A boundary-breaking musician, producer, visual artist, and more, Alejandra Ghersi's work as Arca helped define the cutting edge of those fields in the 2010s and 2020s. Her fluency in different media was echoed in how effortlessly her music borrowed from various genres while defying easy classification: the rumbling, rattling percussion that became a hallmark of her style had roots in hip-hop, noise, IDM, and Venezuelan party music. Ghersi's approach was distinctive enough to be immediately recognizable even when she produced music by artists as prominent as Kanye West, Björk, and Frank Ocean. Arca's own music was even more adventurous, whether she subverted the sounds of hip-hop in unapologetically queer ways on her early EPs or skillfully balanced her experimental and emotional sides on her first full-length, 2014's Xen. Ghersi reinvented herself with each album, emphasizing the density and volatility of her music on 2015's Mutant and breaking it wide open with the outpourings of 2017's Arca, her first work to feature her voice. With 2020's proudly fragmented KiCk i, she reassembled pop into new forms that proved her gift for complex yet intuitive music remained. Born in Caracas, Venezuela, Ghersi and her family moved to Connecticut when she was three, then returned to Venezuela when she was nine. She began taking piano lessons around that time, and fell in love with the music of Aaliyah, Arthur Russell, and, especially, Björk. By the time she was 14, she was inspired by the glitchy sounds of Aphex Twin and Nine Inch Nails. She started making music as Nuuro that year, and her emotional electro-pop earned praise from other Venezuelan artists such as Los Amigos Invisibles. After attending NYU's Clive Davis Institute of Recorded Music, Ghersi began making music as Arca. Taking the name from an old Spanish word referring to a ceremonial container, the project debuted in October 2011 with a 25-minute online mix that incorporated Ghersi's original tracks with edits of songs by Craig David and Bilal as well as elements of orchestral, hip-hop, drum'n'bass, and Venezuelan music. The following year, she issued a trio of short-form releases for the UNO label, starting with February's four-track Baron Libre EP. On April's six-track Stretch 1 and August's Stretch 2 EPs, she contrasted aggressive hip-hop sounds with queer imagery. From there, Arca's career built momentum rapidly. Her work caught the ear of Kanye West, who sought her to co-produce four tracks for Yeezus: "Hold My Liquor," "I'm in It," "Blood on the Leaves," and "Send It Up." The album appeared in June 2013, and a month later, Ghersi released the kinetic mixtape &&&&& on Hippos in Tanks. In September, FKA Twigs' EP2 arrived, and featured writing and production by Arca on every track. That October, Ghersi performed &&&&& at MoMA PS1 with visual artist Jesse Kanda. Over the next few years, Arca's profile continued to grow. In September 2014, the single "Thievery" became Ghersi's debut release for Mute; in November, her first full-length for the label, Xen, arrived. Named for the way Ghersi signed off in her diary entries, it earned acclaim for its rumbling, restless productions. She also earned praise for her production work on FKA Twigs' 2014 debut album, LP1, as well as a pair of 2015 releases, Björk's Vulnicura and Kelela's Hallucinogen EP. Early that year, she self-released Sheep, her score for a Hood by Air fashion show that featured samples of Björk, Lana Del Ray, and Robert Wyatt in its tracks. Several songs from Sheep appeared on Mutant, a dense, challenging set that Mute released in November 2015. Arriving in mid-2016, the Entrañas mixtape featured a collaboration with Mica Levi as well as the track "Urchin," which also appeared on Arca's next album. Her first full-length for XL Records, April 2017's widely acclaimed Arca was the first to feature Ghersi's vocals and drew inspiration from Björk and Venezuelan folk. That year, she also reunited with Kelela on her October 2017 debut album, Take Me Apart, and with Björk on that November's Utopia. In 2018, Ghersi moved to Barcelona and came out as non-binary. She returned in September 2019 with Mutant;Faith, an ambitious experimental performance cycle of three live shows performed at The Shed's Griffin Theater in New York City. The following February, she issued @@@@@, an hour-long track that was among her most challenging music. During the COVID-19 global pandemic in 2020, Ghersi streamed live performances and DJ sets. That June, she released Arca's fourth album, KiCk i. Featuring contributions from SOPHIE, Rosalía, and Björk, it balanced Ghersi's abrasive side with touches of trap, reggaeton, and pop. The track "Knot" appeared later that year as the first single from a new reissued version of her debut mixtape &&&&&.
© Heather Phares & Andy Kellman /TiVo
© Heather Phares & Andy Kellman /TiVo
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Electronic - Released June 26, 2020 | XL Recordings
For his fourth solo album, Arca has decided to display all her facets. For the Venezuelan producer, who now identifies as a trans woman, expression isn’t just about musical marketing but an introspective journey. “We all have multiple personalities. There was a clear intention [on the album] to allow every self to express itself [. . .and] allow for modulation between them in a spontaneous way. There is no such thing as normal.” Such fluidity is proven on the first track Non Binary, where the vocals change in an evolutive way. Recruited for her sense of sound design by Kanye West and Franck Ocean, Arca has a unique skill for expressing her emotions in a digital format, often even mathematical, like in the song featuring Catalan singer Rosalía whose voice is broken down and reassembled on the cyberpunk reggaeton KLK. Her reunions with Björk, with whom Arca produced the album Utopia in 2017, are particularly good (Afterwards), as well as her collaboration with SOPHIE which should satisfy the expectations of all futuristic pop fans. An onion of an album, which will leave you in a disorientated state of marvel. © Smaël Bouaici/Qobuz