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Soul - Released June 12, 2020 | Parkwood Entertainment - Columbia

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Soul - Released May 14, 2020 | Parkwood Entertainment - Columbia

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Soul - Released February 26, 2021 | Parkwood Entertainment - Columbia

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Soul - Released June 3, 2020 | Parkwood Entertainment - Columbia

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The harmonizing Bailey sisters took their time -- three years -- in making their first true album. The deliberation paid off when The Kids Are Alright crossed into the Top 20 of Billboard's R&B/hip-hop chart and was singled out with Grammy nominations for Best Urban Contemporary Album and Best New Artist. Their 2020 follow-up might seem rushed in comparison, and its assembly of high-profile producers -- Chloe was the primary producer on the debut -- suggests a conscious attempt to throw their commercial prospects into overdrive. While it evidently came together quicker and was shaped more by outsiders like Sounwave and Jake One, Scott Storch, Disclosure, Mike WiLL Made-It, and Boi-1da, the Baileys' second album is really a refinement of and progression from The Kids Are Alright. Its pop-R&B foundation is a little slicker, still tricked out with the occasional trap-styled production techniques -- probing bass, rattling percussion -- twisted just enough to not sound overdone. The Baileys are unsurprisingly able to adapt to chic throwback soul flavorings and acoustic pop, while on the title track, they slip and slide with finesse over Disclosure's smoothed-out U.K. garage, punctuating it with an impossibly elegant chorus. Sisterhood on nuclear and communal levels is promoted to an unflagging extent by the women, who come across as eager superheroes without a weakness, unless feeling "Overwhelmed" counts, and they might be capable of paralyzing with a single roll of the eyes. They'll catch and reprimand any guy who acts out of line and will make him regret it. The fun peaks on "Tipsy": "I'll hit you where it hurts/If you don't put me first." © Andy Kellman /TiVo
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Soul - Released March 23, 2018 | Parkwood Entertainment - Columbia

Sisters Chloe and Halle Bailey were only ten years old when they recorded and uploaded their first songs on YouTube. Hard to be more precious than that! And what followed may seem like a fairy-tale… Thanks to the video platform’s viral power, their bubbly revisiting of Beyoncé’s Pretty Hurts in 2013 caught the ear of its author in a snap. Even better: Beyoncé dubbed Chloe and Halle by signing them onto her music label, Parkwood Entertainment, and entrusting them with the opening act of her concerts. However, and that’s part of their strength and talent, Chloe and Halle never walk in the footsteps of their illustrious godmother. Writing, arranging and interpreting all their songs, the 19 and 18-year-old sisters are in complete control of their art. Their R&B is so diversified that it sounds like no other. And they never resort to the genre’s gimmicks: no botoxed rhythmic, no silly bland lyrics and no overly sweet melodies! Here, vocal harmonics are understated, the beats move forward quietly, the lyrics are those of seasoned wordsmiths, and features (with Joey Bada$$ among others) are few and far between but in good taste. These kids are truly alright. © Max Dembo/Qobuz
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Soul - Released June 2, 2017 | Parkwood Entertainment - Columbia

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Soul - Released December 21, 2018 | Columbia

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Soul - Released March 7, 2018 | Parkwood Entertainment - Columbia

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Soul - Released September 4, 2020 | Parkwood Entertainment - Columbia

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Soul - Released April 29, 2016 | Parkwood Entertainment - Columbia

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Soul - Released December 29, 2017 | Parkwood Entertainment - Columbia

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Soul - Released December 21, 2018 | Columbia

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Soul - Released March 19, 2021 | Parkwood Entertainment - Columbia

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Soul - Released April 17, 2020 | Parkwood Entertainment - Columbia

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Soul - Released November 17, 2017 | Parkwood Entertainment - Columbia

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Pop - Released December 19, 2018 | Back Lot Music

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Soul - Released January 3, 2018 | Parkwood Entertainment - Columbia

Film Soundtracks - Released April 28, 2017 | Columbia

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Hip-Hop/Rap - Released June 29, 2017 | IPM