Nas & Damian "Jr. Gong" Marley
Damian Marley was only two when his father died, but the youngest of the Marley sons had music deeply imprinted in his DNA. At the age of 13, he formed his first band, the Shepherds, which also included the son of Third World's Cat Coore and the daughter of Freddie McGregor; the group even opened up the 1992 Reggae Sunsplash festival. His debut solo release, School Controversy, faltered, although his lineage led to the track being featured on Epic Records' Positively Reggae: An All Family Musical Celebration. In 1993, performing as Damian "Junior Gong" Marley, he toured alongside Shabba Ranks on the ragga DJ's World Unity Concert. In 1995, the Marley genealogy led to a partnership with Julian Marley, who joined him at performances on the Reggae Sunsplash and Sumfest festivals. The success of their performance led to an international tour supporting Ziggy Marley & the Melody Makers that covered South, Central, and North America and culminated in the Marley Magic: A Marley Family Reunion in New York's Central Park. Thanks to his success as a live performer, Tuff Gong subsidiary Ghetto Youths International signed him and in 1996, released his first solo album, Mr. Marley. The sessions were co-produced by his brother Stephen and featured Damian's unique dancehall-meets-hip-hop DJ style. His next album, 2001's Halfway Tree, earned a Grammy nomination, but the public generally overlooked the ambitious effort. Not so for the reggae-meets-hip-hop single "Welcome to Jamrock," which became an urban phenomenon soon after its summer 2005 release. Street-level mixtapes began featuring it, radio couldn't get enough of it, and remixes -- both legal and not so legal -- began appearing at a fast pace. The well-rounded album Welcome to Jamrock delivered on the promise of the single that same year, reaching the Top Ten and eventually winning a Best Reggae album Grammy. It featured a wide range of guests, from Bobby Brown to Bunny Wailer, as it blended hip-hop, classic reggae, dancehall, and modern R&B. In the years that followed, Marley kept up a busy schedule of guest appearances on albums by the likes of Snoop Dogg, Gwen Stefani, Mariah Carey and his brother Stephen. In 2010, he teamed with Nas on the Africa-themed album Distant Relatives, that made even more clear Marley's link to the hip-hop community. The next few years found Marley back as a featured player on albums by Bruno Mars, Joss Stone, Sean Paul, and Shaggy, and releasing a single with Skrillex in 2012, all while touring and working on a new album. The long-awaited Stony Hill, which featured the Stephen Marley-assisted single "Medication," was issued by Island Records in 2017, the same year he guested on Jay Z's 4:44 album. April 2018 saw the release of a remixed version of "Medication" featuring Wiz Khalifa and Ty Dolla $ign.
© John Bush /TiVo
© John Bush /TiVo
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Reggae - Released January 1, 2010 | Universal Republic Records
The Nas and Damian Marley collaboration Distant Relatives came together as a way to earn money for schools in Africa, but before any corny “charity album” misconceptions get in the way, know that this is one purposeful monster and a conceptional bull's eye that fully supports its title. Actually, it all comes together in the album’s first few seconds as Marley and Nas loop a sample of Ethiopian jazzman Mulatu Astatke for “As We Enter”’s effective and infectious beat. Rapidly trading the lines (Nas): "I’ve got the guns"/(Damian): "I’ve got the Ganja"/(Nas): "And we can blaze it up on your block if you wanna” just raises the excitement level to a “Welcome to Jamrock” or “Nas Is Like,” but when the following “Tribes at War” creates a cinematic big picture of Africa crumbling while its people are unwillingly scattered across the globe, the album turns compelling. On the track, guest K’Naan offers the provocative “I drink poison/Then I vomit diamonds” while the devastating “Leaders” features Nas’ “Malcolm on the podium/Shells drop to linoleum/Swipe those/Place them on display on the Smithsonian.” Still, there’s much more hope and pride here than anger and darkness. The majestic “Strong Will Continue” marches forth with a positive spiritual message, while “Count Your Blessings” is musically akin to Damian’s Bobby Brown collaboration “Beautiful” and father Bob's’s “One Love” lyrically. The magical moment that explains it all comes in the form of an old Dennis Brown interview which is sampled for “Land of Promise.” Answering the question “What do you think of Africa?” Brown replies “Just to mention of it man, is like, you call mi name man” in a voice that displays a whirlwind of emotions, from the very best to the very worst. Distant Relatives is this African contradiction explored further with hip-hop, dancehall, and by way of samples, jazz, and African music showing the way. It’s a royal and a striking reminder of why these two artists have reached legendary status. © David Jeffries /TiVo