Albums

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Symphonic Music - Released February 8, 2019 | LSO Live

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Widely recognized as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works with memorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration. © LSO Live

Ballets - Released December 19, 2018 | Krapes

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Symphonic Music - Released November 30, 2018 | Asociación Orquestas Infantiles y Juveniles del Perú

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Symphonic Music - Released November 2, 2018 | Musical Concepts

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Symphonic Music - Released November 2, 2018 | Aparté

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Symphonic Music - Released November 2, 2018 | Omega Vanguard

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Regard this Vanguard "ultra analog" CD with caution. Having Handel's Music for the Royal Fireworks in its original scoring is an obvious attraction, but Water Music is drastically shortchanged in the 11-movement suite offered here. Since it is possible to fit the complete Water Music and Music for the Royal Fireworks on a single disc, the loss of the Suite in G major and half of the Suite in D major is unreasonable. Be that as it may, Johannes Somary and the English Chamber Orchestra offer fairly enjoyable performances, though modern instruments are used and some niceties of Baroque interpretation -- such as swung rhythms and freely improvised ornamentation -- are used sparingly. The woodwind and brass sonorities in Fireworks should be more impressive and massive, but the microphone placement puts the horns and trumpets rather close and makes the choirs of oboes, bassoons, and serpents seem remote and echoic. The 1973 analog recordings have been cleaned of tape hiss, though few other enhancements are evident.

Cinema Music - Released November 2, 2018 | DUX

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Ballets - Released November 2, 2018 | H.M. Chapel Music

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Symphonic Music - Released October 19, 2018 | Aparté

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Symphonic Music - Released October 11, 2018 | Pangal Music

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Cinema Music - Released October 5, 2018 | LPO

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Symphonic Music - Released October 5, 2018 | Coviello Classics

Symphonic Music - Released October 5, 2018 | ICA Classics

Booklet Distinctions Diapason d'or
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Symphonies - Released September 19, 2018 | Channel Classics Records

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As early as the 17th century in the days of Fleet Admiral Michiel de Ruyter, one of the initiators of the Netherlands Marine Corps, music has played an important role in the navy. Transforming from ships’ bands and ensembles into a land-based full sized orchestra ashore, the Marine Band turned into the all-round musical ambassador of the Royal Netherlands Navy. From military marching formation, intimate accompanying ensemble, extended big band and classic symphonic wind band to a stunning cover band; no music style is absent from the enormous repertoire. The Marine Band of the Royal Netherlands Navy developed an appreciation for Russia and the music of her great composers. As part of the celebrations of 300 years Peter the Great and the jubilee of the city, concert tours to St. Petersburg were made in 1997 and 2003. In 2009 the branch of the Hermitage in Amsterdam was opened with a concert and attended by Queen Beatrix and President Medvedev. In 2013 the Marine Band and the Drums & Fifes of the Netherlands Marine Corps participated in the famous International Military Music Festival "Spasskaya Tower” on the Red Square in Moscow. © Channel Classics
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Symphonic Music - Released September 18, 2018 | Channel Classics Records

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"One of the biggest dilemmas of our generation is where are we from, who are we, what is our identity? Globalization has made the whole world closer, bringing our cultures more and more together. I myself am a product of this mix, being born in Mexico to Russian parents with a Jewish background, having studied at a French school in Norway and grown up in Holland. Consequently I have often thought about these questions: which culture is closest to me? What am I? I could feel at home and relate to all these cultures and yet I am not really part of any of them. The music on this album explores the opposite perspective; each piece is very strong influenced by the composer’s culture. One can immediately smell the Hungarian landscape in Bartok’s Viola Concerto, Italian roots in the Carnevale di Venezia, the Jewish soul in Bloch’s Nigun and Russian Orthodox chants in Kugel’s Preghiera. However there is a deeper meaning to the title of this album, as the programme also touches the spiritual and carnal nature of the human being. During the process of compiling this programme I suddenly realized the strong religious connection between the second movement of the Bartok concerto and the two prayers that follow. This is followed by the contrasting ‘danse macabre’ in the third movement, which for me is very much associated with the carnal ritual of a carnival, when one is allowed to release one’s most primitive instincts. I believe each of these pieces explores the deepest roots of humankind, that core that will be there, no matter where we go or what we do." (Dana Zemtsov) © Channel Classics
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Symphonic Music - Released September 10, 2018 | Channel Classics Records

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Symphonic Music - Released August 31, 2018 | Musical Concepts

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Symphonic Music - Released August 31, 2018 | Musical Concepts

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Symphonic Music - Released August 31, 2018 | Warner Classics

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Symphonic Music - Released August 24, 2018 | SKANI

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