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Country - Released February 16, 2018 | Low Country Sound - Elektra

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Brandi Carlile does not lay idle. Between her new life as a homosexual mother which she openly displays or her activism with the association War Child, she has found time to return to the studio for the sixth time. As a mother, the hallucination of an America at the edge of cracking infused the story of what she considers the most intense of her career. By The Way, I Forgive You, entwined by the evangelical theme of forgiveness, co-produced by Shooter Jennings (the son of the late Waylon) and Dave Cobb (Jason Isbell, Chris Stapleton and Lori McKenna) succeeds the country folk of The Firewatcher's Daughter (2015). Ten tracks totalling 43 minutes, touching on topics such as Carlile's family, politics, identity and the faithful twin Hanseroth (Fightings Machinists). The strings were arranged by the late Paul Buckmaster (Elton John, David Bowie, Rolling Stone or Leonard Cohen) and its all packed into an emotional style of country made for a broad audience. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released April 3, 2007 | Columbia

One of the most appealing qualities of Brandi Carlile's debut album was that it had an ethereal quality, unattached to style or sound or time. Since she was a singer/songwriter playing an acoustic guitar, there were undoubtedly elements of folk, but Carlile's songwriting was elliptical and elastic, giving her plenty of room to indulge her powerful voice, a voice that had echoes of Jeff Buckley and Thom Yorke. This gave Brandi Carlile a spacey, dreamy quality, but for as good as it was, the album didn't achieve much attention initially apart from some rave reviews. Still, Carlile and the label slowly worked the record, getting some songs onto Grey's Anatomy as they laid the groundwork for her second album, The Story, which was designed to be her big breakthrough. Producer T-Bone Burnett -- a singer/songwriter in his own right, but better known as the man behind O Brother, Where Art Thou? and the man who helmed records for Counting Crows, Roy Orbison, Gillian Welch, and his wife Sam Phillips -- was brought aboard to help streamline some of Carlile's eccentricities without watering down her music, a task he performs admirably on The Story. Part of the streamlining process involves accentuating the arty undercurrents that ran throughout her debut -- a move that highlights her ambition and helps push her out of the rootless ether and into something that sounds distinctly contemporary. In other words, Carlile's Buckley and Yorke influences are brought to the forefront here -- not just in her soaring, neo-operatic vocals, either, but also how her writing is at once more brooding, dramatic, and open-ended than it was on the debut -- which makes her sound modern, if perhaps a bit too indebted to her idols. If Carlile openly wears her influences on her sleeve on The Story, she is nevertheless the rare songwriter who can hold her own with such idiosyncratic talents. Indeed, there's an earthiness to her music that keeps it from floating into willfully abstract territory, and if Burnett's dark, burnished production is a shade too dour -- this broods like it was 1995 -- it nevertheless is appropriate, capturing the mournful qualities of Carlile's songs and voice, along with the muscle the twin Hanseroth brothers bring as her support. The album's only flaw is that it's perhaps a little too monochromatic, a little too somber and sober in its presentation; a slight glimmer of sunlight or a dose of humor would have given this record some needed breathing room. That said, this dark, roiling collection fulfills the promise of her remarkable debut, offering resounding confirmation that Carlile is a singular talent. ~ Stephen Thomas Erlewine
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Country - Released February 16, 2018 | Low Country Sound - Elektra

Brandi Carlile does not lay idle. Between her new life as a homosexual mother which she openly displays or her activism with the association War Child, she has found time to return to the studio for the sixth time. As a mother, the hallucination of an America at the edge of cracking infused the story of what she considers the most intense of her career. By The Way, I Forgive You, entwined by the evangelical theme of forgiveness, co-produced by Shooter Jennings (the son of the late Waylon) and Dave Cobb (Jason Isbell, Chris Stapleton and Lori McKenna) succeeds the country folk of The Firewatcher's Daughter (2015). Ten tracks totalling 43 minutes, touching on topics such as Carlile's family, politics, identity and the faithful twin Hanseroth (Fightings Machinists). The strings were arranged by the late Paul Buckmaster (Elton John, David Bowie, Rolling Stone or Leonard Cohen) and its all packed into an emotional style of country made for a broad audience. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released June 13, 2006 | Red Ink - Columbia

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Pop - Released February 2, 2018 | Low Country Sound - Elektra

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Pop/Rock - Released October 2, 2009 | Columbia

If there was any flaw with Brandi Carlile's second album, The Story, it's that it was perhaps a touch too austere, painted in amber tones by producer T Bone Burnett. Its 2009 sequel, Give Up the Ghost, opens up and breathes, perhaps partially due to swapping T Bone for Rick Rubin, who retains the spooky, serious vibe but makes things a little less chilly. This isn't sealed off; there is room for guests here, including such L.A. linchpins as Benmont Tench and Red Hot Chili Pepper Chad Smith, but also Elton John and his arranger, Paul Buckmaster. Tellingly, their presence is felt more than heard, as they never remove the spotlight from Carlile, who remains a singularly powerful singer/songwriter. When things are Spartan, her voice is haunting and gripping, wrenching out operatic emotions, but Give Up the Ghost trumps The Story because she allows herself to lighten up, to rock again on "Dreams" and jump into the rollicking "Caroline," which does indeed recall the barrelhouse jaunt of Honky Chateau. Carlile still prefers sobriety to levity but it never feels affected; it's music that gets under your skin and cuts to the bone. ~ Stephen Thomas Erlewine
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Pop/Rock - Released September 16, 2008 | Columbia

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Pop - Released October 17, 2018 | Low Country Sound - Elektra

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Pop - Released November 13, 2017 | Low Country Sound - Elektra

"[L]ead single 'The Joke' showcases some of Carlile’s finest lyricism and singing yet. Written for children born into this trying time, Carlile urges triumph over division."
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Pop - Released March 3, 2015 | ATO Records (AT0)

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Alternative & Indie - Released January 12, 2009 | Columbia

Alternative & Indie - Released June 12, 2007 | Columbia

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Pop - Released January 19, 2018 | Low Country Sound - Elektra

Alternative & Indie - Released May 29, 2007 | Columbia

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Alternative & Indie - Released November 29, 2005 | Red Ink - Columbia

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Alternative & Indie - Released February 9, 2010 | Columbia

With Valentine's Day on the brain and bandmates Phil and Tim Hanseroth onboard, Brandi Carlile fills this short EP with two covers and three love-centric originals.
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Pop - Released December 8, 2017 | Low Country Sound - Elektra