What is a Qobuzissime? It’s an award presented by Qobuz for a first or second album.

Pop or Reggae, Metal or Classical, Jazz or Blues, no genre is excluded. More often than not the award is presented to a newly discovered artist.

Sometimes it might be a particularly quirky or a crossover album from a discography.

The important aspects are uniqueness, sincerity and quality. We look for these things in the recording, the project and the sound identity.





Albums

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Alternative & Indie - Released June 8, 2018 | Easy Eye Sound

Hi-Res Booklet Distinctions Qobuzissime
After buccaneering around the West Coast with the Clams, Shannon Shaw has headed to Nashville, as Dusty Springfield did in 1968. With a clear nod to Dusty in Memphis, this first solo effort marks the beginnings of an emancipated life. Shannon & The Clams is a group from Oakland, California, which owes as much to Primus as it does to Devo, Missing Person or Roy Orbison. They have mastered the art of disguise, putting out absurd shorts, and invite journalists into their tiny rooms. They're signed on Burger Records. Their poetry is written in punk, rockabilly, doo-wop and garage. Even punkier, and rawer, were Hunx and His Punx, which Shannon joined at Seth Bogart's invitation. Now flying solo, Shannon is showing us a different face. Her husky voice has the doo-wop soul of the great girl groups, the Ronettes, Shirelles and the Shangri-Las: you could already hear it on the Clams' Onion, produced by Dan Auerbach. And though Shannon's still on bass, now she has centre stage. A fan of the Clams, the Black Keys singer invited Shannon to do a turn in his Easy Eye Sound studio. With six songs in her pocket, our glamorous blonde leapt at the chance to join a clique off over-qualified musicians, and to fulfil her destiny. These old-timers recorded with Aretha, Elvis and Dusty... Which must have raised the pulse. And here they raise the ghosts of her broken, sorry loves, and push the great singer's feline, charming voice to its limit. Scintillating sixties melodies, cinematic arrangements straight out of James Bond: Auerbach has crafted this album painstakingly. It's classy, and classic, with a little touch of glockenspiel, vibraphone and some chimes, and a faintly musty retro whiff. Dan has played Phil Spector, and brought out Shaw's genius, and revealed the diva. © Charlotte Saintoin/Qobuz
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A/B

Alternative & Indie - Released June 10, 2016 | Elektra (NEK)

Hi-Res Booklet Distinctions Qobuzissime
Opening with a track entitled No Good? A surefire way to help listeners understand that what comes next is rock’n’roll inspired by the golden age of guitar. It’s easy to see why the TV series Vinyl chose the the track to integrate into their soundtrack. Kaleo mark their territory definitively here with energetic rock, deft instrumentalism and some great folk ballads. The vocals of JJ Julius Son goes from are at times rough, and at others, crystalline – the dynamism is impressive from start to finish. There is an element of brilliance on their album A/B (Way Down We Go). With the likes of the Jacquire King (Kings of Leon) and Mike Crossey (Arctic Monkeys), Kaleo has definitely ensured the quality of production – and the sound on this album is a testament to that fact. An incredibly diverse project well deserving of our Qobuzism award!