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Classical - Released March 16, 2018 | Deutsche Grammophon (DG)

Though the eight-hour work Sleep is one of the longest single pieces of classical music ever composed and the audience at its premiere were given beds instead of seats, Max Richter's intentions for the work were anything but sensational. Describing it as “an eight-hour personal lullaby for a frenetic world and a manifesto for a slower pace of existence," he consulted neuroscientist David Eagleman as he worked on these soft, gliding compositions for piano, strings, electronics and vocals, taking into account the nuances of dreaming sleep and deep sleep. Designed to be listened to while asleep, the low drones that wind through the work encourage a phase of sleep that consolidates memory and learning -- a process that might seem as thrilling as defragmenting a hard drive, but in Richter's hands, has the same aching-yet-inspiring beauty that has graced his work since The Blue Notebooks. © TiVo
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Classical - Released January 1, 2014 | Deutsche Grammophon (DG)

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Classical - Released September 4, 2015 | Deutsche Grammophon (DG)

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Though the eight-hour work Sleep is one of the longest single pieces of classical music ever composed and the audience at its premiere were given beds instead of seats, Max Richter's intentions for the work were anything but sensational. Describing it as “an eight-hour personal lullaby for a frenetic world and a manifesto for a slower pace of existence," he consulted neuroscientist David Eagleman as he worked on these soft, gliding compositions for piano, strings, electronics and vocals, taking into account the nuances of dreaming sleep and deep sleep. Designed to be listened to while asleep, the low drones that wind through the work encourage a phase of sleep that consolidates memory and learning -- a process that might seem as thrilling as defragmenting a hard drive, but in Richter's hands, has the same aching-yet-inspiring beauty that has graced his work since The Blue Notebooks. © TiVo
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Classical - Released July 31, 2020 | Decca (UMO) (Classics)

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Classical - Released May 11, 2018 | Deutsche Grammophon (DG)

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Deutsche Grammophon presents expanded new editions of The Blue Notebooks by Max Richter, which are released in celebration of its 15th anniversary. Originally written in 2003 and remarkably recorded in just three hours, The Blue Notebooks was released in 2004 to minimal fanfare. Since then the world has caught up, with the album steadily growing from cult classic, to trend-setting influencer, to cannon-defining masterpiece that’s paved the way for a generation of successful young composers. New features include brand new artwork, a previously unreleased track and new arrangements of compositions written at the same time as the album. © Deutsche Grammophon
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Classical - Released September 4, 2015 | Deutsche Grammophon (DG)

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Film Soundtracks - Released June 5, 2020 | Deutsche Grammophon (DG)

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Experimental - Released January 27, 2017 | Deutsche Grammophon (DG)

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TV Series - Released December 2, 2014 | WaterTower Music

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Film Soundtracks - Released May 1, 2020 | Deutsche Grammophon (DG)

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Film Soundtracks - Released October 18, 2019 | Deutsche Grammophon (DG)

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Classical - Released October 4, 2019 | Deutsche Grammophon (DG)

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Film Soundtracks - Released December 7, 2018 | Deutsche Grammophon (DG)

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Classical - Released February 19, 2016 | Deutsche Grammophon (DG)

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TV Series - Released February 19, 2016 | WaterTower Music

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Film Soundtracks - Released December 7, 2018 | Deutsche Grammophon (DG)

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Classical - Released January 1, 2014 | Deutsche Grammophon (DG)

Antonio Vivaldi's Le Quattro Stagioni is one of the most beloved works in Baroque music, and even the most casual listener can recognize certain passages of Spring or Winter from frequent use in television commercials and films. Yet if these concertos have grown a little too familiar to experienced classical fans, Max Richter has disassembled them and fashioned a new composition from the deconstructed pieces. Using post-minimalist procedures to extract fertile fragments and reshape the materials into new music, Richter has created an album that speaks to a generation familiar with remixes, sampling, and sound collages, though his method transcends the manipulation of prerecorded music. Richter has actually rescored the Four Seasons and given the movements of Spring, Summer, Autumn, and Winter thorough makeovers that vary substantially from the originals. The new material is suggestive of a dream state, where drifting phrases and recombined textures blur into walls of sound, only to re-emerge with stark clarity and poignant immediacy. Violinist Daniel Hope is the brilliant soloist in these freshly elaborated pieces, and the Konzerthaus Kammerorchester Berlin is conducted with control and assurance by André de Ridder, so Richter's carefully calculated effects are handled with precision and subtlety. Deutsche Grammophon's stellar reproduction captures the music with great depth, breadth, and spaciousness, so everything Richter and de Ridder intended to be heard comes across. © Blair Sanderson /TiVo
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Classical - Released July 31, 2020 | Decca (UMO) (Classics)

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Film Soundtracks - Released December 9, 2016 | EuropaCorp

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Film Soundtracks - Released September 15, 2017 | Deutsche Grammophon (DG)

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Max Richter in the magazine