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Classical - Released October 18, 2019 | Decca (UMO) (Classics)

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Classical - Released September 18, 2020 | Decca (UMO) (Classics)

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Classical - Released January 1, 2004 | Decca (UMO) (Classics)

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Classical - Released June 4, 2021 | Decca (UMO) (Classics)

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This collection brings together some of the best moments of Ludovico Einaudi's work for film and television. Cinema includes his pieces for the 2021 Oscar- and BAFTA-winning movies Nomadland and The Father, alongside compositions from This Is England, Insidious, and Doctor Foster. The previously unreleased theme to The Water Diviner is also featured. © Rich Wilson /TiVo
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Classical - Released January 1, 2011 | Decca (UMO) (Classics)

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Classical - Released March 15, 2019 | Decca (UMO) (Classics)

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After Elements in 2016, Ludovico Einaudi is continuing his exploration of nature with Seven Days Walking, the first opus in a collection of seven albums to be published throughout 2019. His long walks in the Piedmont mountains during the winter of 2017 were the inspiration for these melancholic and hypnotic melodies. The repetitive nature of walking the same routes again and again in this region which he knows like the back of his hand is reflected musically in his most minimalist composition to date. The harshness and chill of the landscape is translated by the stripped-back orchestration (his piano, a violin and a cello), as well as an understated style (especially in A Sense of Simmetry). The serious tone of the music also highlights Einaudi’s activism in favour of the conservation of nature in the face of environmental degradation. In 2016, he shot a video clip on a floating platform in the Arctic Ocean to support Greenpeace’s Save the Arctic campaign. Recorded in Germany at the end of 2018, Seven Days Walking goes from a delicate and carefree softness (Low Mist, Golden Butterflies) to overwhelming bouts of tension, intensified by masterful crescendos (Gravity, as well as the impressive The Path of the Fossils). Both haunting and elegant, this album once again showcases Einaudi’s talent for musical alchemy as this contemplative journey is a perfect blend of simple, entrancing popular tunes and an orchestral labyrinth more complex than it seems. © Nicolas Magenham/Qobuz
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Classical - Released January 1, 2013 | Decca (UMO) (Classics)

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Classical - Released May 8, 2020 | Decca (UMO) (Classics)

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Classical - Released January 1, 2006 | Decca (UMO) (Classics)

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Classical - Released September 20, 2019 | Decca (UMO) (Classics)

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Classical - Released January 1, 2013 | Decca (UMO) (Classics)

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Classical - Released October 16, 2015 | Decca (UMO) (Classics)

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Classical - Released April 19, 2019 | Decca (UMO) (Classics)

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Classical - Released June 21, 2019 | Decca (UMO) (Classics)

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Film Soundtracks - Released November 7, 2013 | Blaricum CD Company (B.C.D.) B.V.

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Classical - Released November 9, 2001 | Decca (UMO) (Classics)

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Classical - Released January 1, 2007 | Decca (UMO) (Classics)

It had to happen -- given the impressive commercial performance of minimalist music in classical-unfriendly America, some European artist was sure to try to capitalize on the trend and bring minimalism to the middle-of-the-road European market. Enter Ludovico Einaudi: composer, pianist, and favorite of the programmers at Britain's crossover radio phenomenon, Classic FM. Divenire presents a selection of his works, some for solo piano and others backed by the Royal Liverpool Philharmonic Orchestra. They're artfully done, stepping up to the line of pure schlock but not crossing over, and using the simplicity of minimalist patterns to rope audiences into something that's actually slightly different. A typical Ludovico (he tends to use just the first name) musical period involves a repetitive pattern with simple harmonies that Philip Glass would have been happy enough with in its original form. But Ludovico almost immediately amplifies it, bringing in easy harmonic motion, building an uncomplicated kind of intensity, layering on the strings if they're present -- and promising a big, cinematic emotional payoff. But the payoff never comes -- the music just keeps going, and the listener is left to coast along on what is apparently for many listeners an emotional high. There are 12 selections on the album, each of moderate length and each moderate in every other way. It may be that this musical antidepressant will succeed just as brilliantly in other countries as it has in Britain (and presumably Italy), for it doesn't quite resemble anything anyone else has come up with. But to claim that it has anything important to say would be a stretch. © TiVo
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Classical - Released January 1, 2009 | Decca (UMO) (Classics)

Classical - Released January 15, 2021 | UMG Recordings, Inc.

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Classical - Released August 16, 2019 | Decca (UMO) (Classics)

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