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Eloquence, c'est la collection des trésors oubliés des labels Deutsche Grammophon, Decca et Philips. Initiée par l'Australie, cette série de rééditions sait créer l'événement. Les albums offrent des couplages souvent inédits, avec une véritable connaissance de l'histoire discographique pour former une présentation cohérente et soignée. Le son, provenant des bandes originales anglaises, est traité de manière naturelle pour pouvoir rendre au mieux l'exceptionnelle qualité sonore qui a subjugué des générations de mélomanes dès l'orée de la stéréophonie dont Decca a été un des pionniers, développant ses propres micros et magnétophones. Une collection pour mélomanes et audiophiles exigeants pour un prix modique.

Albums

CD$21.49

Symphonic Music - Released February 7, 2020 | Decca

Three Philips albums of Mozart from the early years of Sir Colin Davis’s half-century association with the London Symphony Orchestra, including several recordings new to CD. Known as a peerless interpreter of Berlioz, Sibelius and Tippett, Sir Colin Davis was devoted above all to the music of Mozart. Symphonies, concertos and serenades by Mozart formed much the largest part of Davis’s early discography with several labels and ensembles. ‘He simply knew how Mozart should go,’ recalled the film director Humphrey Burton after the conductor’s death in 2013. A landmark event in his career occurred in 1959, when he took over performances of Don Giovanni in London from Carlo Maria Giulini, and record labels soon took notice of his Mozartian gifts and inclinations. He began to work regularly with the LSO in the early 1960s, and it was a relationship that quickly bore fruit in the recording studio with Symphonies Nos. 39 and 40, which also marked the beginning of the 40-year-long relationship between the conductor and the Dutch Philips label. Symphonies Nos. 25, 29 and 32 followed in 1964, likewise newly minted, rhythmically buoyant and quite foreign to the ‘grand old man’ style of Mozart playing then prevalent, and which Davis himself cultivated to a degree in the latter stages of his career. These recordings were welcomed as ‘young man’s Mozart’, respecting tradition but not in hock to it, reflecting Harold Rosenthal’s early praise of Davis in the pit: ‘‘Not since the departure from London of [Erich] Kleiber have we heard a Mozart opera directed with such musicality, style and rhythm, or so beautifully shaped.’ The third LP reissued in this generous compilation contained the two concertos written by Mozart for the flute: an instrument for which he apparently held no great affection, but produced all the same two works of boundless invention. The soloist was the Dutch-born, German flautist Hubert Barwahser (1906-1985) who had been recording for Philips since the label’s earliest days, both as a soloist and as principal flautist of the Concertgebouw Orchestra. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
CD$63.99

Symphonic Music - Released October 18, 2019 | Decca

A feast of Haydn and Mozart under the sure and stylish baton of Karl Münchinger, including several recordings making their first international appearance on CD.This box of Münchinger’s legacy in Classical-era repertoire picks up where the Eloquence set of his Baroque recordings (484 0160) left off, with six symphonies of Haydn. He had founded the Stuttgart Chamber Orchestra in 1946, and Decca began making records with them three years later. The excellence and commercial success of these albums caused the label to invite him to work with orchestras other than his own, in Paris (the Conservatoire Orchestra) and, more prestigiously still, the Vienna Philharmonic. The first fruits of this new relationship were issued in May 1955: an LP of No.88 and No.101, the ‘Clock’. Reviewers looked to the likes of Furtwangler and Toscanini for comparison respectively, and did not find Münchinger wanting for either grandeur or pathos in this music. The sequels took in Nos 96 and 104 (recorded in May 1957) and Nos. 83 and 100 (from April 1961): superbly open and spacious Sofiensaal recordings engineered in classic Decca sound by John Culshaw and Christopher Raeburn. By then Münchinger was also recording Mozart for Decca, both with an enlarged cohort of his Stuttgart ensemble and with the Vienna Philharmonic. The repertoire included not only mature symphonies but also concertos (with the Viennese principals Werner Tripp and Alfred Prinz on flute and clarinet respectively), serenades (featuring the inimitably luscious tone of Willi Boskovsky’s violin) and rarities such as the ballet Les Petits Riens, recorded back in Stuttgart. The set concludes with two discs of concertos: Haydn and Boccherini with the cellist Pierre Fournier, Mozart with both Christian Ferras – including the apocryphal ‘Adelaide’ concerto once championed by Menuhin – and Wilhelm Kempff, in a pairing of the Piano Concertos Nos. 9 and 15 that had critics reaching for superlatives in an era when these works had barely entered the record catalogues. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
CD$18.99

Chamber Music - Released October 18, 2019 | Decca

Two Decca LP albums of orchestral miniatures, newly remastered and issued complete for the first time on CD, with a substantial bonus from Karl Münchinger’s varied discography.Karl Münchinger (1915-1990) was remembered for decades as a solid conductor of Baroque music, but previous reissues on Eloquence have served to broaden our view of a consummate musician. Recent issues of Haydn and Mozart and Liszt and Wagner demonstrate that he also had the Classical and Romantic repertoire at his fingertips. Here is the complement to those issues, an invaluable continuation of the Münchinger story: a genial disc of encore-like gems from Bach to Grieg, recorded by Decca in September 1966 and first issued the following summer. It includes the conductor’s own, straightforward but sensitive orchestrations of two Bach fugues and a movement from Schumann’s Op.66 piano cycle, Bilder aus Osten. Alongside them are Baroque classics for which the Stuttgart Chamber Orchestra was famed, such as the ‘Air on a G string’, two movements from Vivaldi’s ‘Alla Rustica’ Concerto and the Musette from Handel’s G minor Concerto grosso Op.6. On CD2, ‘Contemporary Music for String Orchestra’ ventures beyond the well-trodden path of Barber’s Adagio to include a set of Hindemith’s pedagogical music, a delicately refined Serenade by Lennox Berkeley, and Frank Martin’s arrangement of his own organ Passacaille, made for Münchinger ‘and his wonderful Stuttgart Chamber Orchestra’. Dating from October 1950, the album was recorded in Decca’s crystal-clear mono sound, as were two bonus items on this new compilation: the sombre, graceful Chaconne from Gluck’s Paride ed Elena, in 1960, and from a decade earlier, the Third Suite of Respighi’s Ancient Airs and Dances, with its haunting Siciliano and imposing final Passacaglia. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
CD$12.99

Symphonic Music - Released August 16, 2019 | Decca

Handel orchestral favourites from the 1950s in a winning combination of old-school polish and unaffected stylistic refinement.With this and several other albums, Eloquence celebrates the art of Thurston Dart, the harpsichordist, conductor and editor who played a leading role in the early-music revival in postwar Britain. After his death in 1971 at the age of just 49, his fellow harpsichordist Igor Kipnis paid fulsome tribute to ‘a man of many parts’, whose 1954 volume on The Interpretation of Music had attained testamentary authority among his fellow musicians, matched by the skill, style and flourish of his many recordings: ‘He was the ideal musicologist-performer.’ Kipnis singled out this 1959 L’Oiseau-Lyre recording of the Water Music as a classic. Alongside the legendary winds-only account of the Fireworks Music led by Sir Charles Mackerras it was chosen by Stereo Review in 1964 as a defining album in a general introduction to Baroque culture: ‘I cannot think of two other Baroque recordings that I could recommend more unreservedly.’ Dart and his colleague Brian Priestman attempted to reassemble the whole of the Water Music as it had first been heard, on a fine summer’s evening in 1717, played on barges sailing down the Thames. The LP format had necessitated the omission of some repeats in the music, but that ‘the orchestration on this disc is Handel’s throughout – he was one of the most skilful orchestrators of the 18th century, and may be presumed to have understood what he was doing’. The couplings are drawn from a pair of Decca albums: overtures directed by Boyd Neel (in 1954) and George Szell (in 1961) with a chaste restraint and lively rhythmic precision that complements the extrovert fantasy of Dart’s performing instincts. Added are two of the Mozart Epistle Sonatas recorded in 1956. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
CD$18.99

Classical - Released July 12, 2019 | Universal Music Australia Pty. Ltd.

Distinctions 5 de Diapason
CD$14.99

Symphonies - Released June 8, 2018 | Decca

Distinctions 5 de Diapason
CD$10.49

Classical - Released January 1, 2012 | Decca Music Group Ltd.

CD$10.49

Classical - Released January 1, 2006 | Decca Music Group Ltd.

CD$10.49

Classical - Released September 13, 2000 | Decca Music Group Ltd.

CD$10.49

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$10.49

Classical - Released January 1, 2000 | Deutsche Grammophon (DG)

CD$10.49

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$12.99

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$12.99

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$12.99

Classical - Released January 1, 2000 | Deutsche Grammophon (DG)

CD$10.49

Classical - Released January 1, 2000 | Deutsche Grammophon (DG)

CD$12.99

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$12.99

Classical - Released January 1, 2000 | Decca Music Group Ltd.

CD$10.49

Classical - Released January 1, 1981 | Decca Music Group Ltd.

CD$12.99

Classical - Released January 1, 1978 | Universal Music Australia Pty. Ltd.

Distinctions 5 de Diapason - Gramophone Editor's Choice