Los Angeles' Phantom Planet are a melodic indie outfit known for their mix of Beatlesque pop and garage rock. Centered on the vocals of Alan Greenwald, Phantom Planet first gained widespread attention in the 2000s after their song "California" (off 2002's The Guest), was used as the theme song to the prime-time Fox teen soap opera The O.C. It also didn't hurt that their original drummer was Rushmore actor Jason Schwartzman. Following Schwartzman's 2003 departure, the band's sound evolved, shifting from a sunny, piano-based style to a more kinetic brand of garage rock as heard on 2004's Phantom Planet and 2008's Raise the Dead. Following an extended hiatus that found Greenwald working on solo material, Phantom Planet returned with 2020's Devastator. Formed in Los Angeles in 1994, Phantom Planet originally featured high school classmates singer/guitarist Alex Greenwald, guitarist Jacques Brautbar, bassist Sam Farrar (son of renowned singer/songwriter John Farrar), guitarist Darren Robinson, and drummer Jason Schwartzman (son of actress Talia Shire and the nephew of director Francis Ford Coppola). Named after a cult 1961 sci-fi film The Phantom Planet, the band developed a melodic sound influenced by classic acts like the Beach Boys, Elvis Costello, and Electric Light Orchestra, as well as contemporary bands like Weezer, Blur, and Radiohead. They began playing shows and eventually inked a deal with Geffen in 1997. The group's debut album, Phantom Planet Is Missing, arrived the following year. Along with music, the band found success in other parts of the entertainment industry during this period, including several members landing guest spots on TV shows like Sabrina, The Teenage Witch and Get Real. In particular, Schwartzman's acting career took off as he landed starring roles in films like 1998's Rushmore and 2002's Slackers. Greenwald modeled and appeared in Gap commercials. In early 2001, Phantom Planet returned to the studio to work on a follow-up effort with Tchad Blake (Pearl Jam, Sheryl Crow) and Mitchell Froom (Elvis Costello, Paul McCartney). The resulting The Guest appeared the following year on the Dreamworks label. Included on the album was the hooky track "California," which was released as the album's second single and subsequently picked as the opening theme to the wildly popular television drama The O.C. A Top Ten hit in several countries, the song reached number 35 on the Alternative Songs chart, and helped land the album on the Billboard 200. Despite the group's burgeoning success, Schwartzman announced his departure from the band in August 2003 to focus on his acting career, but he continued to release music with his own Coconut Records project. The group's third album, 2004's eponymous Phantom Planet, introduced drummer Jeff Conrad. Produced by Dave Fridmann, it found them adopting a more garage rock-oriented sound. It peaked at number 95 on the Billboard 200. Following the album's release, guitarist Brautbar left the band and took on film scoring work and other musical collaborations. With 2008's Tony Berg-produced Raise the Dead, the group moved to Fueled by Ramen. Included on the album were the singles "Do the Panic" and "Dropped." After a farewell show at The Troubadour in December of 2008, the band went on indefinite hiatus. Over the next few years, the members of the group stayed busy with other projects as Greenwald worked on solo material and collaborated on projects with the Young Veins and Phases. Farrar also formed the band Operation Aloha with members of Gomez and Maroon 5. Similarly, Robinson toured with Miniature Tigers. Reunited in 2011, Phantom Planet played a handful of welcome-back shows including several at the Troubadour, where they were joined by guitarist Brautbar. Also around this time, Farrar began splitting his time between Phantom Planet and touring as a member of Maroon 5. Following work on Greenwald's solo project, Phantom Planet announced their official return from hiatus with the 2019 Tony Berg-produced single "Balisong." That track was included on the group's fifth full-length album, 2020's Devastator.
© Matt Collar /TiVo
© Matt Collar /TiVo
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Pop/Rock - Released February 26, 2001 | Epic - Daylight
While an increasing number of up-and-coming artists are making a name for themselves by blurring the lines between rock, metal, rap, soul, dance, country, and about any other musical style you can think of, Phantom Planet is sticking with rock & roll. Pop/rock, if you want to split hairs, but isn't that basically redundant? Ironically, with the defection of so many artists to hybrid genres, The Guest comes off sounding incredibly fresh. It's hard to think of too many contemporary bands that are making such unapologetically sunny, pop-tinged rock & roll. Take the punk out of Weezer, the kitsch out of Fountains of Wayne, or the Strokes out of the garage, and you come pretty close. The album opens strong with four infectiously upbeat tracks that are singalongs waiting to happen. The songs are well-crafted and impressively mature for a band whose members are scarcely legal drinking age. The only misstep is the schmaltzy "Anthem," in which lead singer Alex Greenwald muses about writing a song that the entire planet falls in love with. The rest of the album flirts with some electronic touches, but never deviates too far from the original course. Greenwald's vocals remain heartfelt and confident throughout, although he seems to be channeling Thom Yorke in his quieter moments, such as "Turn Smile Shift Repeat." Phantom Planet distinguishes themselves by not being afraid to make a lush, textured album that avoids sounding glossy or overproduced. The use of strings and keyboards is subtle but effective. Indeed, the first single and opening track "California" employs a vital piano hook to hold the song together. What holds the entire record together, however, is Phantom Planet's knack for feel-good tunes with melodies that bounce into your head and stay there. © Mark Vanderhoff /TiVo
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