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Country - Released June 2, 2014 | RCA Records Label Nashville

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Country - Released November 1, 2019 | Vanner Records - RCA Records Label Nashville

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For her seventh album, Miranda Lambert takes an unexpected time warp to the 1980s — and has a helluva lot of fun. With stuttering guitar and video game sound effects, "Mess With My Head" is country Pat Benatar and "Track Record" sounds like it's off a John Hughes soundtrack. Meanwhile, the staccato sass of "White Trash" and sweet optimism of "Bluebird" would've fit right in on Country FM, circa 1985. There is no shortage of Lambert's patented confidence on the swaggering "It All Comes Out in the Wash," swamp-bluesy "Holy Water" and "Way Too Pretty for Prison" — a woozy duet with Maren Morris that jokes about killing a cheating husband and includes a chain gang call-and-response. She unleashes her full vocal power on hard-charging rager "Locomotive" and winks at Brothers Osborne's "Tequila Again" with the liquor love song "Tequila Does." But on closer "Dark Bars," Lambert shows that maybe her tough-girl image gets heavy to carry — revealing that while she's "not in pain, not on pills," she can't quit looking for trouble in all the wrong places. © Qobuz
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Country - Released November 18, 2016 | Vanner Records - RCA Records Label Nashville

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The divorce record is a country trope, and Miranda Lambert doubles down with this moving two-record set. But she earns her place in the canon by turning the cliché on its head. There is no blaming the no-good man who broke her heart — Lambert’s a long way from just a few years before, when she set fire to an ex’s home in the video for “Kerosene.” This time, it’s all about examining her own flaws and scars. Like many a Hank Williams fan before her, she drinks away the pain — “It’s been a while since I’ve been off the stuff,” Lambert sings on the reggae-groove lark “Ugly Lights” — but then slinks out of town in the middle of the night. Meanwhile, the backing vocals on “Highway Vagabond” and “Vice” sound like wind howling through an open car window. There are delightfully surprising twists along the route, such as “The Joshua Tree”-style guitars on “Runnin’ Just In Case” and the garage-band fuzz of “Pink Sunglasses,” which deceptively paints Lambert as a ditz who finds enlightenment in a cheap pair of shades. Still, there’s no mistaking her country heart on the Americana beauty “Good Ol’ Days” or the ballads “Tin Man” and “Well-Rested.” The show-stopper here is “Vice” with its vinyl-record hiss, woozy guitars and a dramatically descending chord structure. “I wear a town like a leather jacket / When the new wears off I don’t even pack it,” Lambert sighs. Is she running away or moving on? Either way, it’s smart to follow her. © Qobuz
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Country - Released September 13, 2019 | Vanner Records - RCA Records Label Nashville

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Country - Released September 24, 2009 | Columbia Nashville

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Country - Released June 12, 2020 | Vanner Records - RCA Records Label Nashville

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Country - Released November 1, 2011 | RCA Records Label Nashville

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Country - Released May 1, 2007 | Columbia Nashville

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Country - Released January 25, 2005 | Epic

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It's arguable that Miranda Lambert's debut album, Kerosene, is the first true Nashville product produced in the wake of Gretchen Wilson, crafted with an eye on the audience that Wilson's stylized redneck raunch won. Of course, with her golden blonde hair and good looks, Lambert seems like she would be crushed by the rampaging Gretchen, and there's a certain truth that Miranda is a bit fabricated and polished. After all, she started out as an actress, appearing in the long-shelved Piper Perabo teen comedy Slap Her She's French (finally released under the lamentably tame title She Will Have Way), and only got a foothold in the music industry by participating in USA's countrified American Idol knockoff, Nashville Star, where she placed in the top three. All this suggests that Lambert will be as slickly packaged as, say, a Southern Diana DeGarmo, but pop music works in mysterious ways: as it turns out, Lambert wrote all of the tunes on her debut, whereas the seemingly more genuine Wilson only wrote about half. That said, Kerosene lacks the gonzo humor that Big & Rich brought to Here for the Party, and Lambert's sweet girlish voice seems too tame for some of the livelier material. But that's not to say that those tunes don't work as well as the gentler pop tunes (the ballads tend to be a little treacly and nondescript), all of which are sturdily written, delivered with conviction, and given just enough gloss for an appealing sheen. Against all odds, this a rarity in modern mainstream country: a piece of product that's friendly, tuneful, sharper, and more genuine than it initially seems. Maybe Miranda needed a show like to Nashville Star to jump-start her career, but the show gave her the opportunity to make this thoroughly winning debut. © Stephen Thomas Erlewine /TiVo
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Country - Released May 18, 2021 | Vanner Records - RCA Records Label Nashville

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Country - Released July 31, 2020 | Vanner Records - RCA Records Label Nashville

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Country - Released January 15, 2016 | Low Country Sound - Elektra

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Pop - Released July 2, 2021 | Vanner Records - RCA Records Label Nashville

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Country - Released May 26, 2015 | RCA Records Label Nashville

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Country - Released April 13, 2018 | Vanner Records - RCA Records Label Nashville

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Country - Released April 2, 2021 | Vanner Records - RCA Records Label Nashville

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Film Soundtracks - Released April 28, 2015 | RCA Records Label Nashville

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