Your basket is empty

Categories :

Similar artists

Albums

HI-RES$31.49
CD$20.99

Classical - Released January 29, 2016 | Glossa

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice
HI-RES$14.99
CD$9.99

Classical - Released January 3, 2020 | Glossa

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique
CD$9.99

Violin Concertos - Released May 4, 2018 | Accent

Booklet Distinctions 5 de Diapason - 5 Sterne Fono Forum Klassik
Josef Mysliveček (1737-1781) also known as "Il Divino Boemo" (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Mysliveček's influence on contemporaries was significant. A close friend of the young Wolfgang Amadeus Mozart and a musical influence on him, Mozart described his character as "full of fire, spirit and life". All nine of the Mysliveček violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Mysliveček’s violin concertos are all cast in three movements of the pattern ‘fast-slow-fast’. “From this music one can hear that the author was also a superb opera composer: the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.” (Leila Schayegh) © Accent/Note-1
CD$9.99

Chamber Music - Released February 17, 2017 | Pan Classics

Booklet Distinctions 5 de Diapason - 5 Sterne Fono Forum Klassik
HI-RES$14.99
CD$9.99

Violin Concertos - Released April 5, 2019 | Glossa

Hi-Res Booklet Distinctions 5 de Diapason
With a quartet of violin concertos by Jean-Marie Leclair, Leila Schayegh continues her exploration of the instrument’s repertory, combining musical insight, virtuosic brilliance and historical understanding. Leclair, who grew up in Lyon and studied in Turin before moving to Paris (he held a short-lived official post at Louis XV’s court in the 1730s) produced solo sonatas (and duos) as well as his acclaimed concertos. In her booklet notes, Leila Schayegh, who currently teaches Baroque violin at the Schola Cantorum Basiliensis, comments on how Leclair – an outstanding violinist himself – was in thrall to the Italian instrumental style but was concerned that his music should not be played too fast; he was praised for his “netteté”, a combination of impeccable technique and musical perfection. This first volume in Schayegh’s projected series of recordings of the Leclair violin concertos embraces the Nos. 2 and 6 works from the two six-concerto series of Opp 7 and 10. The G minor concerto, Op. 10 No. 6, is frequently cited as being the highpoint of Leclair’s output. For this dazzling new exhibition of the Swiss violinist’s art, Schayegh – who plays a late-seventeenth-century Andrea Guarneri instrument – directs Basel’s La Cetra Barockorchester, which features Eva Saladin as its “konzertmeisterin” and Sonoko Asabuki as a further principal violinist (Leclair’s concertos often called for up to three soloists). © Glossa
HI-RES$14.99
CD$9.99

Duets - Released September 14, 2018 | Glossa

Hi-Res Booklet Distinctions 5 de Diapason
The violin sonatas of Johannes Brahms were the product of much self-critical reflection, and the three surviving works are from a composer mature in years. Composed around the same time as the Violin Concerto (No. 1), the Piano Trio in C Minor and the Cello Sonata No. 2 (Nos. 2 and 3), they also echo some of his songs, such as those written to poems by Klaus Groth. Into this Romantic atmosphere come new performances of the three works on Glossa, played by violinist Leila Schayegh (particularly awarded for her recordings of Bach, Caldara and Benda), teaming up here with pianist Jan Schultsz. Schayegh plays a copy of a period violin, whilst Schultsz uses an original 1879 Streicher instrument. The two players aim to recapture the performing tradition as the composer would have known it, and within which he would have intended his pieces to have been played. Schayegh and Schultsz worked with Clive Brown and Neal Peres Da Costa in their efforts to aim for “the spirit rather than the dead letter of the score” and they pay admirable notice of important interpretative questions for music of this time – and they provide an intuitive musical and emotional response to the lyricism of the first two sonatas and the darker-hued tones of the third, investing these late-nineteenth-century works. © Glossa
CD$9.99

Classical - Released November 9, 2009 | Pan Classics

Booklet Distinctions 5 de Diapason
Despite the elite circle of friends and colleagues -- which included Corelli, Valentini, Scarlatti, Locatelli, and even Handel -- that surrounded Giovanni Mossi, his fame as a composer did not last much beyond his 1742 death. As a violinist himself, it was only natural that his first published set of works would be a set of six sonatas for violin with cello and harpsichord. The influence of Corelli on Mossi's works is clear, yet Mossi branched out from the more rigid movement structure used by Corelli and did more to explore neighboring tonal areas. Performing these six charming works is Baroque violinist Leila Schayegh joined by violinist Ilze Grudele and harpsichordist Jörg Halobek. Schayegh's tone is sweet and clear, her intonation is precise, and her dynamics do a nice job shaping the musical lines. Perhaps the most interesting aspect of her performance, as detailed in her liner notes, would be her choices regarding ornamentation, which are applied organically and brilliantly throughout the album. Recorded sound quality is pleasant, with a nice balance between the three instruments, and doesn't unduly favor the violin line. Despite all of these positive attributes, Schayegh's still feels a bit safe and minimally enthusiastic. Fans of music from this era will still find this an appealing addition to their collections. © TiVo
CD$9.99

Chamber Music - Released January 1, 2013 | Pan Classics

Booklet Distinctions 5 de Diapason
CD$9.99

Chamber Music - Released February 7, 2012 | Glossa

Booklet Distinctions Diapason d'or
CD$9.99

Chamber Music - Released March 4, 2014 | Pan Classics

Booklet Distinctions Diapason d'or
HI-RES$14.99
CD$9.99

Classical - Released September 6, 2019 | Glossa

Hi-Res Booklet
With her version of Vivaldi’s Four Seasons, Leila Schayegh continues her exploration of the violin repertory, always combining musical insight, virtuosic brilliance and historical understanding. Over the last years, the Swiss musician has become one of the leading violinists of her generation (and is helping the next one, thanks to her position as professor in the Schola Cantorum Basiliensis). On this dazzling new exhibition, Schayegh – who plays a late 17th-century Andrea Guarneri instrument – is joined by the fine and colourful ensemble Musica Fiorita, directed by Daniela Dolci. The opera composer Vivaldi is omnipresent in all of these four violin concertos, also thanks to the use of elements of Baroque theatre: the sounds of wind machines or bird whistles contribute to making this a delightful, fascinating and “different” version of one of the most recorded works of all times. The album also includes Vivaldi’s Follia (Sonata Op. 1 No. 12) and the Ciaccona from the Violin Concerto in D major. An essay by Schayegh herself complement a project which will be a pleasurable surprise for lots of listeners. © Glossa