosque (a performance space suggested by a shrine, not an actual mosque), and Penn Theatre; in 1971, it gained its own Heinz Hall, which has itself been expanded several times. Especially under Steinberg and Previn, the orchestra amassed a large recording catalog. Honeck has revived the orchestra's recording activity, issuing a series of recordings of symphonic repertoire works in the 2010s on the Exton and Reference Recordings labels. In 2018, the orchestra issued a reading of Beethoven's Symphony No. 3 in E flat major, Op. 55, paired with the Horn Concerto No. 1, Op. 11, of Richard Strauss; Honeck's Beethoven interpretations have been influenced by the historical-performance movement. The Pittsburgh Symphony, under Honeck, was nominated for a Grammy award for its 2019 album Bruckner: Symphony No. 9.
© James Manheim /TiVo
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Tchaikovsky: Symphony No. 5 & Schulhoff: Five Pieces
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Jul 28, 2023
Gramophone: Recording of the Month24-Bit 96.0 kHz - Stereo -
Beethoven: Symphonies Nos. 5 & 7
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Nov 13, 2015
24-Bit 192.0 kHz - Stereo -
Beethoven & Stucky: Orchestral Works
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Jun 10, 2022
24-Bit 192.0 kHz - Stereo -
Brahms: Symphony No. 4 in E Minor, Op. 98 - MacMillan: Larghetto for Orchestra (Live)
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Oct 22, 2021
24-Bit 192.0 kHz - Stereo -
Shostakovich: Symphony No. 5, Op. 47 - Barber: Adagio for Strings, Op. 11 (Live)
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Aug 18, 2017
24-Bit 192.0 kHz - Stereo -
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Live)
Classical - Released by Reference Recordings on Feb 12, 2021
24-Bit 192.0 kHz - Stereo -
Beethoven: Symphony No. 3, Op. 55 "Eroica" - Strauss: Horn Concerto No. 1, Op. 11 (Live)
Pittsburgh Symphony Orchestra, William Caballero, Manfred Honeck
Classical - Released by Reference Recordings on Sep 21, 2018
24-Bit 192.0 kHz - Stereo -
Tchaikovsky: Symphony No. 6 - Dvořák: Rusalka Fantasy
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on May 13, 2016
24-Bit 192.0 kHz - Stereo -
Tchaikovsky: Symphony No. 4 - Johnathan Leshnoff: Double Concerto for Clarinet & Bassoon (Live)
Pittsburgh Symphony Orchestra, Michael Rusinek, Manfred Honeck, Nancy Goeres
Classical - Released by Reference Recordings on May 22, 2020
24-Bit 192.0 kHz - Stereo -
Brahms: Complete Symphonies
Pittsburgh Symphony Orchestra, Marek Janowski
Classical - Released by PentaTone on Dec 11, 2020
24-Bit 96.0 kHz - Stereo -
Berlioz: Symphonie fantastique - Le roi Lear
Pittsburgh Symphony Orchestra, Marek Janowski
Classical - Released by PentaTone on Jun 29, 2010
24-Bit 96.0 kHz - Stereo -
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral"
Pittsburgh Symphony Orchestra, William Steinberg
Classical - Released by Deutsche Grammophon (DG) on May 15, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Strauss: Elektra & Der Rosenkavalier Suites (Live)
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Nov 11, 2016
24-Bit 96.0 kHz - Stereo -
Brahms: Symphonies Nos. 2 and 3
Pittsburgh Symphony Orchestra, Marek Janowski
Classical - Released by PentaTone on Jan 1, 2007
24-Bit 96.0 kHz - Stereo -
Brahms: Symphony No. 4 & 8 Hungarian Dances for Orchestra
Pittsburgh Symphony Orchestra, Marek Janowski
Classical - Released by PentaTone on Oct 19, 2018
16-Bit CD Quality 44.1 kHz - Stereo -
Gershwin: Rhapsody in Blue & An American in Paris (Transferred from the Original Everest Records Master Tapes)
Pittsburgh Symphony Orchestra, William Steinberg
Classical - Released by Everest on Oct 6, 2017
24-Bit 192.0 kHz - Stereo -
Beethoven: Symphony No. 7 in A Major, Op. 92
Pittsburgh Symphony Orchestra, William Steinberg
Classical - Released by Deutsche Grammophon (DG) on May 15, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60; Leonore Overture No. 3, Op. 72a
Pittsburgh Symphony Orchestra, William Steinberg
Classical - Released by Deutsche Grammophon (DG) on May 15, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Brahms: Symphony No. 1 / Haydn Variations
Pittsburgh Symphony Orchestra, Marek Janowski
Classical - Released by PentaTone on Aug 1, 2007
24-Bit 96.0 kHz - Stereo -
Richard Strauss : Don Juan - Death and Transfiguration - Till Eulenspiegel's Merry Pranks
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Nov 12, 2013
Gramophone Editor's Choice16-Bit CD Quality 44.1 kHz - Stereo -
Bruckner: Symphony No. 4, WAB 104
Pittsburgh Symphony Orchestra, Manfred Honeck
Classical - Released by Reference Recordings on Feb 10, 2015
16-Bit CD Quality 44.1 kHz - Stereo