Albums

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Symphonic Music - Released February 8, 2019 | LSO Live

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Widely recognized as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works with memorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration. © LSO Live
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Symphonies - Released November 16, 2018 | RCA Victor

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This is an absolute MUST LISTEN. One of André Previn’s greatest recordings captured in the 1960s in London – truly a golden era for the American conductor! Here, the London Symphony Orchestra, galvanised and operating in the very heart of its repertoire, is at its most beautiful: the brass section is electric (listen to the Scherzo!), the woodwinds are poetic and the strings unrelenting in their rhythmicity... What sets this recording apart from any other are the very fast tempos, always kept within bounds by André Previn, that help unveil Walton’s great architectural sense in the most unique way – check out the magnificent coda of the initial Allegro assai; throughout this interpretation, Sibelius and Hindemith influences progressively fade away in favour of a truly distinctive orchestration and management of musical time that make this score what it really is: a real oddity in the British musical landscape of the 1930s. André Previn’s performance on the 26th and 27th of August 1966 – he went on to create a new version with the RPO for Telarc − is all the more striking when we consider that around the same time, with the same musicians, he was working on the complete symphonies of Ralph Vaughan Williams which lack in poetry, most probably suffering from the type of analytical frankness that actually exalts Walton’s Symphony No.1. A few years later, he also recorded Walton’s Symphony No.2 for EMI, again with the LSO. This can be enjoyed with wonderful sound recording by the Decca team, conducted here by James Lock. © Pierre-Yves Lascar
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Symphonies - Released October 5, 2018 | LSO Live

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Composed against a cataclysmic backdrop of Stalinist oppression and the Second World War, Shostakovich's Eighth Symphony is a deeply affecting poem of suffering. The composer described it as 'an attempt to reflect the terrible tragedy of war', and it contains some of the most terrifying music he ever wrote. Here, Gianandrea Noseda conducts the London Symphony Orchestra with intensity and understanding, allowing the music to tell its own story as it travels from darkness into light, yearning more for peace than for victory. One of the leading conductors of his generation, Gianandrea Noseda holds several high-profile international positions in addition to his role as Principal Guest Conductor of the London Symphony Orchestra, including Music Director of the National Symphony Orchestra in Washington DC. His previous releases on LSO Live include acclaimed interpretations of the Verdi Requiem and Britten War Requiem, and this recording follows the digital release of Shostakovich: Symphony No 5, which will receive a full release in October 2019 coupled with the composer's First Symphony. © harmonia mundi

Symphonic Music - Released October 5, 2018 | ICA Classics

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Symphonic Music - Released September 21, 2018 | LSO Live

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Symphonies - Released July 26, 2018 | LSO Live

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This new LSO recording only available in digital format marks the start of a new recorded cycle by the London Symphony Orchestra with their current principal guest conductor, Gianandrea Noseda. Recorded at a public concert on 22 September 2016, this Fifth by Shostakovich fulfils the promise of the score. Under a venomous barrage from Pravda on the orders of the dread you-know-who, which brought down his 1936 opera Lady Macbeth, the luckless composer withdrew the work from the programme of the orchestra which was set to perform it, and the symphony was only brought back out in 1962. By way of response to accusations of bourgeois opacity, anti-Soviet deviation and all manner of other bullsh– er, communist epithets, Shostakovich threw himself into his Fifth, which he finished in July 1937. The creation of the work took place in the wake under the baton of Evgeni Mravinski and met with great success, not only in the USSR, but right across the music world, which lapped up the work. Yes, the language is clearer, and less esoteric than the Fourth, but anyone looking for optimism and good cheer is barking up the wrong tree. The Scherzo is a sinister flight forward by a tortured clown, and the Largo is what it is – anguished. As for the final movement, it alternates between Rossinian farce and Mahlerian snarling, ending with two minutes of the kind of joy that one feels after having been run over by a division of Soviet tanks. Conductor Gianandrea Noseda and the members of the London Symphony Orchestra knew how to project this dual atmosphere and really capture the enigmatic feel of the final two minutes. This symphony is the response of the composer to the Stalinist murderers, all the while declaring in Pravda that the piece was "a Soviet artist's practical response to well-deserved criticism". Comments that some musicologists recuse, considering that they would have been commissionned from the high places of politics. Whatever it is, what a mockery by the composer through his symphony! © SM/Qobuz   

Symphonic Music - Released April 25, 2018 | A&r Music

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Symphonic Music - Released April 20, 2018 | LSO Live

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Symphonies - Released December 29, 2017 | AAO Music

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Symphonic Music - Released September 1, 2017 | LSO Live

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Symphonic Music - Released January 1, 2002 | Electrecord.com

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Symphonic Music - Released May 11, 1992 | Hhpvrdigital

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Symphonic Music - Released May 8, 1989 | Hhpvrdigital

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Symphonic Music - Released April 7, 2017 | Hhpvrdigital

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Symphonies - Released November 1, 2016 | Decca

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Symphonic Music - Released October 14, 2016 | LSO Live

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Symphonic Music - Released September 9, 2016 | LSO Live

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Symphonic Music - Released September 9, 2016 | LSO Live

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Symphonic Music - Released May 13, 2016 | LSO Live

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