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Pop/Rock - Released October 23, 1970 | Columbia - Legacy
Dylan rushed out New Morning in the wake of the commercial and critical disaster Self Portrait, and the difference between the two albums suggests that its legendary failed predecessor was intentionally flawed. New Morning expands on the laid-back country-rock of John Wesley Harding and Nashville Skyline by adding a more pronounced rock & roll edge. While there are only a couple of genuine classics on the record ("If Not for You," "One More Weekend"), the overall quality is quite high, and many of the songs explore idiosyncratic routes Dylan had previously left untouched, whether it's the jazzy experiments of "Sign on the Window" and "Winterlude," the rambling spoken word piece "If Dogs Run Free" or the Elvis parable "Went to See the Gypsy." Such offbeat songs make New Morning a charming, endearing record. ~ Stephen Thomas Erlewine
Rock - Released August 29, 2005 | Columbia
CBS Records documented Bob Dylan's October 26, 1963, performance at New York City's venerable Carnegie Hall for a proposed live LP provisionally titled In Concert, pressing acetates and even printing cardboard sleeves before abruptly scuttling the project for good. The assassination of John F. Kennedy altered most everyone's plans, of course, and legend also proclaims that execs were flummoxed by the six-minute spoken narrative "Last Thoughts on Woody Guthrie," one of several cuts added to the album from an April 12 gig at New York's Town Hall. Bootlegs circulated for years, and in 1991 Columbia officially issued two cuts -- the ripped-from-the-headlines "Who Killed Davey Moore?" and the infamous "Talkin' John Birch Society Blues" -- as part of the box set The Bootleg Series, Vols. 1-3. Finally, in conjunction with the 2005 release of Martin Scorsese's documentary portrait No Direction Home, the label released this six-song promotional disc, beautifully packaged in the vein of the original In Concert cover but still frustratingly incomplete (not to mention unavailable via traditional retail channels). What's left is an extraordinary record of the young Dylan at the apex of his craft, in transition from the protest anthems on which his early fame rests toward the deeply personal and hauntingly poetic songs that remain his greatest legacy. From a fiery rendition of "The Times They Are a-Changin'" to a jaw-droppingly beautiful "Boots of Spanish Leather," this is music that transcends space and time. Until the Sony BMG brain trust wises up and releases the Carnegie Hall tapes in full, consumers are heartily recommended to seek out bootleg releases, in particular Wild Wolf's 1997 release In Concert, which even boasts CBS' original cover design for good measure. ~ Jason Ankeny
Film Soundtracks - Released October 1, 2014 | Warner Bros.