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Masses, Passions, Requiems - Released December 2, 2016 | BIS
Cantatas (sacred) - Released January 28, 2014 | Phi
Sacred Vocal Music - Released March 3, 2011 | Mirare
Sacred Vocal Music - Released October 12, 2010 | harmonia mundi
Sacred Vocal Music - Released September 28, 2010 | PentaTone
Marek Janowski leads Rundfunkchor and Rundfunk-Sinfonieorchester Berlin in a solid performance of Brahms' Ein deutsches Requiem on this Pentatone hybrid SACD. He doesn't bring particularly distinctive new insights to the piece, but just about everything is absolutely in place, and that is an achievement in a work with the emotional range and difficulty of this one. The opening is appropriately hushed and the second movement is as frighteningly thunderous as it should be. "Wie lieblich sind deine Wohnungen" is a highlight, with an urgency that blossoms into an outpouring of ecstatic fervor as it surges toward its celestial climax. Both chorus and orchestra perform at the highest level of professionalism, singing, and playing with discipline, passion, and a warmly enveloping tone. Soprano Camilla Tilling does not have a large voice, but it is focused and intense, and she can soar when the music calls for it. The weak link is baritone Detlef Roth; his singing is insightful but his voice lacks the heroic timbre the music requires, and he has a wobbly top and shaky bottom. The forces are beautifully balanced and the music's extreme dynamic range is well captured. This fine performance may be unlikely to join the ranks of the most sublime recordings of the work, but its virtues make it one that would be a fine introduction to this choral masterpiece.
Sacred Vocal Music - Released March 1, 2010 | Glossa
Paul Hillier regularly appears as a guest conductor with the Flemish Radio Choir, and this Glossa SACD release preserves one of their most auspicious collaborations, with the assistance of the wind group I Solisti del Vento. Naturally Weill's Berlin Requiem, even with the rejected "Von Tod im Wald" included, doesn't add up to a full CD, so Hillier and the Flemish have developed some well-informed choices for filler; Hindemith's brief chorus Der Tod (1932), Milhaud's Cantate de la guerre (1940), and Cantate de la Paix (1937) and, unusually, Stravinsky's famous Octet for wind instruments (1923), as performed by I Solisti del Vento. The SACD recording is crystal clear, wide open, and very full, though in some brief passages the winds overbalance the chorus. It is a very good Berlin Requiem though, especially when compared to Phillippe Herreweghe's rather bland and faceless 1992 recording for Harmonia Mundi. One wonders, though, if they could have broken with tradition and not included "Von Tod im Wald;" although it is included in the published score for Das Berliner Requiem, Weill turned it out of the work as incompatible and this does seem to be one of the few genuine duds in his worklist. The brief Hindemith chorus is gorgeous and very well done; it's the best thing on this disc. A highly desirable aspect to this disc is the prospect of hearing Stravinsky's Octet for winds in SACD sound; however, I Solisti del Vento's performance is an object lesson in why one doesn't turn to choral albums in order to obtain wind works; this reading lacks snap and Stravinsky's gentle sense of syncopation in the piece, transitions are ragged, and tempo choices often well off the mark. That leaves the Milhaud choruses, both very rarely done. Female singers take the place of the children's chorus in the Cantate de la Paix; otherwise, these are serviceable though not outstanding performances of these pieces. There is some minimal issues with the locus of pitch, which shifts around in some spots, none too surprising given Milhaud's harmonically oblique and wandering approach in these works. Glossa's Kurt Weill Das Berliner Requiem is a little below Hillier's usual standard in terms of transparency and efficiency, but the title work and the Hindemith are good enough that it makes this one worth owning for devotees of European modern music between the wars.
Sacred Vocal Music - Released August 24, 2009 | naïve classique