What is a Qobuzissime? It’s an award presented by Qobuz for a first or second album.

Pop or Reggae, Metal or Classical, Jazz or Blues, no genre is excluded. More often than not the award is presented to a newly discovered artist.

Sometimes it might be a particularly quirky or a crossover album from a discography.

The important aspects are uniqueness, sincerity and quality. We look for these things in the recording, the project and the sound identity.



Alternative & Indie - Released October 26, 2018 | CRYBABY

Hi-Res Booklet Distinctions Qobuzissime
Francis Mallari, Elliot Berthault, Maxime Gendre, Simon Dubourg, Guillaume Rottier: five lads making beautiful, violent French post-punk. Rendez-Vous have something of a fresh Eighties chill flavour. And they don’t sound French. From Fad Gadget to Soft Moon, the quintet blends together a huge range of influences, without ever falling into imitation. After two EPs, Rendez-Vous in 2014 and Distance in 2016, the Parisians have dug deep into the blackness of a punk style that's dark but fine, elegant and worn, and never too gritty. This is a classy and romantic rendez-vous in black and white. The group are held together by a strong spine made up of Francis' rough and husky voice, the choppy guitar and busted synths and above all the intense, unwavering bassline (Sentimental Animal, Paralyzed) which creates a rhythm that's certainly upbeat but not rushed: Superior State says it all: from the first track, until the final bow. Excellent. © Charlotte Saintoin/Qobuz

Alternative & Indie - Released October 12, 2018 | Kitsune Musique

Hi-Res Booklet Distinctions Qobuzissime
The story of Parcels is both a childhood dream and a wonderful human adventure. Formed just four years ago, for what is the “first real band” for each of its members, the quintet (music-lovers and Steely Dan-addicts) quickly sold out their first concerts in Byron Bay, a surfing spot on the East coast of Australia. But despite being half a world away, the smell of Berlin nights lured them over to try their luck in Europe. Good move: the international music hub that is the German capital lead them to a signing with the Parisian label Kitsuné. After two EPs where they demonstrated their compatibility, Thomas Bangalter came to congratulate them and give them some advice following a concert in Paris, producing their single Overnight a few months later. Now equipped with Daft Punk’s totem of protection, the Aussies have launched their debut album with an emphasis on the collective – symbolised by the title of the album, Parcels – a pop-funk wave that sounds like an album by The Beatles with Nile Rodgers on the guitar. Amongst these twelve tracks (three of which have already turned heads: Tieduprightnow, Bemyself and Lightenup), you realise that this group really is a group in the true sense of the word and that these guys love nothing more than jamming out. The lyrics on Lightenup were written collectively – proof that Parcels plan to head down this road together (or at least that their lead singer isn’t a complete megalomaniac). And as long as they keep their spirits up this high, nothing will stop them from cruising on down this sunny highway. © Smaël Bouaici/Qobuz

Alternative & Indie - Released March 2, 2018 | Domino Recording Co

Hi-Res Distinctions Qobuzissime
Confusion guaranteed! They are Australian, Japanese, English, Korean and they have dropped their anchor in the UK capital. They love the pop of yesterday as much as the pop of today. They make musical collages look as easy as breathing in and out. What if Superorganism were THE group that captured all that's best in our times? This young collective of international musicians, all big fans of pop culture, met on YouTube; and they composed, recorded and produced their first album in a studio in East London, where they now live together! This sunny record is a rainbow of minimalist indie pop, synthetic and racing, as extravagant as it is kaleidoscopic, bringing praise from artists like Frank Ocean and Ezra Koenig from Vampire Weekend. For some this will bring to mind those distant cousins of the The Avalanches, The Go! Team or I'm From Barcelona: but Superorganism has a light touch and a dreamlike, soothing quality which are all their own, and which have made this album a heartwarming Qobuzissime. © Marc Zisman/Qobuz

Alternative & Indie - Released January 12, 2018 | Dead Oceans

Hi-Res Distinctions 4F de Télérama - Qobuzissime
As intense as an XS G-string stretched around an XL derrière, Shame isn’t here to joke around. The concentrated post-punk that is at the heart of this debut album from the London quintet stands out through its charisma, violence and originality. Songs Of Praise even sounds like the soundtrack to a really grey, frustrated England. There’s a lot of The Fall, Gang Of Four and Killing Joke in this sonic bundle of nerves, but it never sounds retro or backwards. Like Fat White Family, Ought or even Vietnam, Shame belongs in 2018 and you can definitely hear it! Straight from Brixton, singer Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, drummer Charlie Forbes and bass player Josh Finerty produce and cage their seemingly visceral irritation on punchy songs (Dust On Trial) that are sometimes poisonous and throbbing (The Lick) but at other points more genial (One Rizla). Here, Shame play brazen, uncompromising and unapologetic rock. Just one listen to Songs Of Praise and your body will come out bruised, yet you will keep asking for more. © Marc Zisman/Qobuz

Alternative & Indie - Released June 3, 2016 | Marathon Artists

Distinctions Qobuzissime
No effects. No frills. No guests. No nada. Just songs, nothing but songs. Max Jury hasn’t completed a quarter century on this earth, yet his obsession remains with a timeless art of old: writing. The young American is clearly a man of taste and his world visibly (and audibly) collides with that of Neil Young, Townes Van Zandt, Gram Parsons, Randy Newman, Paul McCartney, Harry Nilsson and Tony Joe White, among others. His first album brings together many songs that you’ll be humming to yourself at the end of the night. On the facade of this almost-classicism, Jury integrates sublime melodies and sophisticated arrangements. He has opted for the piano rather than guitar here, interestingly enough. Jury has long since realized the inextricable link between country music and soul. Knowing this makes the heart of his art truly jubilant. © Marc Zisman/Qobuz

Ambient - Released November 27, 2015 | Intuitive Records

Hi-Res Booklet Distinctions Qobuzissime

Alternative & Indie - Released October 7, 2013 | Domino Recording Co

Hi-Res Booklet Distinctions Qobuzissime - Hi-Res Audio
On her 2011 Mercury-nominated debut, bewitching, guitar-slinging Brit Anna Calvi delivered enough atmosphere to terraform her own planet. Elegant and poised, yet undeniably coiled and ready to strike at the first sign of a threat, songs like "Desire," "Suzanne & I," and "Blackout" sounded like a radio caught between Roy Orbison's "Crying" and PJ Harvey's "Man-Sized." One Breath, her intoxicating sophomore outing, picks right up where her eponymous first impression left off, offering up a pair of fevered, reverb-drenched, bordello-rock gems in "Suddenly" and "Eliza," before shifting gears with the icy and elliptical "Piece by Piece," one of several tracks that owe more than a cursory nod to the punchy, overcast minimalism of late-period Scott Walker. Calvi's more comfortable with pushing the envelope this time around, and One Breath feels like the work of an artist who has been given (or has at least given herself) carte blanche. Songs like "Cry," with its explosive blasts of Carlos Alomar-borne feedback, the hypnotic "Bleed into Me," which sounds like Jeff Buckley taking on King Crimson's "Matte Kudasai," and the nervy, incredibly intimate title track, may mine different areas of the sonic map, but they remain firmly entrenched in the ever-expanding Anna Calvi universe. Having eschewed much of the cavernous chamber pop of her debut for more challenging yet no less rewarding fare, Calvi's less adventurous fans may find themselves at a loss as to how to process it all, but there's something both immaculate and broken about One Breath that ultimately transcends its more difficult moments. ~ James Christopher Monger

Alternative & Indie - Released April 16, 2012 | Tricatel

Hi-Res Booklet Distinctions Album du mois Trax - 5/6 de Magic - Qobuzissime - Hi-Res Audio