Emil Gilels was one of the great pianists of history. He was a master of a wide repertory from the time of Bach to his own era, and one of the first pianists to adopt a modern, more objective style of playing and interpreting music. His family was musical; his sister Elizaveta had a national reputation as a solo and chamber violinist, and married fellow violinist Leonid Kogan. Emil entered the Odessa Institute of Music and Drama in 1922 to study with Yakov Tkatch and Berthe Ringold. Following a successful debut as a child prodigy in 1929, he transferred to study with Reingbald at Odessa Conservatory. (Some biographies confuse Ringold and Reingbald.) In 1933 he won the first All Union Musicians' Contests, initiating its rapid rise to become the leading musical performance competition in the U.S.S.R. Even with this success, he carefully continued his education, remaining at Odessa Conservatory until he graduated in 1935. After that he continued his studies as a graduate student at the Moscow Conservatory with Heinrich Neuhaus. In 1938 he took another prestigious first prize at the Ysaÿe International Festival in Brussels. In the same year he was engaged as a teacher at Moscow Conservatory. He planned to launch his international career in 1939, beginning with a visit to the New York World's Fair, but the outbreak of World War II in Europe prevented his travel. During the war he was evacuated to the East in 1941 when the German armies reached the outskirts of Moscow. He resumed his career in 1946, and soon won the Stalin Prize. He finally made his first appearance outside the Soviet Union in 1947, when he visited several European cities, but frigid diplomatic relations between Washington and Moscow prevented his appearance in the United States until 1955, when he became the first prominent Soviet performing artist to play a concert there on October 3, with the Tchaikovsky First Piano Concerto in Philadelphia, Eugene Ormandy conducting. The resulting storm of acclaim led to his returning to the U.S. 13 more times. He debuted in England in 1959 to similar success. He became known for his refined yet powerful performances of great concentration and attention to the inner logic of the music. He was noted for his performances of Bach, Beethoven, Schubert, Schumann, Chopin, Liszt, Tchaikovsky, Brahms, and Shostakovich. He made numerous recordings, both for the Soviet state recording agencies (many of which are reappearing in improved sound on compact disc) and on Western labels. He was a two-time recipient the Order of Lenin.
5 albums sorted by Most acclaimed and filtered by Johannes Brahms
Narrow my search
Classical - Released August 19, 2016 | RCA Red Seal
It is not too much to say that Emil Gilels' recording of Brahms' Piano Concerto in B flat major with Fritz Reiner and the Chicago Symphony from February 8, 1958, was a revelation. With revolutions and invasions and hot wars and cold wars, very few Soviet pianists had traveled to America in decades and no one at the time knew what a truly great Soviet pianist might sound like. Gilels changed all of that. His tour of America and his recording of the Brahms Concerto showed exactly what a truly great Soviet pianist sounded like. As proven by this recording, a truly great Soviet pianist had tremendous technique, an enormous tone, a strong but sensitive touch, and a powerful but soulful conception of the music. With the firm but flexible support of Reiner and the Chicago, Gilels creates a performance of Brahms' Concerto in B flat that is massive and delicate, dramatic and expressive, stern but playful and everywhere deeply musical. And with the deeply soulful playing of cellist Janos Starker in the Andante, Gilels and Reiner and the Chicago and Starker may have created the most touching Andante ever recorded. BMG/JVC's remastered sound is as close to a real aural image of a real pianist with a real orchestra in a real hall in real time as has ever been recorded. © TiVo