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Classical - Released June 12, 2015 | ECM New Series

Hi-Res Booklet Distinctions Top du mois de Jazznews
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Classical - Released August 25, 2017 | ECM New Series

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Klassik
The fact that Tomás Luis de Victoria was born in 1548, 27 years after Josquin des Prez’s death, must not lead the listener to assume this album presents “disparate” works of a composer from the early Renaissance on the one hand and of a second composer from the late Renaissance on the other. In those times, composers’ works were passed around – often as tablatures for lute and vihuela music – and most importantly, each interpreted them according to their own ideas (particularly because tablatures were unobtrusive regarding rhythms), their instrument’s abilities, and depending on whether they performed alone or in support of a singer… This CD offers a personal interpretation of the works of Victoria and Josquin, as imagined by the voices of singers John Potter and Anna Maria Friman, as well as the vihuelas of Ariel Abramovich, Lee Santana and Jacob Heringman. In order to better highlight the vividness of language in the Renaissance, the latter offers us half a dozen small instrumental “Preludes” scattered across the album, that he improvised in the style of the time, using snippets, accents, suggestions, turns as they were then used. Here is an excellent overhaul of the very concept of “historical authenticity”, as it always remains closely related to the time, instruments, instrumentalists, and the thousands of layers of possible interpretations of Renaissance music. © SM/Qobuz
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Classical - Released February 6, 2009 | ECM New Series

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Classical - Released September 17, 1999 | ECM New Series

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Classical - Released June 21, 2013 | ECM New Series

Recorded in 2001 and 2008, Night Sessions is the fourth album of the Dowland Project on ECM, drawing on music of the late Medieval and Renaissance periods as raw source material for improvisation. Leader John Potter is joined by Stephen Stubbs, John Surman, Barry Guy, Maya Homburger, and Milos Valent, all experts on antique and modern instruments who create a mysterious dialog between the past and present by crossing boundaries of style and expression. Much of the music they have reworked is anonymous, derived from fragmentary pieces or ancient chants, though there are a few pieces by known composers, such as Joan Ambrosio Dalza, Bernart de Ventadorn, Solage, and Pierre Attaingnant, and their music is also subjected to the group's unpredictable adaptations. This album is not for early music purists or people who like to put their music in neat cubbyholes, because the blending of consort music with avant-garde jazz and experimental vocalizations does not allow for easy categorization. Yet the album works surprisingly well on its own terms, not only because of its compelling feeling of darkness and melancholy, but also because it provides many inventive transformations and surprises that keep the listener thinking. It may be called crossover music for the sake of convenience, but Night Sessions really is sui generis. © TiVo
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Classical - Released January 1, 1993 | Saydisc

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Vocal Music (Secular and Sacred) - Released October 20, 2017 | NMC Recordings

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