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Solo Piano - Released October 29, 2015 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique - Choc de Classica
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Classical - Released April 14, 2017 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - 4F de Télérama - 4 étoiles Classica
Disciple of Vlado Perlemuter and Jean Hubeau, Michel Dalberto has stood out as a master and ardent defender of French music in the course of a forty-year career. His signature for the Aparté label of a series of recordings devoted to Debussy, Fauré, Ravel, and Franck marks his awaited return to discs. Each episode will be recorded live and accompanied by a video. This second release, recorded on a Bechstein piano at the Conservatoire d’Art Dramatique-Paris on 7 January 2017, honours Gabriel Fauré.
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Chamber Music - Released March 22, 2019 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica
Vlado Perlemuter and Jean Hubeau’s pupil, Michel Dalberto has established himself during a forty year career as a master. And as an ardent defender of French music he launched on Aparté a series dedicated to Debussy, Fauré, Franck and Ravel. “With these recordings of works of four major French composers of the late nineteenth and early twentieth century, I wish to prove myself worthy of the teachers who used to provide a specific idea of French music made of severity and sensuality, a mixture of rigour and freedom.” After a first opus devoted to Debussy and a second to Fauré (both rewarded with international awards), Michel Dalberto chose the Salle Philharmonique in Liège to record the third part of this collection – that is to say in César Franck’s home town. © Aparté
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Classical - Released September 27, 2019 | La Dolce Volta

Hi-Res Booklet Distinctions 5 de Diapason
Michel Dalberto has had a unique career journey. An expert of French repertoire, exemplified with his tetralogy published on Aparté (Debussy, Fauré, Franck and Ravel), he also recorded the somewhat neglected first sonatas by Beethoven in a compilation published by Erato in the 1980s. However, he thereafter dedicated himself mainly to Schubert, saving the Appassionata, Moonlight and Opus 111 for later. This album signals the end of the wait for these iconic pieces in the year of an important anniversary for Beethoven, presenting them to the listener in chronological order. From the Pathétique to Sonata n°32, op. 111, Michel Dalberto seems determined to portray Beethoven as a classical and not a pre-romantic composer, as the musical history books are often known to do. There is a real emphasis on the thematic and motivic logic of the music here. Thus the deliberately slow tempo of the Allegretto of the Sonata n°14, op. 27 manages to deconstruct the score without totally stripping it of its substance. It’s followed by the Presto Agitato, a delirious sprint with devilish articulation which is divinely transparent despite the apprehension in the highs and lows. The formidable changes in register in Beethoven’s opus are interwoven seamlessly thanks to the narrative genius of the performer (Schubert’s influence is not too far away). Indeed, Opus 111’s first movement is remarkable. The Steinway is expectedly robust, cutting even, as the pianist creates moments of orchestral sonority and weightless playing. A result which leaves the listener awestruck. © Elsa Siffert/Qobuz
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Classical - Released October 23, 2020 | Aparté

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Classical - Released September 14, 2018 | Warner Classics

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Classical - Released January 1, 2009 | Denon

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Classical - Released January 15, 1998 | Sony Classical

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Concertos - Released September 11, 1971 | VDE-GALLO

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Classical - Released May 29, 2007 | Warner Classics International

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Classical - Released January 1, 2009 | Denon

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Classical - Released January 1, 2010 | Denon

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Classical - Released January 1, 2009 | Denon

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Classical - Released January 1, 2010 | Denon

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Classical - Released January 1, 2009 | Denon