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Country - Released March 30, 2018 | MCA Nashville

Hi-Res Booklet Distinctions Pitchfork: Best New Music
In 2013 when, to everyone's surprise, the impeccable Same Trailer Different Park won the Grammy Award for best country album, Kacey Musgraves wisely dodged the pitfalls of Nashville: namely, the temptation to become yet another knock-off Taylor Swift. And it shows in her lyrics about homosexuality, dope smoking and single mothers – themes that are none too popular on the more conservative fringe of American country music... for Pageant Material, her second work, which came out in summer 2015, the Texan continued in much the same vein. Where a song looks to be setting out on a well-worn, cliché-ridden path, our young cowgirl gives a sharp tug on the reins and really makes the writing shine. We alternate between pure country and pop country, by way of some numbers with much more of a slightly retro rock flavour, with banjo and pedal steel guitar, or, going the other way, languorous violins... Without completely revolutionising the genre or rattling the walls of Nashville, this daughter of Golden, Texas certainly left fans wondering what her next album was going to look like...  In Spring 2018, Kacey Musgraves gave them their answer. A third album, this time slanted a little more towards pop. While country fundamentalists might switch off, the curious would do well to listen to Golden Hour to the end. It might be the fact of her recent wedding to colleague Ruston Kelly that colours this record with love with a capital L. Without coming off soppy, these love songs offer real emotion and a new sincerity. In an interview with Entertainment Weekly, Kacey Musgraves said she was influenced by Neil Young, Sade and the Bee Gees! Quite an eclectic and surprising triumvirate, but after listening to Golden Hour right the way through, it makes sense, kind of. Let yourself be carried away by songs that flower like an Indian summer, and their strikingly moving melodies. © Max Dembo/Qobuz
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Country - Released March 30, 2018 | MCA Nashville

Booklet
In 2013 when, to everyone's surprise, the impeccable Same Trailer Different Park won the Grammy Award for best country album, Kacey Musgraves wisely dodged the pitfalls of Nashville: namely, the temptation to become yet another knock-off Taylor Swift. And it shows in her lyrics about homosexuality, dope smoking and single mothers – themes that are none too popular on the more conservative fringe of American country music... for Pageant Material, her second work, which came out in summer 2015, the Texan continued in much the same vein. Where a song looks to be setting out on a well-worn, cliché-ridden path, our young cowgirl gives a sharp tug on the reins and really makes the writing shine. We alternate between pure country and pop country, by way of some numbers with much more of a slightly retro rock flavour, with banjo and pedal steel guitar, or, going the other way, languorous violins... Without completely revolutionising the genre or rattling the walls of Nashville, this daughter of Golden, Texas certainly left fans wondering what her next album was going to look like... In Spring 2018, Kacey Musgraves gave them their answer. A third album, this time slanted a little more towards pop. While country fundamentalists might switch off, the curious would do well to listen to Golden Hour to the end. It might be the fact of her recent wedding to colleague Ruston Kelly that colours this record with love with a capital L. Without coming off soppy, these love songs offer real emotion and a new sincerity. In an interview with Entertainment Weekly, Kacey Musgraves said she was influenced by Neil Young, Sade and the Bee Gees! Quite an eclectic and surprising triumvirate, but after listening to Golden Hour right the way through, it makes sense, kind of. Let yourself be carried away by songs that flower like an Indian summer, and their strikingly moving melodies. © Max Dembo/Qobuz
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Country - Released October 28, 2016 | Mercury Nashville

Kacey Musgraves is often praised for keeping certain country traditions alive but, even so, the retro vibe of A Very Kacey Christmas may come as a bit of a shock. Musgraves crafts her holiday album -- arriving just three records into her career, a relatively swift event -- as an homage to the swinging sounds of mid-century modern, cannily blending lounge with a hint of exotica. Musgraves doesn't spend much time with shopworn standards, opening the record with "Have Yourself a Merry Little Christmas" and "Let It Snow!" before taking a series of left turns. Many of these twists are clever re-appropriations of novelty songs, tunes that are played straight but delivered with a wink -- a gambit that plays slightly better with the Chipmunks' "Christmas Don't Be Late" than Gayla Peevey's "I Want a Hippopotamus for Christmas," which can't help but seem silly in any guise. Such frivolity is charming, though, particularly because Musgraves slyly waltzes right up to the edge of kitsch without ever crossing over into camp. It's a delicate balancing act that she performs with ease because there's a lightness to her delivery and also to her original tunes. Despite its title, "Christmas Makes Me Cry" is as sweet and delicate as falling snow; the Leon Bridges duet, "Present Without a Bow," is coolly relaxed soul; "Ribbons and Bows" is an ebullient slice of Motown bounce, and the deliberately goofy "A Willie Nice Christmas" -- which naturally features a cameo by Willie Nelson and his faithful Trigger, too -- are all clever stylistic exercises that balance the gentle Mariachi bounce of "Feliz Navidad," the island breeze of "Mele Kalikimaka," and cabaret croon of the closing "What Are You Doing New Year's Eve?" Each of these sounds play off of one other to create a sharp, playful, and warm holiday record, the kind that evokes the past while feeling fresh and seeming destined for many years of annual spins. ~ Stephen Thomas Erlewine
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Country - Released October 28, 2016 | Mercury Nashville

Hi-Res
Kacey Musgraves is often praised for keeping certain country traditions alive but, even so, the retro vibe of A Very Kacey Christmas may come as a bit of a shock. Musgraves crafts her holiday album -- arriving just three records into her career, a relatively swift event -- as an homage to the swinging sounds of mid-century modern, cannily blending lounge with a hint of exotica. Musgraves doesn't spend much time with shopworn standards, opening the record with "Have Yourself a Merry Little Christmas" and "Let It Snow!" before taking a series of left turns. Many of these twists are clever re-appropriations of novelty songs, tunes that are played straight but delivered with a wink -- a gambit that plays slightly better with the Chipmunks' "Christmas Don't Be Late" than Gayla Peevey's "I Want a Hippopotamus for Christmas," which can't help but seem silly in any guise. Such frivolity is charming, though, particularly because Musgraves slyly waltzes right up to the edge of kitsch without ever crossing over into camp. It's a delicate balancing act that she performs with ease because there's a lightness to her delivery and also to her original tunes. Despite its title, "Christmas Makes Me Cry" is as sweet and delicate as falling snow; the Leon Bridges duet, "Present Without a Bow," is coolly relaxed soul; "Ribbons and Bows" is an ebullient slice of Motown bounce, and the deliberately goofy "A Willie Nice Christmas" -- which naturally features a cameo by Willie Nelson and his faithful Trigger, too -- are all clever stylistic exercises that balance the gentle Mariachi bounce of "Feliz Navidad," the island breeze of "Mele Kalikimaka," and cabaret croon of the closing "What Are You Doing New Year's Eve?" Each of these sounds play off of one other to create a sharp, playful, and warm holiday record, the kind that evokes the past while feeling fresh and seeming destined for many years of annual spins. ~ Stephen Thomas Erlewine
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Dance - Released July 3, 2018 | MCA Nashville

Country - Released August 10, 2018 | BMG

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Country - Released February 23, 2018 | MCA Nashville

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Country - Released January 1, 2014 | Mercury Nashville

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