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Soul - Released January 1, 2014 | UNI - MOTOWN

Hi-Res Distinctions The Qobuz Ideal Discography - Hi-Res Audio
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Soul - Released January 1, 2014 | Motown

Hi-Res Distinctions The Qobuz Ideal Discography - Hi-Res Audio
After brilliantly surveying the social, political, and spiritual landscape with What's Going On, Marvin Gaye turned to more intimate matters with Let's Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye's passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let's Get It On, and it remains the blueprint for all of the slow jams to follow decades later -- much copied, but never imitated. ~ Jason Ankeny
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Soul - Released January 1, 2011 | UNI - MOTOWN

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue
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Soul - Released January 1, 2001 | Motown

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time. Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded. ~ John Bush
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Soul - Released January 1, 1972 | Motown

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
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Soul - Released January 1, 2001 | Motown

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
After brilliantly surveying the social, political, and spiritual landscape with What's Going On, Marvin Gaye turned to more intimate matters with Let's Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye's passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let's Get It On, and it remains the blueprint for all of the slow jams to follow decades later -- much copied, but never imitated. ~ Jason Ankeny
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Soul - Released January 1, 2002 | UNI - MOTOWN

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
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Soul - Released January 1, 1971 | Motown

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time. Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded. ~ John Bush
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Soul - Released September 16, 1988 | Columbia - Legacy

Distinctions The Qobuz Standard
Larkin Arnold, former CBS Records (Sony Music) senior executive VP, convinced Marvin Gaye to leave his flat in Belgium and sign with Columbia Records; the result would become the soul singer's last album before his untimely death. Of all his number one songs, this album's first release, "Sexual Healing," became his longest running number one single on the Billboard R&B charts (ten straight weeks). With the exception of the guitar, the Washington, D.C. native performed every instrument on this classic hit. Gaye concocted a pioneering percussive sound that was balladic in taste but stimulating in feel. As this project may not be an absolute erotic expression or a socially challenging plea from Gaye like on some of his previous albums, nonetheless, Midnight Love is a classic Marvin Gaye effort. In addition to this project thriving with Gaye's enthusiastic spirit, it has his harmonious background vocals, his stunning vocal arrangements and his creative penmanship, as he wrote all the selections. ~ Craig Lytle
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Soul - Released May 12, 1989 | Columbia

Distinctions The Qobuz Standard
Romantically Yours, much like When I'm Alone I Cry, compiles the quieter moments of Marvin Gaye's earlier works. Much to the chagrin of Motown executives, Gaye always wanted to release an album of vocal standards in the stylings of one of his musical heroes, the swarthy Nat King Cole. The results are a bit uneven, and those wishing to hear Gaye at his finest when performing in this vein should check out the recently issued Vulnerable for a better survey of his work from this time. ~ Rob Theakston
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Soul - Released January 1, 2012 | UNI - MOTOWN

Distinctions The Qobuz Ideal Discography
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Soul - Released January 1, 1997 | Motown

Distinctions The Qobuz Standard
Vulnerable is the end result of a project entitled The Ballads that Marvin Gaye began in 1966. Gaye intended the project as a showcase for his crooning, as well as a way to pay tribute to the pop and jazz standards he loved. It was a labor of love that took him 12 years to complete, and even after it was finished, the record wasn't released until 1997. Was it worth the wait? For dedicated fans, it certainly was, since Gaye's voice is as beautiful and soulful as ever. However, anyone who is not a dedicated fan will find Vulnerable intriguing but significantly flawed, especially since several of the songs seem ill-suited for Gaye's seductive vocals. Which means that even though Vulnerable is a nice addendum to his catalog, it's little more than a curiosity. ~ Stephen Thomas Erlewine
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Soul - Released January 1, 1981 | Motown

Distinctions The Qobuz Standard
Marvin Gaye's In Our Lifetime came after 1978's confessional and meandering double album Here, My Dear. Although this better set does seem effortlessly conceived, it wasn't that simple. Gaye originally envisioned a "party" album and almost released one called Love Man. After some consideration, Gaye nixed the idea and aimed for an effort that would spotlight his religious concerns. Thankfully, In Our Lifetime splits the difference between the two mindsets. The first single from the aborted Love Man shows up here. "Ego Tripping Out" works as both a parody of the "love man" with a few autobiographical flourishes as he sings, "Got a sweet tooth/For the chick on the floor." Slowly but surely the religious matters do surface here. The buoyant "Praise" has a blithe riff inspired and/or lifted from Stevie Wonder and has Gaye getting his message across without being preachy. Although no song is especially brilliant here, the level of Gaye's musical sense and his vocal prowess carry him throughout. The unfinished and non-Gaye-approved "Far Cry" has lyrics that are steam-of-conscious and are barely decipherable. The mesmerizing "Love Me Now or Love Me Later" has Gaye examining both good and evil with equal skill. The last track, the title song, has Gaye back in the party frame of mind and has great horn charts and a propulsive beat. In Our Lifetime is one of his finest later albums and captures him as his craft was maturing and becoming more multifaceted. ~ Jason Elias
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Soul - Released January 1, 2005 | Hip-O Select

Distinctions The Qobuz Standard
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Soul - Released January 1, 2009 | Universal Music Enterprises

Distinctions The Qobuz Standard
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Soul - Released January 1, 2002 | UNI - MOTOWN

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Soul - Released January 1, 2014 | Motown

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Marvin Gaye has more than enough great music to make a superb box set, but the haphazard Marvin Gaye Collection isn't it. The four discs within the set are arranged thematically: one terrific disc of hits, one good disc of duets, one largely uninteresting disc of rarities, and one wildly uneven disc of ballads. By spreading out the material this way, Motown shortchanges Gaye's musical accomplishments; there is no sense of growth or innovation. Although many of the songs are wonderful, some of the selections are puzzling -- they seem to be chosen because they're arcane, not because they're significant. This very quality makes The Marvin Gaye Collection essential for his most devoted fans; however, most fans will find this box set disappointing. ~ Stephen Thomas Erlewine
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Soul - Released March 16, 1976 | UNI - MOTOWN

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Soul - Released August 29, 1967 | UNI - MOTOWN

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Soul - Released December 8, 1972 | UNI - MOTOWN

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Marvin Gaye in the magazine
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