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Pop - Released April 5, 2019 | Prolifica Inc.

On 2019's What's It Like Over There? Liverpool's Circa Waves continue to develop their indie-rock sound with a collection of passionate anthems that trade some of their nervous, sugary energy for a more nuanced maturity. Once again recorded with Alan Moulder, the band purportedly felt somewhat freed up on their third album to explore sounds outside of the kinetic guitar-rock that made 2015's Young Chasers and 2017's Different Creatures so compelling. Certainly, there are several songs here that fall outside of the band's usual style. The soulful "Times Won't Change Me Now" with its repeated, bluesy riff and gospel backing vocals wouldn't sound out of place as the underpinnings for a '90s hip-hop track. Less far afield but still somewhat of a departure is the piano-driven "Passport" in which singer Kieran Shudall evokes the literate, sweetly melodic '60s pop of Harry Nilsson. Perhaps the airy soft-pop uplift of "The Way We Say Goodbye" borrows a bit too much from the Coldplay and Snow Patrol playbook. It's the one time on the album that the band sound like they are aiming for stadium-sized acceptance. That said, the slight shift in approach is less about the band's sound, and more about a move towards subtly in songwriting, with an emphasis on atmosphere and a dark sense of emotion. Tracks like "Sorry I'm Yours," "Me, Myself, and Hollywood," and "Motorcade" are visceral, minor-key gems with a slow-burn, post-punk energy that brings to mind a cross between '80s Giorgio Moroder and '90s Garbage. Particularly compelling is the infectious single "Movies" which finds Circa Waves embracing the soundtrack-ready dance-rock of The Killers, and finding their own pop sweet-spot in the process. What's It Like Over There? might be the sound of Circa Waves testing their longevity, and aiming for a wider audience, and that's not a bad thing. ~ Matt Collar
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Pop - Released January 30, 2019 | Prolifica Inc.

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Pop - Released February 20, 2019 | Prolifica Inc.

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Alternative & Indie - Released March 10, 2017 | Virgin EMI

Two years on from their youthfully nervy debut, Liverpool's Circa Waves are showing signs of an assured maturity on their sophomore album, 2017's confidently delivered Different Creatures. On 2015's aptly titled Young Chasers, Circa Waves lead singer/songwriter Kieran Shudall cooed and sneered his way through a wave of kinetic post-punk that seemed born as much out of teen angst and a boyish enthusiasm as his obvious love of influences like Arctic Monkeys and the Strokes. While still clearly carrying a torch for early-2000s neo-post-punk, Shudall and his Circa Waves bandmates are now road-hardened tour vets, indie rock prodigal sons returned home to reconnect with old mates over a pint, figure out how their relationships went so awry, and contextualize the insanity of the past few years. It's a vibe perhaps best expressed on the yearning "Without You," in which Shudall sings, "Finally getting some, thank god for home/So, shit food and sleeping pills/Cheap drinks and cheaper thrills/Oh pour me, pour me/And I and I, I will lead this parade/And I will travel for days to get to you." It's a catchy song, as are many on Different Creatures, reminiscent of their previous efforts but with an added layer of muscular guitar fuzz that brings to mind the bombastic '90s sludge of the Pixies crossed with the passionate alt-rock swoon of The Bends-era Radiohead. It's probably no coincidence that, prior to working with bands like the Killers and Interpol, Different Creatures producer Alan Moulder made his name working on albums by such alt-rock icons as Ride, My Bloody Valentine, Smashing Pumpkins, and Nine Inch Nails. With Moulder at the helm, Circa Waves deliver a varied set of driving anthems that do recapture much of the convergent energy of the '90s Brit-pop and alt-rock scenes. Without overwhelming you with a sense of déjà vu, cuts like "Out on My Own," "Stuck," and "Goodbye" are massively hooky blasts of guitar rock that subtly draw cues from both older acts like Smashing Pumpkins and similarly inclined contemporary bands like the Killers and Kings of Leon. Elsewhere, Shudall showcases his stylistic range on the John Lennon-esque acoustic ballad "Love's Run Out," and leavens the Killers/Kings of Leon influence with some Lindsey Buckingham-ish, Fleetwood Mac-level pop grandeur on the uber-catchy standout "Fire That Burns." Part of what makes Circa Waves so compelling is that they are able to match the sound of their influences while still believably making the results sound their own. They've grown into an assured rock entity, but they've retained their fundamental sense of working-class Liverpudlian blues. As Shudall sings on "Old Friends," "I can't believe I'm still up/I can't believe this conversation is still going/I need to really grow up/I drank so much I can't see straight son/What am I doing?" Ultimately, with Different Creatures, Circa Waves sound like they know exactly what they are doing. ~ Matt Collar
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Alternative & Indie - Released September 1, 2015 | Virgin EMI

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Alternative & Indie - Released June 30, 2017 | Virgin EMI

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Pop - Released December 19, 2018 | Prolifica Inc.

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Pop - Released November 29, 2018 | Prolifica Inc.

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Pop - Released March 19, 2019 | Prolifica Inc.

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Alternative & Indie - Released June 23, 2017 | Virgin EMI

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Alternative & Indie - Released February 23, 2015 | Virgin EMI

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Alternative & Indie - Released December 1, 2017 | Virgin EMI

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Alternative & Indie - Released June 9, 2017 | Virgin EMI

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Alternative & Indie - Released February 24, 2017 | Virgin EMI