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Alternative & Indie - Released November 9, 2018 | Kid Ina Korner - Interscope

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After a trilogy that propelled them to the top, Imagine Dragons are once again lighting concert halls on fire with a fourth opus: Origins. The Las Vegas band had made an impressive entrance with a subtle blend of rock and pop, adorned with almost dance tones. With Natural, Dan Reynolds sings at the top of his voice over a catchy chorus, a technique used throughout the rest of the album. Energetic and rhythmic choirs (Machine), eighties-style electro bass and romantic vocals (Cool Out), and even folk melodies on the acoustic guitar (West Coast) − Imagine Dragons have gone for eclecticism and it works! Even though they are carrying on the tradition of XXL hit songs and relying on harmonic powers, it’s their punchy songwriting that shines through. Their latest album, Evolve, explored relatively dark territories, whereas with Origins the scope significantly expands: identity problems, messages of hope, realisation of various anxieties… Imagine Dragons express many different emotions. It’s an album that will once again ensure exponential success to these kings of the charts. © Anna Coluthe/Qobuz
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Alternative & Indie - Released February 20, 2015 | Kid Ina Korner - Interscope

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Alternative & Indie - Released October 30, 2015 | Kid Ina Korner - Interscope

Conspicuously absent from the laundry list of influences the Imagine Dragons so often cite is the Killers, the only other Las Vegas rock band of note. Imagine Dragons downplay the glamour the Killers found so alluring but they share a taste for the overblown, something that comes to full fruition on their second album, Smoke + Mirrors. Bigger and bolder than 2012's Night Visions, Smoke + Mirrors captures a band so intoxicated with their sudden surprise success that they've decided to indulge in every excess. They ratchet up their signature stomp -- it's there on "I Bet My Life," the first single and a song that's meant to reassure fans that they're not going to get something different the second time around -- but they've also wisely decided to broaden their horizons, seizing the possibilities offered by fellow arena rockers Coldplay and Black Keys. Despite the bloozy bluster of "I'm So Sorry" -- a Black Keys number stripped of any sense of R&B groove -- the group usually favors the sky-scraping sentiment of Coldplay, but where Chris Martin's crew often seems pious, there's a genial bros-next-door quality to Imagine Dragons that deflates their grandiosity. Certainly, Smoke + Mirrors is rock so large it's cavernous -- the reverb nearly functions as a fifth instrument in the band -- but the group's straight-faced commitment to the patently ridiculous has its charm, particularly because they possess no sense of pretension. This separates ID from the Killers, who never met a big idea they didn't like. Imagine Dragons like big sounds and big emotions -- and, if they can muster it, big hooks -- and the commitment to style over substance gives them ingratiating charm, particularly when they decide to thread in slight elements of EDM on "Shots" (something that surfaces on the title track as well), or Vampire Weekend's worldbeat flirtations on "Summer." Imagine Dragons purposefully cobble their sound together from these heavy-hitters of alt-rock, straightening them into something easily digestible for the masses but, like so many commercially minded combos, how they assemble these familiar pieces often results in pleasingly odd combinations. These guys are shameless and that's what makes them more fun than your average arena rockers. © Stephen Thomas Erlewine /TiVo
CD$14.99

Alternative & Indie - Released November 9, 2018 | Kid Ina Korner - Interscope

Booklet
After a trilogy that propelled them to the top, Imagine Dragons are once again lighting concert halls on fire with a fourth opus: Origins. The Las Vegas band had made an impressive entrance with a subtle blend of rock and pop, adorned with almost dance tones. With Natural, Dan Reynolds sings at the top of his voice over a catchy chorus, a technique used throughout the rest of the album. Energetic and rhythmic choirs (Machine), eighties-style electro bass and romantic vocals (Cool Out), and even folk melodies on the acoustic guitar (West Coast) − Imagine Dragons have gone for eclecticism and it works! Even though they are carrying on the tradition of XXL hit songs and relying on harmonic powers, it’s their punchy songwriting that shines through. Their latest album, Evolve, explored relatively dark territories, whereas with Origins the scope significantly expands: identity problems, messages of hope, realisation of various anxieties… Imagine Dragons express many different emotions. It’s an album that will once again ensure exponential success to these kings of the charts. © Anna Coluthe/Qobuz
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Alternative & Indie - Released September 18, 2014 | Kid Ina Korner - Interscope

Conspicuously absent from the laundry list of influences the Imagine Dragons so often cite is the Killers, the only other Las Vegas rock band of note. Imagine Dragons downplay the glamour the Killers found so alluring but they share a taste for the overblown, something that comes to full fruition on their second album, Smoke + Mirrors. Bigger and bolder than 2012's Night Visions, Smoke + Mirrors captures a band so intoxicated with their sudden surprise success that they've decided to indulge in every excess. They ratchet up their signature stomp -- it's there on "I Bet My Life," the first single and a song that's meant to reassure fans that they're not going to get something different the second time around -- but they've also wisely decided to broaden their horizons, seizing the possibilities offered by fellow arena rockers Coldplay and Black Keys. Despite the bloozy bluster of "I'm So Sorry" -- a Black Keys number stripped of any sense of R&B groove -- the group usually favors the sky-scraping sentiment of Coldplay, but where Chris Martin's crew often seems pious, there's a genial bros-next-door quality to Imagine Dragons that deflates their grandiosity. Certainly, Smoke + Mirrors is rock so large it's cavernous -- the reverb nearly functions as a fifth instrument in the band -- but the group's straight-faced commitment to the patently ridiculous has its charm, particularly because they possess no sense of pretension. This separates ID from the Killers, who never met a big idea they didn't like. Imagine Dragons like big sounds and big emotions -- and, if they can muster it, big hooks -- and the commitment to style over substance gives them ingratiating charm, particularly when they decide to thread in slight elements of EDM on "Shots" (something that surfaces on the title track as well), or Vampire Weekend's worldbeat flirtations on "Summer." Imagine Dragons purposefully cobble their sound together from these heavy-hitters of alt-rock, straightening them into something easily digestible for the masses but, like so many commercially minded combos, how they assemble these familiar pieces often results in pleasingly odd combinations. These guys are shameless and that's what makes them more fun than your average arena rockers. © Stephen Thomas Erlewine /TiVo

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Imagine Dragons in the magazine
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