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Punk / New Wave - Released May 10, 2019 | Manifesto Records

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San Francisco, 1978. A troubled Jello Biafra stumbles upon guitarist East Bay Ray’s ad in the paper. Along comes bassist Klaus Flouride and D.H. Peligro at the end of 1980. After coming in fourth place in the municipal elections of San Francisco in ‘79, Biafra and his bandmates galvanized the Californian scene with Fresh Fruit for Rotting Vegetables, merging polemics and punk, rockabilly and surf, released one year later on their label Alternative Tentacles. Within can be found the classics California Über Alles and Holiday in Cambodia. Precursors to militant hardcore rock, the Dead Kennedys display a radical political activism, the polar opposite to the declining utopian hippy movement. Next came Plastic Surgery Disasters (1982) followed by Frankenchrist (1985) of which the poster Penis Landscape, the scandalous work of H.R. Giger, ended up putting them in court and precipitating the band’s demise. There would be just enough time for the release of Bedtime for Democracy. Burdened with internal quarrels and conflicts regarding royalties, the band didn’t reform until twenty years later, albeit with little success and without Biafra. They remained, however, dedicated to activism, their label and close to the Melvins. On the initiative of East Bay Ray, DK40 revisits three live shows: Paradiso Club (Amsterdam), Alabama Hall (Munich ’82) and The Farm (San Francisco ’85). The guitarist confesses to have passed through more than thirty different bands before he found the quintessence of the Dead Kennedys. The unedited recordings allow one to feel the vicious heat of Biafra who, forty years later and in a completely different America, carries a one-of-a-kind resonance. © Charlotte Saintoin/Qobuz
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R&B - Released November 24, 2017 | Hhpvrdigital

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Symphonic Music - Released August 1, 2012 | Screenland Records

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Christmas Music - Released December 1, 2020 | Sumerian Records

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Alternative & Indie - Released June 10, 2016 | Near Light

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Country - Released November 8, 2016 | Audiotree Music

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Dance - Released October 23, 2012 | Pledis

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Folk/Americana - Released February 9, 2021 | Keeled Scales

Says Katy: « I’ve always been uneasy with the idea of alternate universes, or realities. Even choose-your-own-adventure books used to stress me out. I wondered if it might be equally interesting and more helpful to consider “alternate universes” something as simple as other people. Around the time I wrote this song, I had been considering what I’d retain from a relationship if or when it ended —what I might be left with in the long run, after it didn’t hurt anymore. I realized that it’d be an alternate version of myself. Hell, how many parts of whatever I call a self aren’t even accessible without a particular interaction? The idea of “Portals” is just a nod to this notion that transformation is almost always painful. “Portals” is me thinking about the alternate, purely interior worlds that slide open with each person/universe we intersect with, and if what we think of as “closeness” to that person has anything to do with what gets opened.»
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French Music - Released February 25, 2008 | Karbaoui Rec - Sounds

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Pop - Released August 25, 2019 | Sam Sine Records

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Soul - Released May 11, 2019 | Sebastian

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Hip-Hop/Rap - Released April 1, 2019 | Win& wealth

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Pop - Released March 12, 2019 | BRED Inc. - Justice Music

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Hip-Hop/Rap - Released March 11, 2012 | 360RECORDS LTD

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Rock - Released July 26, 2019 | Ayahuasca

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Hip-Hop/Rap - Released April 1, 2019 | Win$&wealth

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Hip-Hop/Rap - Released March 15, 2019 | Upper Hit Entertainment

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Rock - Released August 16, 2019 | Ayahuasca

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Rock - Released August 30, 2019 | Ayahuasca

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Hip-Hop/Rap - Released September 1, 2019 | Independent Artist