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Bebop - Released November 9, 2018 | HighNote Records

Hi-Res Booklet
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Bebop - Released August 27, 2004 | HighNote Records

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Bebop - Released August 24, 2007 | HighNote Records

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Bebop - Released June 27, 2006 | HighNote Records

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Bebop - Released June 14, 2005 | HighNote Records

"Morgan still plays with youthful exuberance...He exhibits a mature self-assuredness in staying close to the melody..."
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Jazz - Released January 1, 1995 | Concord Records, Inc.

Frank Morgan moved from Antilles to Telarc with Love, Lost and Found, which emphasizes the altoist's romantic side and boasts Cedar Walton on piano, Ray Brown on bass, and Billy Higgins on drums. Those who had been following Morgan's career knew that he was a magnificent ballad player, and ballads are a very high priority on this CD. Most of the standards that he embraces had been recorded time and time again over the years, including "Skylark," "I Can't Get Started," "My One and Only Love," and "Don't Blame Me." But Morgan's playing is so personal and so darn soulful that one doesn't mind hearing yet another version of "What Is This Thing Called Love" or "All The Things You Are." It's best for musicians to stay away from such warhorses unless they have something really personal to bring to them, and thankfully, Morgan does. Though it doesn't offer a lot of surprises, Love, Lost and Found is a rewarding disc that admirers of Morgan's more romantic playing will appreciate. ~ Alex Henderson
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Jazz - Released January 1, 1989 | Verve Records

This ballad-oriented set features veteran altoist Frank Morgan on four duets with pianist George Cables, interacting with either Cables or Ronnie Mathews on piano, bassist Buster Williams and drummer Al Foster on the other selections, and welcoming trumpeter Wynton Marsalis to "Bessie's Blues" and "Up Jumped Spring." Every Morgan recording is well worth picking up (the altoist has been very consistent in the studio), but this one purposely has less mood variation than most and is often a bit melancholy. ~ Scott Yanow
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Jazz - Released January 1, 1992 | Verve

A '92 release by marvelous alto saxophonist Frank Morgan, whose life story and triumph over heroin addiction and imprisonment was one of the '80s' great success tales. Morgan's biting, yet sensitive and rich alto has rightly been traced to Charlie Parker, but Morgan long ago rid his style of any imitative excesses. He was excellently supported on this program of duets by an amazing lineup of rotating pianists: Kenny Barron, Tommy Flanagan, Barry Harris, Roland Hanna, and Hank Jones. ~ Ron Wynn
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Jazz - Released January 1, 1997 | Concord Records, Inc.

Although all eight selections on this CD have been played many times before (the only song not a boppish warhorse is John Lewis' "Milano"), altoist Frank Morgan makes each of the pieces sound fresh. As producer John Snyder is quoted in the liner notes, this is bop without cliches. Morgan, who is assisted by pianist Rodney Kendrick, drummer Leroy Williams and either Curtis Lundy or Ray Drummond on bass, digs into such songs as "Well You Needn't," "A Night In Tunisia" and an 11 ½ minute version of "Half Nelson," coming up with some surprising twists and plenty of viable ideas. A fine effort. ~ Scott Yanow
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Jazz - Released January 1, 1997 | Verve Reissues

This sampler CD from Verve has ten ballad-oriented performances featuring altoist Frank Morgan that are taken from his four Antilles albums (A Lovesome Thing, Listen to the Dawn, You Must Believe In Spring and Mood Indigo). Serious collectors will want to pick up his complete sets, but those listeners who enjoy hearing Morgan's Charlie Parker-influenced alto at slower tempos may enjoy this overview. There are duets with guitarist Kenny Burrell and pianists Kenny Barron and Barry Harris, a vocal by Abbey Lincoln (on the passionate but somewhat unsuitable "Ten Cents A Dance") and cameos by trumpeter Roy Hargrove and Wynton Marsalis. ~ Scott Yanow
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Jazz - Released January 1, 1994 | Verve Reissues

Listen to the Dawn is a rare example of Frank Morgan recording an entire album without a pianist. The veteran alto saxophonist, who was only two weeks away from his 60th birthday when this post-bop/be bop CD was recorded, evidently wanted to try something a bit different -- and it was a move that paid off creatively. Whether he's forming an intimate duo with guitarist Kenny Burrell or forming a quartet with Burrell, bassist Ron Carter, and drummer Grady Tate, Morgan fares quite well without a pianist. This isn't an album of fast tempos and high-speed aggression -- from Burrell offerings like "Listen to the Dawn" and "Remembering" to highly personal interpretations of Gordon Jenkins' "Goodbye," Duke Ellington's "I Didn't Know About You" (which becomes a sexy bossa nova), and the standard "It Might as Well Be Spring," Morgan is especially introspective and really takes time to reflect. This compelling CD should not be missed. ~ Alex Henderson
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Jazz - Released January 1, 1991 | Verve Records

Altoist Frank Morgan's unlikely comeback after 30 years off the scene was a successful fact by 1990. For this Antilles CD he is heard with a fine rhythm section (pianist George Cables, bassist David Williams and drummer Lewis Nash) and welcomes trumpeter Roy Hargrove to three songs. Guest singer Abbey Lincoln takes vocals on "Ten Cents A Dance" (lacking Ruth Etting's desperate hopelessness) and "Wholey Earth." Morgan plays a brief sweet version of "When You Wish Upon A Star" and performs several introspective ballads. There are no barnburners on the date but overall the music is rewarding. ~ Scott Yanow