Muslimgauze
Bryn Jones was not a practicing Muslim and never went to the Middle East. His recordings as Muslimgauze, however, qualified him as one of the Western artists most explicitly slanted in his favor of the Palestinian liberation movement. Since the Manchester-native's works were instrumental, most of the political statement was inherent in the packaging: Witness titles such as Fatah Guerrilla, Return of Black September, Hebron Massacre, Vote Hezbollah, United States of Islam and The Rape of Palestine. Jones could have been a potentially controversial figure if his releases were available in anything except severely limited editions -- usually less than one thousand copies of each. Despite their lack of prominence, Jones' blend of found-sound Middle Eastern atmospheres with heavily phased drones and colliding rhythm programs were among the most startling and unique in the noise underground. Formed in 1982 to protest the Israeli invasion of Lebanon, Muslimgauze's first release was the Hammer & Sickle EP, which appeared in 1983 as a response to the Soviet invasion of Afghanistan. During the 1980s, Jones averaged almost two Muslimgauze albums per year, plus additional EPs and limited releases (of 500 copies each). With 1990's Intifaxa he earned his first release on Extreme Records, an Australian label with releases by Robert Rich and Paul Schütze. Five albums followed for Extreme in the next four years, while a half-dozen were released on the Dutch Staalplaat, distributed in the States as well through Soleilmoon. As the decade progressed, Muslimgauze's output became even more concentrated -- five albums in 1994, six a year later, and an unbelievable eight LPs in 1996. The experimental/noise underground increased in visibility during the late '90s, with Muslimgauze productions gradually encompassing heavier beats and a style close in execution to post-industrial beat-heads Techno Animal, Download and Scorn. The Muslimgauze project ended tragically in 1999 when Jones died suddenly of a rare blood disease. A number of posthumous releases including Lo-Fi India Abuse (partially a collaboration with dub collective Systemwide) and the nine-disc Box of Silk and Dogs soon followed.© John Bush /TiVo Read more
Bryn Jones was not a practicing Muslim and never went to the Middle East. His recordings as Muslimgauze, however, qualified him as one of the Western artists most explicitly slanted in his favor of the Palestinian liberation movement. Since the Manchester-native's works were instrumental, most of the political statement was inherent in the packaging: Witness titles such as Fatah Guerrilla, Return of Black September, Hebron Massacre, Vote Hezbollah, United States of Islam and The Rape of Palestine. Jones could have been a potentially controversial figure if his releases were available in anything except severely limited editions -- usually less than one thousand copies of each. Despite their lack of prominence, Jones' blend of found-sound Middle Eastern atmospheres with heavily phased drones and colliding rhythm programs were among the most startling and unique in the noise underground.
Formed in 1982 to protest the Israeli invasion of Lebanon, Muslimgauze's first release was the Hammer & Sickle EP, which appeared in 1983 as a response to the Soviet invasion of Afghanistan. During the 1980s, Jones averaged almost two Muslimgauze albums per year, plus additional EPs and limited releases (of 500 copies each). With 1990's Intifaxa he earned his first release on Extreme Records, an Australian label with releases by Robert Rich and Paul Schütze. Five albums followed for Extreme in the next four years, while a half-dozen were released on the Dutch Staalplaat, distributed in the States as well through Soleilmoon. As the decade progressed, Muslimgauze's output became even more concentrated -- five albums in 1994, six a year later, and an unbelievable eight LPs in 1996. The experimental/noise underground increased in visibility during the late '90s, with Muslimgauze productions gradually encompassing heavier beats and a style close in execution to post-industrial beat-heads Techno Animal, Download and Scorn. The Muslimgauze project ended tragically in 1999 when Jones died suddenly of a rare blood disease. A number of posthumous releases including Lo-Fi India Abuse (partially a collaboration with dub collective Systemwide) and the nine-disc Box of Silk and Dogs soon followed.
© John Bush /TiVo
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Mussein Mahmood Jeeb Tehar Gass
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jan 19, 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Jaal Ab Dullah
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Sep 23, 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Vote Hezbollah
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jun 15, 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Syrinjia
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Oct 25, 2004
16-Bit CD Quality 44.1 kHz - Stereo -
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Salaam Alekum, Bastard
Muslimgauze
Electronic - Released by Soleilmoon Recordings on May 22, 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Untitled Ten
Muslimgauze
Rock - Released by Extreme on May 23, 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Fakir Sind
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jun 15, 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Hand of Fatima
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jun 8, 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Hummus
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jan 3, 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Arab Quarter
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Oct 31, 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Abu Nidal/Coup D'etat
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Aug 22, 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Alms for Iraq
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Nov 11, 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Uzi Mahmood
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Oct 19, 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Sufiq
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jan 18, 2000
16-Bit CD Quality 44.1 kHz - Stereo -
United States Of Islam
Muslimgauze
Electronic - Released by Extreme on Jun 19, 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Gun Aramaic
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Jan 8, 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Dar Es Salaam
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Aug 27, 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Arabbox
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Apr 15, 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Re-Mixs Volume 1 + 2
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Nov 11, 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Dome of the Rock
Muslimgauze
Electronic - Released by Soleilmoon Recordings on Apr 8, 2008
16-Bit CD Quality 44.1 kHz - Stereo