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$16.49

Metal - Released January 1, 1999 | Atlantic Records

$12.99

Metal - Released June 30, 1992 | Atlantic Records

Dream Theater's first album with new vocalist James LaBrie is an excellent mix of progressive metal stylings with heartfelt vocals and thought-provoking lyrics. Guitarist John Petrucci, bassist John Myung, and drummer Mike Portnoy, all of whom trained at Berklee, show impressive ability on their respective instruments. Kevin Moore's keyboards weave strongly through the intricately constructed songs, while operatically trained LaBrie shows an impressive range with his tenor. Standout tracks include the complex "Metropolis, Pt. 1," the Shakespeare-influenced "Pull Me Under" (also released as a single and video), the dramatic "Take the Time," and the 11-minute, thoughtful "Learning to Live." Dream Theater's musicianship and songwriting are a cut above the norm; this is a very good disc. ~ Phil Carter
$12.99

Metal - Released September 12, 1997 | Atlantic Records

$18.99

Metal - Released March 28, 2008 | Rhino Atlantic

Dream Theater's Greatest Hit (....And 21 Other Pretty Cool Songs) collection is a strange animal indeed. Despite the band's amazingly longevity -- they cut their first demo in 1986 -- as a touring act and as a steadily selling concern in the product marketplace, they've had exactly one hit, sort of, in 1992's "Pull Me Under" from the album Images and Words. That they are still together and still a viable touring and recording enterprise is testament enough in these strange times. Apparently, though, that's not enough for them. Drummer Mike Portnoy and his bandmembers assembled this collection with a few twists that make for rather curious listening. Divided into two discs collecting 22 cuts, the first oddity is that the epic, intricate pro-pop metallic jams they are most closely associated with are almost entirely absent here. In their place, as Portnoy goes to great lengths to explain in his liner notes (which amount to more of an apologia than anything else), are a "dark side" disc reflecting the more riff-centric, metallic, guitar and double bass drum tunes that have been influenced by everyone from Black Sabbath and Judas Priest to Iron Maiden and Metallica. The other disc, is, predictably enough, the "light side." Here, the tunes reflect the more melodic, accessibly progressive aspect of the band that has been influenced by, "...U2, Pink Floyd, Journey, and Peter Gabriel." Whatever. What's worse, Portnoy somehow thinks that this set is for the uninitiated, and claims he sees it almost as a "TV commercial or a coming attraction for a film...something that will lure the viewers/listeners in and inspire them to dig deeper, eventually leading them to experience the 'full picture'..." Apparently, he hasn't been paying attention to what's been going on in a marketplace increasingly reliant on digital media. As for the music itself, here's the rub: the only real thing to attract veteran fans are some 2007 remixes including "Pull Me Under" (they messed with their sole pop culture classic!!!!), "Take the Time," and "Another Day," and edits that include shortened versions of "Lie," "Home," "Misunderstood," and "Solitary Shell." There is also an alternate album mix of the track "Through Her Eyes." The cover sticker reflects this, but the actual track listing on the back of the package does not. Musically, if you are a Dream Theater fan and need to have everything, you already know these tracks, and have them in at least two versions -- live and studio -- anyway, and the remixes are nothing whatsoever to write home about. If you are a novice, you'd be better of picking up one of the band's truly classic recordings such as Images and Words, Change of Seasons, Six Degrees of Inner Turbulence, or Scenes from a Memory to hear their studio magic, on the one hand, or, Live Scenes from New York on the other. This double-disc makes little sense. Excess is one of the greatest things about Dream Theater: they are one of the best live bands on the planet and understand that big rock & roll is about the show as well as great musicianship, but sometimes, even grand excess is a little to o grand for its own good; this is just such a case. ~ Thom Jurek
$20.49

Metal - Released August 5, 2005 | Rhino Atlantic

Steadfast at the apex of the prog-metal heap, Dream Theater has reached the coveted position where it can do no wrong in the eyes and chops-hungry ears of its international fan base. LIVE AT BUDOKAN is the band's third full-length live offering, a mammoth three-CD affair with a set list that leans heavily towards the studio albums SIX DEGREES OF INNER TURBULENCE (2002) and TRAIN OF THOUGHT (2003). As with any Dream Theater concert, the crown jewel of LIVE AT BUDOKAN is its legendary "Instrumedley." The awe-inspiring epic puts the metallic virtuosos through a series of strung-together touchstone themes culled from both "Metropolis" pieces, "Erotomania," "A Change of Seasons," and "Ytse Jam," plus two excerpts drawn from Liquid Tension Experiment (an instrumental side-project featuring 3/5ths of Dream Theater). With this performance, there are notable upgrades in the group's live act. Vocalist James LaBrie gets better with each tour, and the background vocals have never sounded so spot-on. To top it all off, guitarist John Petrucci continues to push the six-string-shredding envelope to its furthest reaches with his rapid-fire soloing palette.
$20.49

Metal - Released September 20, 2008 | Roadrunner Records

Double CD version of live DVD that showcases the progressive rock/metal band at its virtuosic, musically complex best.
$10.49

Metal - Released April 8, 2008 | Rhino Atlantic

This is a live recording featuring songs from When Dream and Day Unite and Images and Words. There really isn't that much going on here that can't be heard on the studio records. "A Fortune in Lies" is treated with more aggression than the original and remains one of their gems from the past. "Bombay Vindaloo" is a jam session that features some creative drumming from Mike Portnoy and some diverse playing from John Petrucci. Especially impressive were the muted, Al DiMeola-style quotes. "Another Hand - The Killing Hand" is a combination of an instrumental ("Another Hand") commonly featured in their live shows and the now-infamous "The Killing Hand." The latter is given a great update by singer James LaBrie and probably didn't have too many people missing Charlie Dominici. This is a good live session that will appeal mostly to the diehards of this excellent progressive metal band. ~ Robert Taylor