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Classical - Released July 3, 2015 | Channel Classics Records

Hi-Res Booklet Distinctions 5 de Diapason
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Vocal Music (Secular and Sacred) - Released March 20, 2020 | Alpha

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica
The starting point for Barbara Hannigan’s third recording for Alpha is a work by Gérard Grisey (1946-98) that is particularly close to her heart. Grisey wrote: ‘I conceived the Quatre Chants pour franchir le seuil (Four songs for crossing the threshold) as a musical meditation on death in four parts: the death of the angel, the death of civilisation, the death of the voice and the death of humanity... The texts chosen belong to four civilisations (Christian, Egyptian, Greek, Mesopotamian) and have in common a fragmentary discourse on the inevitability of death’. Luigi Nono (1924-90) was a politically engaged composer. His stunning monody Djamila Boupacha, a heart-rending cry for solo soprano, pays tribute to a freedom fighter tortured by French paratroopers during the Algerian war; Picasso also portrayed her in charcoal. Once again Barbara Hannigan both sings and directs this pair of twentieth-century works with her friends of the Ludwig Orchestra. She has chosen to couple them with a Classical symphony by the master of the genre, Joseph Haydn, which also deals with the theme of the Passion. Her interpretation is extremely intense and highly personal. © Alpha Classics
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Classical - Released January 21, 2013 | NBELive

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Classical - Released September 1, 2009 | Etcetera

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Opera - Released February 1, 2013 | Nimbus Records

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Lieder (German) - Released August 24, 2018 | Alpha

Hi-Res Booklet Distinctions 4F de Télérama - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
Soprano Barbara Hannigan has become something of a cult favorite with her deep dives into specific and unusual repertories. Her self-presentation in concert is unorthodox and marked by full-scale efforts to communicate the essence of the music at hand, in works ranging from Berio to Gershwin. So it is with this set of songs from the decade and a half on either side of 1900 in Vienna. The enjoyment begins with the physically passionate cover, an example of her way of personifying the music's spirit. Hannigan's is an utterly distinctive voice, edgy and coruscating, and she knows how to tone down her considerable virtuosic powers to the dimensions of the music, such as that here, intended for small rooms. She explores the early, tonal (although sometimes barely so) songs of Schoenberg, Webern, and Berg, delivering insight into the controversial Richard Dehmel (attacked by the proto-fascist, German right wing) and other poets, with expertly sensitive accompaniment from her collaborator Reinbert de Leeuw. The program concludes with some familiar songs by Hugo Wolf, which in this context take on a somewhat mysterious cast. The greatest interest resides in the lesser-known material by Zemlinsky and especially by Alma Mahler, whose music is rarely recorded even in an age of rediscovery of female composers. She lost prime years to discouragement of her creativity by Gustav Mahler (who later changed his mind), and her output amounts to 14 songs from her lifetime plus two posthumously published. Nevertheless, the songs here are clearly cut from the same cloth as the others on the album, and they have a dramatic quality that seems to be characteristic to Mahler herself. Maybe they're more in line harmonically with the more conservative Zemlinsky (whom Mahler also dated), but sample Mahler's positively spooky setting of Dehmel's Die stille Stadt, which may be worth the price of admission by itself. Alpha's Netherlands Radio Muziekcentrum sound is nonpareil, and the whole project is deeply committed and highly recommended. © TiVo
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Classical - Released September 22, 2017 | Alpha

Hi-Res Booklet Distinctions 4F de Télérama - 5 Sterne Fono Forum Klassik
Whether singing, conducting, dancing or acting, the Canadian soprano Barbara Hannigan is a source of fascination. Alpha Classics is proud to enter her world today and to present in 2017 her very first album as singer and conductor: with the Amsterdambased orchestra Ludwig, of which she is associate artist, Barbara Hannigan has devised a programme including Berg’s Lulu Suite and Gershwin’s Girl Crazy in a Suite newly arranged by the multiaward-winning American composer Bill Elliott. To complement these two pieces, she has recorded Berio’s spectacular Sequenza III for solo voice. An outstanding soprano, a distinguished interpreter of the music of the twentieth and twenty-first centuries, an all-round artist who creates a sensation on concert platforms and in opera houses throughout the world, Barbara Hannigan has enriched her palette over the past few years by devoting a portion of her activities to conducting.© Alpha Classics
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Classical - Released January 1, 2013 | Deutsche Grammophon (DG)