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Classical - Released March 16, 2018 | Deutsche Grammophon Classics

Though the eight-hour work Sleep is one of the longest single pieces of classical music ever composed and the audience at its premiere were given beds instead of seats, Max Richter's intentions for the work were anything but sensational. Describing it as “an eight-hour personal lullaby for a frenetic world and a manifesto for a slower pace of existence," he consulted neuroscientist David Eagleman as he worked on these soft, gliding compositions for piano, strings, electronics and vocals, taking into account the nuances of dreaming sleep and deep sleep. Designed to be listened to while asleep, the low drones that wind through the work encourage a phase of sleep that consolidates memory and learning -- a process that might seem as thrilling as defragmenting a hard drive, but in Richter's hands, has the same aching-yet-inspiring beauty that has graced his work since The Blue Notebooks. © TiVo
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Classical - Released January 1, 2014 | Deutsche Grammophon (DG)

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Classical - Released September 4, 2015 | Deutsche Grammophon Classics

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Though the eight-hour work Sleep is one of the longest single pieces of classical music ever composed and the audience at its premiere were given beds instead of seats, Max Richter's intentions for the work were anything but sensational. Describing it as “an eight-hour personal lullaby for a frenetic world and a manifesto for a slower pace of existence," he consulted neuroscientist David Eagleman as he worked on these soft, gliding compositions for piano, strings, electronics and vocals, taking into account the nuances of dreaming sleep and deep sleep. Designed to be listened to while asleep, the low drones that wind through the work encourage a phase of sleep that consolidates memory and learning -- a process that might seem as thrilling as defragmenting a hard drive, but in Richter's hands, has the same aching-yet-inspiring beauty that has graced his work since The Blue Notebooks. © TiVo
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Classical - Released May 11, 2018 | Deutsche Grammophon (DG)

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Deutsche Grammophon presents expanded new editions of The Blue Notebooks by Max Richter, which are released in celebration of its 15th anniversary. Originally written in 2003 and remarkably recorded in just three hours, The Blue Notebooks was released in 2004 to minimal fanfare. Since then the world has caught up, with the album steadily growing from cult classic, to trend-setting influencer, to cannon-defining masterpiece that’s paved the way for a generation of successful young composers. New features include brand new artwork, a previously unreleased track and new arrangements of compositions written at the same time as the album. © Deutsche Grammophon
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Experimental - Released January 27, 2017 | Deutsche Grammophon (DG)

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Film Soundtracks - Released October 18, 2019 | Deutsche Grammophon (DG)

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Classical - Released October 4, 2019 | Deutsche Grammophon (DG)

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TV Series - Released December 2, 2014 | WaterTower Music

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Classical - Released September 4, 2015 | Deutsche Grammophon (DG)

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Film Soundtracks - Released May 1, 2020 | Deutsche Grammophon (DG)

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Film Soundtracks - Released December 7, 2018 | Deutsche Grammophon (DG)

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Film Soundtracks - Released December 7, 2018 | Deutsche Grammophon (DG)

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TV Series - Released February 19, 2016 | WaterTower Music

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Classical - Released February 19, 2016 | Deutsche Grammophon (DG)

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Film Soundtracks - Released September 15, 2017 | Deutsche Grammophon (DG)

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Film Soundtracks - Released December 9, 2016 | EuropaCorp

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Film Soundtracks - Released September 2, 2016 | Fox Music

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Film Soundtracks - Released October 5, 2018 | Deutsche Grammophon (DG)

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Film Soundtracks - Released October 21, 2016 | Deutsche Grammophon (DG)

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Film Soundtracks - Released January 5, 2018 | Deutsche Grammophon (DG)

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Max Richter in the magazine