Matt Haimovitz
Cellist Matt Haimovitz has evolved from a prodigy to one of the most dynamic cellists on the classical music scene. He has performed the standard repertoire but has also ventured into the non-standard while taking his performances beyond the concert hall to audiences in night clubs and restaurants. Haimovitz was born in Bat Yam, Israel, on December 3, 1970. His family moved to California when he was five, and he took up the cello at age seven, studying with Irene Sharp and then Gabor Rejto. At 12, Haimovitz performed at a music camp where Itzhak Perlman was a member of the audience. Perlman was so impressed he introduced Haimovitz to cellist Leonard Rose. Rose was amazed by the young artist's ability and helped foster his education. Haimovitz's family moved to New York so he could study with Rose at the Juilliard School. He played his first concert at Carnegie Hall in 1984, at the age of 13, when he substituted for an ailing Rose in a performance with Isaac Stern, Mstislav Rostropovich, Pinchas Zukerman, and Shlomo Mintz. He accepted his first major honor, the Avery Fisher Career Grant, in 1986. In 1987, Haimovitz made his debut recording for Deutsche Grammophon, and his career trajectory followed the usual course one would expect for a classical artist, playing the concert hall circuit and teaching. Around 2000, Haimovitz faced up to the growing realization that the audiences he was playing for did not seem to bring around very many of the people his age. He diagnosed this condition to concert halls themselves and resolved to meet the desired audience where they felt comfortable, in the ordinary coffeehouses, bars, and night clubs where young people hang out. This loosening of the collar, as it applies to one's place of venue, also opened up his music, and in 2003, Haimovitz launched his "Anthem" tour, playing the works of living American composers in 50 different states. His recordings, mostly on Oxingale (founded in 2000 by Haimovitz and his wife, Luna Pearl Woolf), such as Lemons Descending and Anthem, also serve to expose young listeners to music from their own time. The response to Haimovitz's about-face in terms of performance spaces and repertoire may be mixed coming from critics, but audiences are pleased and are attending, which is Haimovitz's goal. His efforts in bringing classical music to people who would normally be scared off by the formality of it all was recognized by the American Music Center, which presented him its Trailblazer Award in 2005. In 2007, Haimovitz released the album Vinyl Cello, and a year later, was nominated for a Juno Award. In 2012, he performed the premiere of Glass' Cello Concerto No. 2 "Naqoyqatsi" and released Shuffle.Play.Listen with Christopher O'Riley. Haimovitz was heard on the PentaTone Classics album Luna Pearl Woolf: Fire and Flood in 2020. From 1999-2004, Haimovitz taught at the University of Massachusetts, and since 2004, he has taught at McGill University in Montreal.© Uncle Dave Lewis & Keith Finke /TiVo Read more
Cellist Matt Haimovitz has evolved from a prodigy to one of the most dynamic cellists on the classical music scene. He has performed the standard repertoire but has also ventured into the non-standard while taking his performances beyond the concert hall to audiences in night clubs and restaurants.
Haimovitz was born in Bat Yam, Israel, on December 3, 1970. His family moved to California when he was five, and he took up the cello at age seven, studying with Irene Sharp and then Gabor Rejto. At 12, Haimovitz performed at a music camp where Itzhak Perlman was a member of the audience. Perlman was so impressed he introduced Haimovitz to cellist Leonard Rose. Rose was amazed by the young artist's ability and helped foster his education. Haimovitz's family moved to New York so he could study with Rose at the Juilliard School. He played his first concert at Carnegie Hall in 1984, at the age of 13, when he substituted for an ailing Rose in a performance with Isaac Stern, Mstislav Rostropovich, Pinchas Zukerman, and Shlomo Mintz. He accepted his first major honor, the Avery Fisher Career Grant, in 1986. In 1987, Haimovitz made his debut recording for Deutsche Grammophon, and his career trajectory followed the usual course one would expect for a classical artist, playing the concert hall circuit and teaching.
Around 2000, Haimovitz faced up to the growing realization that the audiences he was playing for did not seem to bring around very many of the people his age. He diagnosed this condition to concert halls themselves and resolved to meet the desired audience where they felt comfortable, in the ordinary coffeehouses, bars, and night clubs where young people hang out. This loosening of the collar, as it applies to one's place of venue, also opened up his music, and in 2003, Haimovitz launched his "Anthem" tour, playing the works of living American composers in 50 different states. His recordings, mostly on Oxingale (founded in 2000 by Haimovitz and his wife, Luna Pearl Woolf), such as Lemons Descending and Anthem, also serve to expose young listeners to music from their own time. The response to Haimovitz's about-face in terms of performance spaces and repertoire may be mixed coming from critics, but audiences are pleased and are attending, which is Haimovitz's goal. His efforts in bringing classical music to people who would normally be scared off by the formality of it all was recognized by the American Music Center, which presented him its Trailblazer Award in 2005.
In 2007, Haimovitz released the album Vinyl Cello, and a year later, was nominated for a Juno Award. In 2012, he performed the premiere of Glass' Cello Concerto No. 2 "Naqoyqatsi" and released Shuffle.Play.Listen with Christopher O'Riley. Haimovitz was heard on the PentaTone Classics album Luna Pearl Woolf: Fire and Flood in 2020. From 1999-2004, Haimovitz taught at the University of Massachusetts, and since 2004, he has taught at McGill University in Montreal.
© Uncle Dave Lewis & Keith Finke /TiVo
-
J.S. Bach: The Cello Suites According to Anna Magdalena
Matt Haimovitz
Classical - Released by PentaTone on Oct 2, 2015
5 Sterne Fono Forum Klassik24-Bit 96.0 kHz - Stereo -
Primavera II: The Rabbits
Matt Haimovitz
Classical - Released by PentaTone on Feb 4, 2022
"Primavera II. The rabbits" is the second of six albums in a momentous series encompassing 81 world premieres for solo cello. This digital album prese ...
24-Bit 96.0 kHz - Stereo -
Primavera I: The Wind
Matt Haimovitz
Classical - Released by PentaTone on Jun 11, 2021
"PRIMAVERA I the wind" is the first collection in a momentous series encompassing 81 world premieres for solo cello. This digital album presents 14 ne ...
24-Bit 96.0 kHz - Stereo -
Beethoven, Period.
Matt Haimovitz
Chamber Music - Released by PentaTone on Feb 3, 2015
Gramophone Editor's ChoiceCellist Matt Haimovitz and pianist Christopher O'Riley released their first album together in 2011, an eclectic program of clever crossover arrangemen ...
24-Bit 96.0 kHz - Stereo -
Schubert: Arpeggione Sonata, String Quintet D. 956
Matt Haimovitz
Chamber Music - Released by PentaTone on Jun 3, 2016
5 de DiapasonFranz Schubert composed nothing for solo cello, but there is a way cellists can still program his music. Matt Haimovitz's 2016 release on PentaTone of ...
16-Bit CD Quality 44.1 kHz - Stereo -
The Twentieth-Century Cello
Matt Haimovitz
Classical - Released by Deutsche Grammophon (DG) on Jan 1, 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Meeting of the Spirits
Matt Haimovitz
Classical - Released by PentaTone on Nov 9, 2010
After establishing an auspicious but fairly conventional career as a cello soloist, Matt Haimovitz began around 2000 to broaden the scope of his playi ...
16-Bit CD Quality 44.1 kHz - Stereo -
Kashmir (Arr. M. Haimovitz & L.P. Woolf for Cello Ensemble)
Matt Haimovitz
Classical - Released by PentaTone on Jul 12, 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Mon ami, mon amour
Matt Haimovitz
Chamber Music - Released by PentaTone on Nov 6, 2020
The vibrant musical palette of cellist Matt Haimovitz and the graceful insight of pianist Mari Kodama exquisitely meld in "MON AMI, Mon amour". Cello ...
24-Bit 96.0 kHz - Stereo -
Orbit: Music for Solo Cello
Matt Haimovitz
Classical - Released by PentaTone on Aug 7, 2015
Matt Haimovitz's Orbit is a compilation of tracks from his albums Anthem, Goulash!, After Reading Shakespeare, Figment, and Matteo. © TiVo ...
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Divertimento & Preludes to Bach
Matt Haimovitz
Chamber Music - Released by PentaTone on Jan 24, 2006
This is a re-release of a recording from 2005: and even back then, Matt Haimovitz was enthusiastically exploring unusual repertoires, like these Prelu ...
16-Bit CD Quality 44.1 kHz - Stereo -
Cello Jazz
Matt Haimovitz
Classical - Released by PentaTone on May 8, 2020
Matt Haimovitz’s multi-faceted cello knocks down musical boundaries while scaling emotions from darkness to joy in "Cello Jazz", a wide-ranging playli ...
16-Bit CD Quality 44.1 kHz - Stereo -
Overtures to Bach
Matt Haimovitz
Classical - Released by PentaTone on Aug 26, 2016
24-Bit 96.0 kHz - Stereo -
Shuffle. Play. Listen
Matt Haimovitz
Classical - Released by PentaTone on Sep 27, 2011
The boundaries between rock and classical are erased here not just by juxtaposition but by cognizance of interpenetration. © TiVo ...
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Saint-Saens: Cello Concerto / Lalo: Cello Concerto / Bruch: Kol Nidrei
Matt Haimovitz
Classical - Released by Deutsche Grammophon (DG) on Jan 1, 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Bach: 6 Suites For Cello Solo
Matt Haimovitz
Classical - Released by Oxingale Records on Apr 4, 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Cello Rock
Matt Haimovitz
Classical - Released by PentaTone on Jun 21, 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Various: The Rose Album
Matt Haimovitz
Classical - Released by Oxingale Records on Jan 1, 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Fire and Flood
Matt Haimovitz
Classical - Released by PentaTone on Jan 24, 2020
From a deeply stirring Mass to hauntingly re-imagined Leonard Cohen masterpieces, "Luna Pearl Woolf: Fire and Flood" encompasses 25 years of vocal wor ...
24-Bit 96.0 kHz - Stereo