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Symphonies - Released January 1, 2016 | Universal Music Group International

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Classical - Released October 25, 2005 | Warner Classics International

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Classical - Released January 1, 2003 | Deutsche Grammophon (DG)

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Symphonic Music - Released January 7, 2014 | Sony Classical

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Daniel Barenboim conducted the Vienna Philharmonic in the 2014 News Year's Concert, an annual celebration that showcases classics by the venerable Strauss family and the light music of other composers. True to tradition, this concert offers selections by Johann Strauss I, his sons Johann Strauss II, Eduard Strauss, and Josef Strauss, as well as the unrelated Richard Strauss, Joseph Hellmesberger, Joseph Lanner, and for the first time on a New Year's concert, the French composer Léo Delibes. However, this is not a completely familiar program, because Barenboim has chosen pieces that are mostly unfamiliar to audiences outside Austria. Except for the universally known Strauss classics (Tales from the Vienna Woods, On the Beautiful Blue Danube, and the Radetzky March), as well as the Pizzicato from Delibes' ballet Sylvia and the Mondscheinmusik excerpted from Richard Strauss' opera Capriccio, the selections are primarily standards among the Viennese, who regard them as their birthright, and they are seldom heard in the west. Barenboim and the Vienna Philharmonic play with high energy and spontaneity, and the fun atmosphere of the evening comes across in these glittering and buoyant performances. © TiVo
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Classical - Released August 29, 2006 | Warner Classics International

Distinctions Choc de Classica
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Classical - Released November 27, 2020 | Deutsche Grammophon (DG)

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released January 1, 1974 | Deutsche Grammophon (DG)

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Classical - Released September 13, 2019 | Deutsche Grammophon (DG)

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Daniel Barenboim is no stranger to complete collections. Glutton that he is, he records them several times over, whether it's Beethoven's Sonatas, or as here, Mozart's Trios (already recorded for EMI in 2006 with violinist Nicolai Znaider and cellist Kyril Zlotnikov). And so it's not the immortal Amadeus that we are hearing so much as a portrait of Barenboim that ages with the years. The accomplished artists create a close dialogue, greedily following each other's music. Amongst all these scores, can we detect an aesthetic vision? The scores follow one after the other, like at a family musical soirée, with a convivial, sweetish piano sound – likely a matter of sound quality rather than sherry consumption – in particular on the Piano Trio in B Flat Major, K.502, but also in the opening passages of the Allegro of the Piano Trio in E Major, K.542, whose dramatic dimension is somewhat lacking here. But at least the piano doesn't overshadow the strings or upset the balance required in these tightly-wound, respected works. Mozart's chamber music isn't simple: the contrapunctual writing builds a delicate world whose poetry is flavoured by harmonies and chromatism. Daniel Barenboim has found some fitting partners. © Elsa Siffert/Qobuz
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Concertos - Released August 2, 2013 | Warner Classics

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released October 30, 2020 | Deutsche Grammophon (DG)

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Classical - Released January 1, 1987 | Deutsche Grammophon (DG)

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Classical - Released January 1, 1974 | Deutsche Grammophon (DG)

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Classical - Released January 1, 2001 | Westminster

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Classical - Released January 1, 2014 | Deutsche Grammophon (DG)

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Somewhat surprisingly, Daniel Barenboim recorded the 11 complete piano sonatas of Franz Schubert for the first time between 2013 and 2014, thus making this Deutsche Grammophon box set an important first-time release. For admirers of Barenboim's intellectual depth and clean playing, his approach to these works may be ideal, because Schubert's music is always vulnerable to overly ripe or sloppy interpretations, and it takes a balance of ideas and emotions to convey the essence of the sonatas. While Barenboim has established himself as a masterful accompanist in Schubert, playing chamber works and lieder cycles, he has touched the solo keyboard works less often. However, these performances of the sonatas are as cogent and competent as if he had specialized in them for decades. Touch is critical in Schubert, and Barenboim's refined playing shows a remarkable control of dynamics, colors, and shadings, which, together with his eloquent phrasing and careful use of the pedals, make it subtle and compelling for its variety. While the studio recordings are a bit dry, presumably to aid in clarity, the piano has a slightly ringing quality in the upper register and a warm middle to low range, so it has an attractive tone without studio enhancements. Highly recommended. © TiVo
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Classical - Released August 2, 2013 | Warner Classics